comp

watching this scene in imax…speechless with tears in my eyes

@Irodtheflyrod @DannyR72 This isn’t even correct

@DannyR72 Left out the important detail of you have to spam the X button to run in crimson desert. Huge difference

Pulsar Círculo para correr en Elden Ring es bien. Pulsar X para correr en Crimson Desert es mal.

@GenePark It is kinda funny looking at it now and seeing how identical the graphics are to crimson desert apart from the characters obviously

Ok pearl abyss, lock in and finish the real revolutionary game you’ve been working on DokeV

@QuakeNinja58 @djodjeee_ All I see is some dude with a receding hairline I genuinely dont see MJ anywhere

@djodjeee_ Does that not look like MJ?

I genuinely dont see anything😭😭

@yourvenicechick @timeisnaked like why is she talking like this

@timeisnaked she’s so fucking annoying i cant

zara larsson acting a mess while defending her ai usage oh ok...

@JohnnyC4077 @TSoS_ Shut the fuck up dude. The movie was great.

@TSoS_ How much did you get paid for this ad?

Project Hail Mary is a love-letter to cinema, the art of visual storytelling and an adaptation that greatly surpasses its source material. Ryan Gosling is incredible, Sandra Hüller is a total scene stealer who brought me to tears where I least expected it and, thanks to a great script, all the emotional beats of this movie work so well; something which was not the case in the novel, where no one really felt like a believable (human) being. I was lucky to experience a 70mm screening of the movie, which made its incredible cinematography even more gorgeous, but this film will look fantastic no matter where you watch it. Stunning sets, flawless VFX and a terrific score go hand in hand to create one of the greatest sci-fi experiences of the decade; funny, emotional, memorable, beautifully optimistic and human. It's a more classic story about one man who needs to save the world but it does so with grace (😉), charme and a believable sense of wonder. I really didn't think they could pull it off, but this is a movie that made my sci-fi nerd heart beat faster. One of the great space movies of our era that will stand the test of time and one of the biggest surprises of the year considering I was quite skeptical about it.

@TheMovieMermaid Bawled my eyes out multiple times. My entire theatre was in shambles

At one point I was crying so loud I had to pretend to cough. What a beautiful movie.

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

@yourlittldogtwo @NextBestPicture I did too. And I ADORE interstellar.

@NextBestPicture I liked PROJECT HAIL MARY more than INTERSTELLAR. How about that.

The “fishing” sequence in PROJECT HAIL MARY is as good as the “docking” sequence in INTERSTELLAR. There. I said it.

@PostingSucks @NebsGoodTakes Gonna try and get a pro this summer. Looks way better over there and pssr 2 seems crazy

@compdoesstuff @NebsGoodTakes I wouldn’t even bother playing on a base ps5 tbh

bought crimson desert just to refund it #beastmode

@kialala @SpawnWaveMedia Jedi Survivor? I don’t think so maybe I’m wrong. I don’t even think you can crouch in that game

@SpawnWaveMedia Elden Ring... Has L3/LS for crouch too. Off the top of my head Jedi Survivor and a couple of there games too.

"Click L3 to crouch"

@mizo_mizo06 @harvv Marty Supreme? Really?

@harvv it’s a good movie, not great, but definitely not movie of the decade that title goes to marty supreme

Project Hail Mary is becoming a “watch it before filmtwt tells you it’s bad” movie already.

@idonotexistelol @AlexTownley227 I have great WiFi and download speeds but this download was much longer than normal so. Game is weird so far. Very interesting and excited to see more. Just wish it looked better on base ps5

@AlexTownley227 It's pretty bad but it's never been this bad before so I'm surprised

OH. MY.FUCKIN.GOD

@TheeOtherTravis @FilmUpdates I saw it on Monday and it’s so peak. I loved every single second.

@FilmUpdates Ok so what you’re telling me it isn’t as good as everyone is saying it is

Sandra Hüller performs a cover of “Sign of the Times” by Harry Styles in ‘PROJECT HAIL MARY.’

how this week feels

@walkingwchristt @theNEWwhale @DiscussingFilm IM CRYING

@theNEWwhale @DiscussingFilm Nigga it’s just picture of his face

Shadow will return in ‘SONIC 4’.

First teaser for ‘SONIC 4’. In theaters on March 19, 2027.

@YourTimelinee @scxrbus @SpiderMan_MCU_ Same dude

@scxrbus @SpiderMan_MCU_ wish they showed it at my screening on monday

CAN CONFIRM THEY SHOW THE SPIDER-MAN: BRAND NEW DAY TRAILER BEFORE PROJECT HAIL MARY

@TrentTrenters0n @chicagoBRIZ Wait what the fuck 😭

@compdoesstuff @chicagoBRIZ Sure buddy

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