Mylie ← keeps hitting limit

really sorry if I miss over someone or sometwo etc. I do not personally hate you. I just forgot how everybody’s handles look like .#giveup

all art is political but vkei is deceptive with how closely packed we are between nazis and drag queens

4/8 Nagoya Regarding the livestream Sho: And there’s tickets for the general public…we know that there’s many people who couldn’t continue being in the FC for a variety of reasons. We want you to remember that we do know that. 😭😭😭😭😭

@Prayers_4Her belt

This doesn’t apply to small people with pants btw 😭

Lrt “No matter how many times I am reborn, I don't think I'll ever see such a wonderful sight again; it's a treasure for life. It was all of you who stirred up a storm across the world” Aiba-chan ☹️

【 🎞️Movie 】 #中島健人 さんが主演をつとめる 映画『 ラブ≠コメディ 』に #今野大輝 の出演が決定💖 劇中ドラマの助監督・平林和馬役を演じます📣🎬💫 7月3日(金)全国公開❣️🦙 情熱を燃やす人たちの" 胸アツ "お仕事エンターテイメントをぜひお楽しみに🎥❤️‍🔥✨ 🔗詳しくは公式サイトをチェックしてください🫶🏻 movie.storm-labels.co.jp/lovenotcomedy/ #映画ラブノットコメディ #BandZAI

人選被りあったらすみません #danganronpa #sdr2

WHO wants to buy the ibuprofen naegi stand😍😍😍

Kills me whenever I see this in my camera roll boy is right where he wants to be

ケンティーとこんぴーの共演とても楽しみ！ぜったい映画館行く！！　＃ラブノッティ

YOOO???? That’s fancy as shit omg

シャドウラビリス #ペルソナ4 #P4U #AtlusFaithful

Why some camera angles can make me feel uncomfortable: The clip from the first image is taken from Don't Talk to Strangers, exposing the brutality of domestic violence and its harm to victims. The camera is aimed almost entirely at the abuser, capturing his actions, expressions, and words, forming a complete and brutal portrait of him. What the audience remembers is the violence of the abuser. But when the camera focuses on the victim, all we see is a woman being humiliated—her pained face, exposed skin, her trembling in fear without the strength to resist. Everything is magnified by the lens, laid bare before the public eye. What the audience remembers is the suffering of the victim. The camera that could be directed at the cruelty of the perpetrator instead fixes on the vulnerability of the victim, transferring pain and a shaming gaze onto the woman, using close-ups to turn her into an object of humiliation for consumption. That is the source of the discomfort. The camera has its own language. Whoever the camera focuses on is whom the audience looks at. When the camera lingers on the victim’s pain, while the abuser is only briefly mentioned or not even in the frame, the camera itself is doing something cruel: turning the victim’s suffering into a consumable spectacle while allowing the abuser to remain invisible. Under such camera work, the audience’s attention is drawn mostly to “how much the victim suffers” rather than “how evil the abuser is.” This kind of focus on the victim is not a judgment of the perpetrator, but a gaze upon the victim. A reasonable portrayal of violence should focus on the abuser’s hands, expressions, and posture, making the audience feel that the sense of oppression and fear originates from the abuser—not merely making viewers feel the victim’s pain from across the screen. Of course, as some might say, other comics have even more of these tropes, yet I only mention this one. So let me ask you: if someone is beaten, would you say, “But others are killed in the world, so why are you crying over a beating?” If someone says, “The water here is dangerously deep,” would you step in and say, “The sea over there is deeper, and you’re ignoring it”? As long as something worse exists in the world, does that mean no one is allowed to complain about what’s right in front of them? As if pain is a competition, where you only get to speak if you win a medal. The reason I chose this particular work is that I’ve been a reader of it for a long time, and it’s the only one I know well. I am not obligated to rank all the comics in the world by “severity of harm” before I earn the right to speak. I don’t need to compare every other comic you tell me contains even worse elements just to conclude which one is more problematic. I only need to tell you: “I’ve only read this one, and it made me uncomfortable. Because I saw it, I spoke.” Moreover, in this comic, I probably don’t need to say much more—over nearly a hundred chapters, how many romanticized shots are focused on the ex-husband who humiliates this woman, showcasing his “savior” image from his student days? And how many people have even used that as a defense for his violent actions?

my take

💗🦖 Jonghyun Eras 🦖💗 happy birthday to our shining moon! 🌸🌙 #종현이의_서른여섯번째_봄 #HAPPY_JJONG_DAY

the point isn't that men are victims of misogyny but that some oppressive structures and beliefs people direct at men are rooted in misogyny. this is not only a fact and common sense but an essential part of gender studies and deconstructing your own internalized misogyny

Happy 36th birthday to our dearest, precious, most beloved Jonghyun~!♡ㅎ⩊ㅎ♡ ✨💎 thank you for coming into my life. As always, I treasure you deeply in my heart 🌸🌙 #종현이의_서른여섯번째_봄 #HAPPY_JJONG_DAY #JONGHYUN #종현 #ジョンヒョン #SHINee #샤이니

@xusjo onika is Nikkis real name and “ate = burgers” means she eating burgers/calling her a fat ass

Kenty making his own onika burgers story

@xusjo 😭😭😭

Lrt “I talked about wanting to lock Arashi away in a treasure chest, but in the end, I couldn't trap that sparkling view. Being able to see this view together again, I might have been able to capture an even bigger and more beautiful treasure than back then.“ SAKURAI 😭😭😭😭😭

Kentys documentary airing on Yoko’s bday … ykw hell yea