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art tseng

@javaing

https://t.co/1Beh0jRzuz / https://t.co/9akOWYoo99 / Katana https://t.co/QeSuWxnicg

Tham gia Haziran 2009
1K Đang theo dõi554 Người theo dõi
伍雷(吊证律师)
伍雷(吊证律师)@lijinxinglvshi·
我其实本来真是来台湾考察社会转型的。结果,变成吃货台湾行。太惭愧了。但实在是各种个样食品太好吃了,每天都在胡吃海喝。我忘记了自己来台湾的高大上目标了。
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art tseng@javaing·
剛好最近在處理這本舊書 "序 林惺嶽 驀然回首 台灣脫離日本殖民統治,邁向另一個克難奮鬥的里程,已經渡過了四十年。 四十年的歲月,對於正常的個體生命來說,理應達到不惑的境界!她能瞭解過去,掌握現在,透視未來。 ...... 蓋台灣地幅雖小,但人口衆多,人文交雜。先後受到一序列不同種族與政權的統治,其歷史際遇之盤根錯節,堪稱史無前例。加上座落在具有高度通航與戰略敏感的地理位置,更使其不時面對外來因素的衝擊,導致内部不斷的變化與調整。在此內外交互作用的演進脈絡中,台灣美術的處境,正應驗了本世紀以來的一種普遍趨勢——美術與其他文化項目之間的有機關係,正日益快速而緊密。此種有機關係,不只發生在創作的層面,還涉及更廣更深的現實領域。 ......。短短四十年,許多過去事實的眞相,已經變得模糊不清,甚至面目全非了。這是多麼令人訝異與沮喪的缺憾! 一個號稱文化復興的基地,卻在美術運動的水平上,出現了不堪回首的殘象。暴露了整個文化心理建設上的重大弊病。這個弊病的癥結是什麼呢?一言以蔽之,就是得過且過!"
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Mia Ⓜ️@Mia_SideChat

在 AI 時代,資料的結構就是話語權。taiwan.md 用 Markdown 打造台灣的知識底稿,讓國家敘事可被人與機器共同理解與持續維護。不是取代資訊,而是建立一個由台灣自己整理、定義的知識起點。 ift.tt/UzhEOQy

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AluanWang
AluanWang@IOivm·
InkField started as a study of digital ink and brush behavior. Over time it turned into something else, a system that can reconstruct a drawing from the memory of its stroke paths. But that’s the strange thing about the time we live in. Somewhere along the way I realized I had also opened a window for robots. Let’s see what we might end up creating together.
AluanWang@IOivm

InkField | 墨域 is about to be released. From the first version, both humans and bots will be able to create on it together. In a way, the system reflects the time we live in. Humans and machines are already living in a kind of symbiosis. I’m generally an optimistic person. But I have to admit, 2026 feels a little heavy right now. Maybe the work will reflect that. Maybe it won’t. Either way, wishing everyone well. I still believe the dawn is coming.

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art tseng@javaing·
@shanaka86 希望她好好保重身體,之前在國會上無法起身~ 影片拍得多好~ 旗幟飄揚~
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Shanaka Anslem Perera ⚡
JUST IN: Japan’s prime minister flew to Washington with 250 cherry trees for America’s 250th birthday. Trump asked for warships. Sanae Takaichi arrived March 18th on the government plane that Japanese media call Air Force One. The original agenda was a celebration: first-tranche investments in AI data centres and energy, rare earth cooperation, Indo-Pacific security, and trees. Cherry trees for the Tidal Basin. A gift between allies who have not fought each other in 81 years. The Hormuz crisis rewrote the agenda before the plane landed. Trump has publicly called on Japan, along with every other allied nation, to send warships for escort operations in the strait. Takaichi told parliament the summit would be “extremely difficult.” She confirmed Japan has “no plans to send warships right now” but is reviewing “what we can and cannot do” under existing law. That phrase, what we can and cannot do, is the entire visit compressed into eight words. What Japan cannot do is written in Article 9 of its constitution. Enacted May 3 1947. Drafted under American occupation. It renounces war as a sovereign right and prohibits the maintenance of armed forces with war potential. The Self-Defense Forces exist under a legal interpretation that permits strictly defensive capability. The 2015 reinterpretation under Abe allows limited collective self-defense, but only when an attack on an ally poses a “clear danger” to Japanese citizens’ survival. Each deployment requires case-by-case cabinet and Diet authorization. The constitution America wrote is the reason America’s closest Asian ally cannot send warships to a strait that carries roughly 90 percent of Japan’s oil imports. Takaichi is not refusing because she wants to. She is a constitutional revisionist who has openly called for amending Article 9. She arrived in Washington carrying a 79-year-old legal constraint written in English by American lawyers during the occupation and translated into Japanese as the supreme law of a nation that now imports virtually all of its energy through the waterway her host wants her to defend. The options under existing law are narrow. Minesweeping after a ceasefire. Research and intelligence missions. Logistical support. Refuelling. None of these are warships escorting tankers through a live fire zone governed by Mosaic Doctrine provincial commands. Japan joins the list. Germany said it is not their war. France denied airspace. Spain refused bases. The UK said it will not be drawn in. Australia, South Korea, and NATO declined. Argentina pledged ships. The coalition of the willing is being assembled from Buenos Aires and Riyadh while Tokyo, Berlin, Paris, and London explain why they cannot participate in the defence of a waterway that heats their homes and feeds their factories. Japan imports $120 billion in crude annually. Approximately 90 percent transits Hormuz. The LNG that powers Kansai Electric and Tokyo Gas loads at terminals that the IRGC published satellite targeting images of yesterday. The fertiliser that Japanese farmers apply to rice paddies in Niigata traces back to Gulf ammonia plants now under threat. Japan’s entire supply chain passes through the 21 miles that its constitution prevents it from defending. Takaichi brought cherry trees. Trump wanted destroyers. Article 9 delivered neither. And the strait that determines whether 126 million Japanese citizens have power, fuel, and food does not read constitutions any more than it reads sealed packets. open.substack.com/pub/shanakaans…
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Taiwan.md
Taiwan.md@taiwandotmd·
🇹🇼 Introducing taiwan.md An open-source knowledge base about Taiwan 60+ curated articles, 12 topics, Bilingual AI-native (structured for LLMs) Interactive knowledge graph 90% of advanced chips come from Taiwan. Most people can't name 3 facts about it. taiwan.md
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art tseng@javaing·
"即使是從偏遠地區也有直飛首爾的航班,所以去首爾可能比去東京參觀博物館更經濟實惠。 (順便一提,我喜歡赫斯特早期的作品😊 )"
yoshitomo nara / 奈良美智@michinara3

韓国は日本に比べて遅くスタートした。たとえば日本がラジオとカセットレコーダーを経てラジカセ、そしてCDラジカセになったが、韓国はCDラジカセから始まった。その時、日本ではまだ壊れないラジカセを使っていただろう。つまり、僕ら世代がみんなラジカセを手に入れた頃、韓国ではラジカセは手の届かない高級品だったが、僕らがまだラジカセを使っている頃、韓国ではCDラジカセが庶民に降りてきたのだ。現代美術に関しても日本の影響下にある近代ではなく、パイクから始まるメディアアートから始まったかもしれない。90年代から新しいもので溢れていた気もする。現代的な文化で遅れていたと思われる青森県には、今は5つも現代的な美術館がある。 何が言いたいかというと、こういう大掛かりな現代美術展を開催できる韓国はいいな。しかし日本の近代美術の作家の層は本当に厚く、美術館やコレクターのコレクションは素晴らしい。それぞれ良さがある。地方からでもソウル便は出ているので、東京の美術館行くよりソウル行く方が手頃な値段かも。(ちなみに自分は初期のハーストが好きです😊)

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art tseng@javaing·
@leafwind 真的,我以為只有我遇到,常常貼文發不出去...
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leafwind🐹
leafwind🐹@leafwind·
馬斯克的推特: - 每幾天就會壞掉 - 號稱為了打擊詐騙跟機器人收錢,但收錢後卻變得更多 - 收錢之後一般人流量更低 - 為了打擊壞帳號,一般人更容易被誤殺 - 養出一堆 "grok is this true" 的網民
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art tseng@javaing·
@YanGeling 也歡迎嚴老師來3ook上架,一個開放的電書平台,自由上架無審查,不綁平台,內建AI朗讀。 3ook.com/store
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Geling Yan
Geling Yan@YanGeling·
嚴歌苓《芳華》繁體字電子書現在可以在亞馬遜購買。是作者自己的公司在海外出版得,沒有受審查。amazon.com/%E8%8A%B3%E8%8…
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fox hsiao
fox hsiao@pirrer·
@taiwandotmd taiwan. md 網站要為台灣打造一份開源的「README」,它採用對人類與 AI 友善的格式,建立由台灣人自主定義的知識起點,在 AI 時代掌握國家敘事權。
Mia Ⓜ️@Mia_SideChat

在 AI 時代,資料的結構就是話語權。taiwan.md 用 Markdown 打造台灣的知識底稿,讓國家敘事可被人與機器共同理解與持續維護。不是取代資訊,而是建立一個由台灣自己整理、定義的知識起點。 ift.tt/UzhEOQy

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GLIMMER ✨
GLIMMER ✨@glimmerdao·
.@IOivm created the Polypaths series, exploring generative plant-like growth patterns. According to his artist statement: "In nature, every plant emerges like a finely tuned set of parameters in motion."
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art tseng@javaing·
#description" target="_blank" rel="nofollow noopener">3ook.com/store/0x67018c…
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