Bitjoin

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Bitjoin

@bitjoin

Creators of @TheFakefluencer 2021, Hexicans & The Time Value of Money 2022 & Degen Generation 2025 - Future proof with us now @indikinofficial

เข้าร่วม Aralık 2014
1.4K กำลังติดตาม1.3K ผู้ติดตาม
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Bitjoin
Bitjoin@bitjoin·
TOM GILLESPIE’S THIRD DOCUMENTARY SERIES DEGEN GENERATION – FOMO IN FUD OUT GOES LIVE ON INDIFLIX bitjoinstudios.com/2025/12/21/now…
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Tom Gillespie
Tom Gillespie@TomPeterGill·
Gday fellas, for you that cant or wont make an account at indikin.online to support good cunts making documentary movie films, my mates have started dropping my Degen doco on the toobs, one episode per day for the next six days, starting today. Bookmark the playlist here: youtube.com/playlist?list=…
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Indikin
Indikin@IndikinOfficial·
Indikin is now on @farcaster_xyz a decentralized social protocol primarily used by Ethereum developers, crypto founders, venture capitalists, and Web3 enthusiasts. Follow us there to find out why the future of indie film is decentralized proper farcaster.xyz/indikin
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Indikin
Indikin@IndikinOfficial·
The next wave of capital won't fund individual films. It will fund IP ecosystems. Institutional investors are already thinking this way. The question is whether filmmakers build those ecosystems, or hand them to someone else. $INDIKIN is built for the filmmakers who want to own theirs.
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Tom Gillespie
Tom Gillespie@TomPeterGill·
Gday fellas, cheers to you that have been watching my docos on #IndiFlix recently. FYI i'll be swinging my focus on me and my mates project Indikin.online from now on. Follow the @IndikinOfficial account to keep chatting and for best results. 🫡
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Indikin
Indikin@IndikinOfficial·
Have you chatted with Indi yet? Indi doesnt just help you navigate Indikin, Indi can also help you craft scripts and plan out your next shoot. Meet Indi now at indikin.online, no log in required. #Indikin #filmmaking
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Bitcoin FilmFest 🎞️ 🐇
Bitcoin FilmFest 🎞️ 🐇@bitcoinfilmfest·
Bitcoin FilmFest comes to Warsaw again in 2026. 😍 A celebration of cinema, Bitcoin culture, and independent storytelling, with premieres and many more interesting things. 🔥 🗓️ June 4–7, 2026 (6.00 PM - 6.00 PM) 📍 Warsaw, Poland We’re excited to be featured on European Festivals Association. Thank you, @EFAfestivals, for publishing our event! 🙌 festivalfinder.eu/find-festival-… Stay tuned for more updates as we get closer. 🚀 For more details: bitcoinfilmfest.com/bff26/ Join Our Cinema Chat: t.me/+yfXLveSIRsw3Y… #Bitcoin #BitcoinFilmFest #BFF26
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Tim Tayshun “Lower your Time Preference”
HEY PEEPS!! Before we release ISSUE #2 of BITCOIN VIDEO MAGAZINE, we need 3,000 VIEWS on our “Genesis Issue #1.” WE NEED 16 MORE NEW VIEWS. We only need ONE of you to share this with 16 of your friends and get them to watch it. 3,000th view please comment on YouTube your Lightning ⚡️ address (and send a screenshot in this thread) to receive 25,000 sats!!! m.youtube.com/watch?v=ylzQRP…
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Indikin
Indikin@IndikinOfficial·
Happy belated weekend friends of internet. Check out one of our many resident DJs @bitman360 dedicated Indikin Party mix set straight from Hexico City. youtu.be/ttNlHss6nOg?is…
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Tom Gillespie
Tom Gillespie@TomPeterGill·
Gday champ! Now all 28 interviews from my Degen Generation Docuseries are available as a Podcast right here: youtube.com/playlist?list=… You can watch the entire Docuseries only at indikin.online Don’t forget to tell a mate!
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Indikin
Indikin@IndikinOfficial·
ECONOMY & FILM INDUSTRY BRIEFING - WEEK ENDING MARCH 13, 2026 TLDR: This week, NYC funded 5,000 free indie cinema tickets while 77% of brands plan to replace human creators with AI-generated content. The creator 'middle class' reached 45.6%, but 82% still can't break 10K followers as the global creator population heads toward 1.1B. SXSW premiered 49 films while Universal extended theatrical windows, benefits for studios, not independents. Communities support exhibition, platforms improve monetization, but nobody's building the ownership infrastructure that converts attention into lasting IP. That's Indikin, the bridge from creator saturation to filmmaker sustainability, from festival premiere to durable audience, from platform dependency to IP control. CREATOR ECONOMY: THE MIDDLE CLASS PARADOX The Data This Week: 45.6% of creators now earn $10K-$100K annually—the emerging "middle class" just barely behind the 48.7% earning under $10K 82% of Instagram accounts have fewer than 10K followers; only 13.5% surpassed 50K 76% of TikTok creators average fewer than 1,000 views per video; only 3% average 10K-50K views 77% of marketers plan to divert budgets from traditional creator marketing to AI-generated content in 2026 The Saturation Reality: Global creator population projected to surpass 1.1B by 2032 as AI lowers barrier to entry Success now depends on ownership of identity, audience, and intellectual property, not just content creation Revenue diversification accelerating: subscriptions, co-created products, affiliate programs, revenue-sharing models FILM INDUSTRY: INDEPENDENT CINEMA'S FIGHT FOR SURVIVAL NYC Launches Art House Cinema Week (March 20-26): NYC Mayor's Office funding 5,000 free tickets across 30 independent cinemas including Film Forum, IFC Center, Metrograph Initiative aims to remind audiences why independent theaters remain vital to cultural life Launched by Art House New York (founded October 2025) to strengthen indie exhibition through audience development SXSW 2026 (Running Now): 49 world premieres among debuts; first time festival launched on Thursday (March 7) Opening with Boots Riley's I Love Boosters (NEON) psychedelic absurdist caper about fashionista shoplifters YouTube Expands Creator Monetization: February 2026: YouTube introduced new AI-powered tools to help creators optimize video production, audience engagement, and revenue streams Patreon launched enhanced subscription and community features; TikTok expanded Creator Rewards Program with improved revenue-sharing for long-form content Theatrical Window Extension: Universal Pictures lengthening exclusive theatrical window to five weekends in 2026, seven weekends starting 2027, major reversal from pandemic-era strategy WHERE INDIKIN FITS: THE OWNERSHIP INFRASTRUCTURE GAP 1. The Creator Middle Class Needs Long-Form Infrastructure The Gap: 45.6% earn $10K-$100K but face brutal discovery odds: 82% stuck under 10K followers, 76% averaging under 1K views 77% of brands shifting to AI-generated content while creator population projected to hit 1.1B by 2032 More creators, less attention, lower barriers = saturation crisis Indikin's Complement: The bridge from attention-dependent content to durable narrative IP. While YouTube adds monetization tools and platforms fight for creator exclusivity, creators need transition infrastructure to long-form storytelling that survives saturation. 2. Independent Cinema Gets Community Support But Lacks Distribution The Gap: NYC investing in indie theaters with 5,000 free tickets to drive audience development SXSW showcasing 49 world premieres, but where do they go after festivals? Universal extending theatrical windows—benefits studios, not indies without distribution deals Indikin's Complement: While cities support exhibition infrastructure, filmmakers need distribution infrastructure. The gap between "49 world premieres" and sustainable careers requires creator-economy-style direct audience building. 3. Ownership vs. Platform Dependency The Gap: Success depends on ownership of identity, audience, and IP Creators diversifying with subscriptions, co-created products, affiliate programs Patreon, YouTube, TikTok all improving monetization but still platform-controlled Indikin's Complement: Ownership-first infrastructure for narrative IP. Not better platform tools, alternative infrastructure where creators control both production AND distribution of long-form work.
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Indikin
Indikin@IndikinOfficial·
Crowdfunding was step one. The problem was always that backers got a t-shirt, not a stake in what they helped build. We're working on what comes next at @IndikinOfficial: an ecosystem where the people who believe in an indie film can actually participate in its financial future via token mechanics. The math looks very different for filmmakers.
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