@MikeBinderjokes That ship battle with the dragons going full tilt revenge - one going rouge!!
🐉🏴☠️🔥
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Dane Cook
21.6K posts
Damn. I love this series so much. The opening of Season three is stunning. Did anyone else it? Not?
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Pitch me your company in 2 words
Angel invested in 40+ companies and always looking for more
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This is the craziest card trick I’ve ever seen in my entire life and there’s not a soul out there that can explain how he did this.
🤯
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remember when he shot a comedy special right after birdman came out and the whole premise was that it was shot in one take like birdman, which basically consisted of a follow shot into the venue and setting the camera on a tripod and it was so bad this very platform deleted it?
Netflix Is A Joke@NetflixIsAJoke
Tony's got some thoughts on (almost) everyone TONY HINCHCLIFFE: MAN OF THE PEOPLE is now playing on Netflix
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@TheDataBased @Yaamava @SilverLegacy Ahh come on we both know that was the coolest thing at the time.
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@DaneCook @Yaamava @SilverLegacy Dane, I thought I was “the shit” in highschool because I found that Nike sweatband watch you wore during “Vicious Circle.”
I very much was not “the shit,” but you helped me feel cooler than I was ✌🏻 ❤️
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@MrJerryOC I think I auditioned for this. One of my first auditions- that and Primal Fear.
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The key to getting Star Wars back on track: A Skywalker with a mission and something or someone to protect. An Empire embarrassed and under the belief they can only reclaim their dominant position by ridding the galaxy of all Skywalker’s. You could make sequels for decades. Sometimes one side wins and the other side fails. Rebels rise.. Empire crumbles.. Empire thrives.. rebels recalibrate.
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@timthetatman im hearing its build on the previous engine just "upgraded" -- that's a concern. feels like that engine hit its limit with King Kong.
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We’ve now lived through the influencer era and the peak podcast explosion which is now simmering.
Not saying podcasting is dying.. it’s clearly the modern evolution of radio, conversation, and personality-driven media.
But how do we ultimately view its impact on entertainment, celebrity, culture, and attention itself?
And more importantly… what comes next?
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Small movies that make a lot of money is NOT a new phenomenon. Before Obsession there were countless no budget horror films that hit the jackpot, from Blair Witch, Paranormal Activity, Saw, to Halloween. I salute and envy all of them, but everyone's kidding themselves if they think that's a business model.
First, for every Obsession there are literally thousands of low budget horror films in any given year, let alone indie flicks. 16,000 films were submitted to Sundance this year. 100 got selected and shown. About 15 got notable distribution. That's worse odds than any highschooler trying to be an All Star NBA player.
Second, while $100 million sounds great, Hollywood is not in the millions business. They are in the billions business. It's the $3 billion of Avengers tickets that pay for the parking structures at Disney, and Marvel at California Adventure that keeps the stock from crashing. The Obsession branded dildo only pays 5 seconds of fuel on Jon Favereau's Disney Jet.
Third, I'm directly addressing Gen Z now: A24 is not a new idea. Before them there was this company called "Miramax." They dominated the indie space and controlled the Oscars. They were a breeding ground for cool independent filmmakers like Tarantino, and also kind of a proto-Raya for its producer Harvey Weinstein.
The point is no, we are not going to see $1 million movies as the new model. This is no change in the system. This is the system. The film market has iterated many models from high to low, but it always comes down to this: there is limited cultural time the audience will give you, and the job of Hollywood is to dominate all of it. The occasional indie bleed offs seem like insane numbers, but they are crumbs to the empire, and the empire likes to lick the plate. Everyone knows they'll buy A24 eventually, especially A24.
My suggestion is don't follow the trends. By the time the trend is there, it's already going to be monetized by the professionals in executive suites. They're way ahead of you making psychological thrillers like Obsession but with sharks. They didn't get their business degrees from Harvard for no reason.
Instead, just do you. At the end of the day you're choosing the path of an artist, and while money is important, you're supposed to make it with something you want to say, not what others want you to say. Your individual life experience is valuable. Follow your own beat. It's a crap shoot, you might as well just be you.
Or there's always Onlyfans.
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