Chuck Slavin

@senwarren @repstephenlynch @SenMarkey “Sensitive locations” restrictions force ICE out of controlled settings into dangerous street-level operations. Officer assaults up 1,300%. These policies don’t protect anyone – they endanger everyone.

Stop Fake Crimes for Immigration Benefits! votervoice.net/Shares/BAAAAAW…

Declassified reports from DNI Gabbard unveils a chilling coup d'état against President Trump by the CIA, the former President of the United States and his entire administration with the media backing them every step of the way. Obama’s intel team fabricated the Russia/Trump collusion narrative to undermine the election of Donald Trump. Tulsi Gabbard’s findings expose a rushed, doctored CIA assessment, orchestrated to mislead the American people ahead of an election to sway their votes away from Donald Trump. That's election interference - direct Treason. The House intel report, hidden for nearly a decade, reveals Barack Obama’s direct role. CIA analysts were pressured to push false claims. No evidence supported the collusion hoax. DNI Gabbard: “We have referred all documents to the DOJ for criminal investigation." “The evidence directly points to President Obama leading the manufacturing of this intelligence assessment.” The report details a secret CIA operation, led by disgraced former CIA Director John Brennan, ignoring standard protocols. This wasn’t intelligence, it was DIRECT political sabotage eroding trust in the very institutions that are supposed to work FOR the President of the United States and the American citizens. That's FAR from what they were doing. Treason Doesn't Pay Well In The End.

Kamala Harris won Massachusetts by 875,215 votes. Massachusetts counted 1,173,112 mail-in-ballots. These 1,173,112 mail-in-ballots did not require photo ID.

To My Fellow SAG-AFTRA Brothers and Sisters: Royalties & Residuals for AI/GAI or BUST! #SAGAFTRAMembers

BREAKING: The Senate has unanimously declared October 14, 2025, Charlie Kirk’s birthday, as the “National Day of Remembrance for Charlie Kirk.”

Roseanne Barr – Fired by ABC/Disney and her hit show Roseanne canceled overnight in 2018 after one tweet. Hundreds of cast and crew lost their jobs. Gina Carano – Fired from The Mandalorian in 2021 for social media posts that didn’t fit the Left’s politics. Dropped by her agency too. Megyn Kelly – Fired by NBC in 2018, her morning show canceled after comments about Halloween costumes. Dave Chappelle – Netflix employees staged a walkout and demanded his comedy special be pulled for “transphobia.” The Left tried hard to cancel him. Joe Rogan – The Left pressured Spotify to drop him, running coordinated campaigns and advertiser boycotts over COVID discussions. Tucker Carlson – Taken off Fox News in 2023. Liberal activists bragged about advertiser pressure campaigns that helped force him out, costing thousands of downstream jobs. Parler – Apple, Google, and Amazon colluded in 2021 to wipe the entire platform off the internet. Tens of thousands of small creators and businesses lost income overnight. J.K. Rowling – Blacklisted from events, attacked by activists, and pressured out of projects for speaking her mind. Mike Lindell – MyPillow pulled from major retailers, banned from Twitter, and targeted with advertiser boycotts. Alex Jones – Simultaneously banned in 2018 by YouTube, Facebook, Apple, and Spotify. Coordinated erasure celebrated as a model for censorship. Patterns are clear: Coordinated advertiser boycotts. Public celebrations of people losing jobs and businesses. Two sets of rules — the Left can lie (Russia hoax, Covington kids smear, Jussie Smollett, etc.) and laugh about it, but the Right gets destroyed. Accountability only ever goes one way. The Left has spent the last decade perfecting cancel culture, destroying jobs, nuking shows, wiping platforms off the internet, and laughing while people’s lives were ruined. But sure… Jimmy Kimmel smugly lying about a political assassination? Totally fine.

Gina Carano: “ They tried to make an example out of me.... we’re now finding out, I was right! ” “ It was really hard to go through... but I’m happy it happened... because I learned so much... I can see it now... I was very naive before... but now I’m like ‘oh I got it now’ .. ”

Subscribe to my YouTube Channel too Please…. @chuckslavinpage" target="_blank" rel="nofollow noopener">youtube.com/@chuckslavinpa…

It’s interesting to me that acknowledging Trump proposed film tariffs might work is to difficult for them to say…hollywoodreporter.com/business/busin…

They used to delete your accounts for saying this

🎉🎉🎉🎉🎉🎉🎉 Congratulations to all our newest union kin! Paradise Rock Club, Brighton Music Hall & House of Blues Workers all voted unanimously for IATSE Local 11 representation! #UnionStronger

(35) CDC study shows vaccines saved ZERO lives kirschsubstack.com/p/cdc-study-sh…

RIP Tocayo #ChuckNorris

Whatever FIW is I’ll definitely run for President 🤪

I put in 25 years. It would be 26 but I haven't worked yet this year and I'm not sure I'll ever work in entertainment again. The writing has been on the wall for quite some time. But it's a sad thing--especially since the collapse of Hollywood is (mostly) self inflicted. Outsiders like to blame the unions and burdensome regulations. That's not exactly wrong, but the big reason is that Hollywood stopped making a product that people wanted to consume. Film is a funny thing. On one hand it's art. But on the other it's a mass consumer product--like a car, or a soft drink. But unlike a typical consumer product, it was something we consumed together. We went to a special place, and sat with strangers, and watched stories. And those stories infected us. They entered our minds and our souls and they implanted things. Deep things. Ancient things. Timeless things. Things like heroism and beauty and love and fear and sex and death and adventure and tragedy and pain and injustice and all the things that make up our dreams. There's a thing we call "cinematic language". It's how we tell a story with images. (And BTW if you want to learn more about the language of visual media, read Scott McCloud's excellent book Understanding Comics.) An odd thing about cinematic language is that it's the same language as dreams. There's a scene in Christopher Nolan's Inception where Leonardo DiCaprio is explains to (the tragic) Ellen Page how dreams work. But what he's really describing is cinematic language. Inception is really a movie about movies BTW. While it's far from my favorite film, I think it's the perfect film. Because the suspension of disbelief is perfect. You believe the plot about dreams because you're familiar with how movies work--maybe not consciously--but you know. Everyone knows. Maybe not everyone has seen a movie, but everyone has dreams. Another odd thing about film: you don't "watch" a movie, you look into it. And you put yourself inside it. Now you're in the dream. And you're hypnotized. Because movies do that too. The motion--the moving images--they hack your brain. We're programed to pay attention to moving things. Even when the things aren't real. Even when they're just light reflected off a screen. So we'd go to these special places--these movie theaters--these temples--and we'd sit, and we'd "watch" and we'd enter the dream. And we did it together. And after the movie was over--and the lights came on, and we'd file out over the sound of popcorn crunching under our feet--we were different. We had become transformed. Sometimes we were changed in minor ways. But sometimes not. Sometimes we were changed in profound ways. And we did it together. Before the movie we were a room full of strangers. But after--on the way out the door--we all had something in common. Because we shared an experience. We'd shared the dream. And we'd all become transformed. And then tech got involved... Streaming turned movies from a communal experience to a personal experience. And that's an issue, but they did something else too. They started developing movies as if they were tech products. But you can't apply a KPI to a dream. At least, not successfully anyway. Because dreams don't work like that--nor does any sort of art. And that's a funny thing about making movies. You try to make the best film you can, but at the end of the day you have no idea if it's good or if it's going to be successful. You just have to hope the audience likes it. Now, you can design a movie that will appeal to a preexisting audience. Marvel movies are like this. There's a large group of fanboy nerds that will see every single one. You can count on them every time. Just like you can count on the Gay Oscar Bait crowd (for example). But those movies are slop. But Hollywood became specialists in slop. Because slop is safe. Because you could apply KPI style metrics to slop. As a result they lost the audience. And the audience is probably never coming back. I wrote a book in 2024 (that was published in 2025). While writing, I thought of it as my farewell to the industry. But looking back, what I was actually writing was a eulogy for Hollywood--the place where dreams were made. And so it goes...