Hellsfoxes

@CyrilH44 This is objectively an incorrect use of “objectively”

Objectively speaking, Nolan creates the best endings to movies ever. There’s not a single filmmaker that even comes close.

@nimlot26 TLDR: “Why don’t other people agree with my opinions. They must doing it for nefarious, bias reasons because my opinions are clearly more correct.”

@doomerzoomer When Keeping It Real Goes Wrong

@MrJerryOC Fuck apologising. That scene is the happiest Sid ever is in the whole franchise. It’s a gem.

Again, apologies about cafetetia/singing/Scream 2 scene. I think it had to stay because the exhange of The Greek Letters had significance. Okay, logging off.

@JosephKahn The last thing I think when I finish watching Jaws is “good movie but man it really needed more romance”

Jaws is not the greatest movie ever made. That's Titanic. I love Jaws, but it trades romance for bromance. It's part of Spielberg's early "Handyman" movies - films about men fixing things, from Duel to Jaws to Close Encounters to Raiders. It's not until E.T. that Spielberg earns his sentimental manipulator reputation. Jaws is an incredible movie, an expertly crafted movie, but Titanic is a MOVIE. Spectacle, romance, man vs. nature, man vs. man, rich vs. poor, love, sacrifice, honor, old and young, life and death, women and children first - basically everything you could ever want out of Hollywood. It's Jaws with the iceberg as the shark, but also Romeo and Juliet as a ship sinks. It's the ultimate Spielberg movie that Spielberg never made. Filmmakers love the craftsmanship and existential simplicity of Jaws, but deep down, the audience wants more than to beat a shark. They want Leo DiCaprio to tell them to live.

Can AI make Bloodborne 2 yet?

@ATRightMovies I remember when this account posted cool shit. This is the dumbest thing I’ve ever read.

In the final scene of BATMAN BEGINS, the Joker teaser with the card was a nod to Gotham’s “next problem,” but Nolan shot it and scored it like a mini‑cliffhanger, making the exchange feel like a comic‑book splash page setting up a bigger world.

@absrdst @anonymoustrap @DL2onX @jaysonbuford There’s nothing in the scene that implies they are contributing influencers/musicians. They are just as likely cultural parasites, only living at night. They lament the loss of their old music and not being able to see the sun.

Saw SINNERS again as homework for a larger project that I am excited about. Coogler almost had it. So much good in it. Needed to trust the audience more.

@absrdst @DL2onX @jaysonbuford Stack refers to the last day he saw his brother as the time they were free. This is one of the biggest themes of the film, if their people can find freedom post slavery. Being a vampire clearly ain’t it.

@TheUnaButters “The producer didn’t have any meaningful part in making the film” might be the dumbest tweet of the month, congrats!

>Michael Crichton wrote the novel to Jurassic Park >Michael Crichton wrote the screen play to Jurassic Park >John Williams made the score to Jurassic Park >Steven Spielberg Directed Jurassic Park >Stan Winston made the Practical Effects >ILM did the CGI But Kathleen Kennedy "made" Jurassic Park

@AlexTran677026 “The only James Bond film where Bond truly faces the consequences of his emotional attachments.” The fuck you talking about? Have you seen any other Bond films?

Interesting fact: No Time to Die (2021) — It is the only James Bond film where Bond truly faces the consequences of his emotional attachments. Daniel Craig insisted on giving Bond a definitive ending rather than another reset. This decision divided fans but redefined the character’s emotional depth. The film closes Craig’s era as the most human and vulnerable portrayal of Bond to date.

@scenesthatslap This might be the dumbest tweet Ive ever seen on this platform

The Underworld franchise’s blue-gray look was intentional. The cold, metallic color palette was designed to visually separate vampires (cool tones) from werewolves (warmer, earthier tones).....

@bethTmufc Defo. They’re getting stronger while Arsenal have looked out on their feet already

I reckon City will win the League still.

@T3Uncoupled Ambiguous endings can be incredible. 2001, The Thing, Inception, American Psycho, Mulholland Drive, The French Connection. An open ended narrative can make way for thematic richness that lasts well beyond the last frame. It’s quite a shame you’ll never be able to appreciate them.

Rewatched "No Country for Old Men" yesterday, and I am placing my head under the guillotine here by saying this, but making movies with ambiguous endings is terrible art because it shows the director's and writer's lack of decisiveness in making, defending and completing their point, and by “leaving it to the audience to guess what happens”, they absolve themselves of all moral responsibility. It's how dreams on DHT, or stories in Dickens' writing, despite the intense emotions and darkness, always end with satisfying conclusions.

@StutteringCraig This is how I find out @StutteringCraig grew up to be a giant cunt

I was watching Netflix’s new series Death by Lightning. It’s set in Chicago, 1880 - and this establishing scene pops up. In the foreground: •an Asian woman, •two Black men, •and a one-legged man - all walking together downtown. It immediately stuck out to me, so I looked up the actual demographics for Chicago in 1880. Here’s what the numbers say: •Chicago’s population: about 503,000 •Black population: 6,500 (≈1.3%) •Chinese population: 172 total (≈0.03%) •Chinese women? About 3% of that - meaning roughly 5 total in the entire city. •Disabled/one-legged men from the Civil War era? Plausible, maybe 0.1–0.2% of the population. So if you ran the math on the odds of seeing all of that - an Asian woman, two Black men, and an amputee - in one random 50-person crowd downtown, it comes out to about 0.00016%, or roughly 1 in 640,000. In other words, Netflix made a scene that’s about as statistically likely as spotting a UFO on your morning commute - but hey, at least the diversity box got checked.

@PJ_Lowry @28mnthslater To be more specific, the first half that you love is them building towards that freedom and the vampire second half is the western world flexing its new tools of re-enslavement on them.

@PJ_Lowry @28mnthslater The core thematic question of the film is “can these people define what being free means to them now?” and the vampires are anything but arbitrary to this. Follow this line and you’ll find the writers intent.

what’s a horror movie opinion that’ll have you like this?

@johncrossmirror Fuck this journalistic oversimplifying bullshit. That’s really not how football works John. There are no guarantees. If Man City go the rest of the season unbeaten winning virtually every game and beat Arsenal by a point, what’s the scathing indictment of Mikel?

No ifs, buts or maybes… this has to be Mikel Arteta’s year to deliver trophies for Arsenal mirror.co.uk/sport/football…

@CraigMurrayOrg What the fuck kind of equivocating is this? How about spreading awareness and showing support without making it about Jews?

It's a mosque. If it were a synagogue it would be front page news in every paper and have half an hour solid on an extended BBC main news.

@Alien_Theory It wasn’t just the finale, the last few episodes really lost their way. But the ending committed hard to not having a very compelling arc to the whole story.

Any fans of the Alien: Earth finale?