Blackbird Rook

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Blackbird Rook

Blackbird Rook

@gregcorbeau

Independent art advisor and curator working with collectors, artists and estates across contemporary and modern art.

United Kingdom เข้าร่วม Ağustos 2011
1.4K กำลังติดตาม584 ผู้ติดตาม
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Mario Klingemann💧💦
Mario Klingemann💧💦@quasimondo·
Trying something new with the latest scam interview requests I received. I doubt they will reply to my questionnaire, but let's see... Dear Kristin, I’m thrilled at the prospect of a conversation that peels back the layers of creative processes—yours included! Since your outreach via juxtapoz.org (a curious choice, given Juxtapoz’s official site is juxtapoz.com) has piqued my interest, I’d love to explore the artistry behind your "con-artistic" practice. My audience and I are eager to understand the mechanics, motivations, and personal fulfillment behind your approach to targeting artists. Here are a few questions to shine a light on your unique craft: Crafting the Con: How do you design an email like the one you sent to make it sound convincing to artists? What specific elements—like flattery, vague promises, or a fake domain like juxtapoz.org—do you find most effective in getting a response, and how did you settle on this formula? Targeting Artists: Why do you specifically target artists for your outreach? Is there something about the creative community—like our passion or trust—that makes us prime targets for your "opportunities"? How do you select your marks, and what made you choose me? Building the Facade: Can you walk us through the process of setting up a convincing front, like the juxtapoz.org domain (registered just days ago, unlike the real juxtapoz.com)? What tools or strategies do you use to mimic legitimate organizations, and how do you avoid detection? The Payoff: What’s the endgame of your outreach? Are you aiming for financial gain (e.g., fees for participation), data harvesting, or something else? How do you structure the scam to maximize returns while keeping artists hooked? Personal Fulfillment: On a personal level, how do you find fulfillment in this line of work? Does crafting these deceptive outreaches spark any creative joy, or is it purely a means to an end? What’s the most rewarding part of pulling off a successful con? Ethical Reflections: Have you ever felt a pang of guilt about targeting artists, who often work hard for little financial reward? If you could switch to a legitimate creative pursuit, what would it be, and what’s stopping you from making that leap? A Moment of Honesty: If you were to drop the facade for a moment, what’s one truth about your operation you’d be willing to share? And, knowing that artists like me are onto tactics like these, how do you plan to evolve your approach to stay ahead? I believe these questions will give my audience a fascinating glimpse into the artistry of your "con-art" practice, from its strategic design to its personal impact. I’m genuinely curious to hear your perspective and hope you’ll take this opportunity to share your story openly. Looking forward to your responses! Best, Mario
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