Sam Shendi

My sculpture at the client house makes me realise that this isn’t just an object, it’s an energy introduced into the space. A reminder that even in the most composed environments, there’s always room for expression, spontaneity, and a bit of rebellion.

Seeing my work on this scale is a dream. I used AI to visualize how these vibrant loops could transform a public park.

Sometimes the work says everything, and the artist just needs to listen. “Enigma I” part of the “Enigmas” collection. Photo by @andygarbutt73

Final touches before the lights go on. Getting these two ready for their close-up today. It's another layer of the process seeing the vibrant colors pop against the studio white backdrop. Stay tuned for the final shots!

“Enigma III” is completed and ready for photo shoot. It is magical to see a piece go from a flat concept to a three dimensional form.

The contrast of these rich pigments against a deep black background is so satisfying. It makes every curve pop and every intersection feel intentional. Happy Saturday. Acrylic on canvas.

"Geometry is the language of the soul." New work on canvas, exploring the intersection of form and rhythm.

Today was the first photo shoot in 2026 of my latest sculpture “Enigma I & Enigma II”. Photos by @andygarbutt73

Getting ready for the first photo shoot in 2026.

Behind the scenes the “King and Queen” part of the Enigmas collection.

“On my mind” my last commission is completed.

An old bronze sculpture of mine.

Three reasons why I don’t create copies of my artworks and the third reason is the most important.

“Enigma I &II” ready for photo shoot, part of my new collection “Enigmas”.

“Enigma I” part of my new collection “Enigmas”.

Back to drawing.

Bronze Commission, 2022, Saudi Arabia.

The installation is completed and ready for the launch next week in Bradford City of Culture 2025.

@JoHatty Thank you 🙏

@SamShendi Fab! The colours are so vibrant, looks great x

Installation Day in Bradford City of Culture 2025.