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Tony Lewis
3K posts
Tony Lewis
@MusicEditorcouk
Film, TV & Library composer. 7x MPSE nominated and 1x winner music editor. Martian, Mamma Mia, Skyfall, Best Exotics. BAFTA member. All opinions everyone elses.
London, UK انضم Ocak 2009
1K يتبع2.4K المتابعون
Love this trailer. This is so Ridley. Plenty more of my source in this new one. Enjoy.
Apple TV@AppleTV
You asked, he listened. Napoleon: The Director's Cut is now streaming with 48 minutes of glorious new footage.
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@michael__price Knock-on effect of the writers and actors strikes? We saw it back in 2009. Things bounced back. Fingers crossed they will again.
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Quite something for all the film/TV composers out there to see …
Celine H@tweetyceline
A lot has been said about the tough climate for Film & HETV production in the UK since the beginning of the year. Now we have figures and they support this narrative. This is what it looks for film spend in Q1 2024
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Tony Lewis أُعيد تغريده
GB News has put their EU rejoin poll behind paid membership so let’s settle it here😤
Pls RT and show Remoaners there are no Brexit regrets🇬🇧
Should the UK rejoin the EU?
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To not even turn up at an award you’re nominated for. It’s not like it’s a shit award or anything.
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@Constructmusic Do you do them on your original session? I almost always make wide stems and do it from that. Occasionally I’ll fix something from the original tracks. Maybe that’s just me with my music editor hat on?
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The bloke who was fired from the apprentice tonight actually said:
Once it’s explained, it becomes self-explanatory.
Just wow.
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@NoonWithATune Just a beautifully edited score. 😜. I have the stems if you want to go through them.
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That synth sound at 7 seconds in on the Grand Bazaar, Istanbul cue from Skyfall is just incredible. It really opens out the cue from those quiet tremolo strings into a wider soundscape. Classic Thomas Newman.
In fact, I love all the synths used in that score.
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@DANIELPEMBERTON Congratulations!! You mean you can’t turn it on from your phone?!?
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LETS GET THIS PARTY STARTED 🎉
Daniel Pemberton (also on BluSky same name)@DANIELPEMBERTON
YAY! I'm so excited to get a #BAFTA nomination for the music to #AcrossTheSpiderVerse that I'm going to go turn the heating on full whack! Anyway that is very nice to get.. thank you for whoever voted for it.. ORIGINAL SCORE | @BAFTA #original-score" target="_blank" rel="nofollow noopener">bafta.org/film/awards/or…
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@BAFTA 2024 Film awards nominations for @NapoleonMovie and Chicken Run: Dawn of the Nugget. Outstanding British film and Animation respectively. Pretty chuffed with that. It’s been a busy 18 months!
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#Napoleon Leicester Square last night. Great to watch it again after some time away. I’d forgotten how there’s a healthy dose of comedy with an audience in a good way! Lots of military drums and arrangements of trad stuff from yours truly. Please do go see it.
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Friends, colleagues, anyone: please sign this petition. So many people here in the UK are collateral damage. Create income replacement scheme for crew affected by writers and actors strikes - Petitions petition.parliament.uk/petitions/6425…
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Soho is a nervous looking place this afternoon. If it’s anything like the last writer’s strike in 07-08, it will hit us worst after about 6 months. And back then the actors didn’t strike. I’m terrified about the timing of this. And if I am, what about those just starting?
The i Paper@theipaper
Actor strikes: UK film industry ‘like Covid again’ as productions halted by US SAG strike trib.al/2kgbw1e
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Tony Lewis أُعيد تغريده
If you see WGA members excited about a SAG strike, it's not because we want to be striking.
It's because it makes it more likely that everyone in the industry returns to work much sooner.
This has always been about AMPTP making a deal that allows our occupations to be a career.
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@bendeville @SpitfireAudio Right. That’s what I thought. So there’s a gap for a company to manage the AI images of the actors if that’s the way we’re going. License per film to create, say, a medieval crowd using a known subset of image samples. Artists reimbursed. Probably not as simple as that but hey.
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@MusicEditorcouk @SpitfireAudio Put like that it seems very straightforward doesn’t it? We pay royalties to the musicians that played on our sample libraries every time we sell one.
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AI capturing an actor’s image and then using it in perpetuity. Totally nuts. BUT, isn’t it the same as sampling in a musical context? What can we learn from @SpitfireAudio and the likes about making sure artists are correctly and appropriately reimbursed?
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