J

@APompliano There is nothing wrong with melatonin

There is something spiritual about living your life with no alcohol, drugs, nicotine, vaping, steroids, peptides, tattoo ink, Botox, lip injections, spray tans, antidepressants, ADHD meds, or melatonin. Nearly impossible in modern society, but aspirationally superior lifestyle.

Screenwriting Twitter does anyone have – big, logline-able action movies a la Con Air, Face/Off, Armageddon, The Rock, xXx 2 – big, 4-quad family comedies, typically with an element of magic or magical realism a la Night at the Museum, Men in Black, Liar Liar, and Jumanji- this is for a high tier studio.   #sceenwritingtwitter #writers #sag #wag #academy

Screenwriting Twitter does anyone have – big, logline-able action movies a la Con Air, Face/Off, Armageddon, The Rock, xXx 2 – big, 4-quad family comedies, typically with an element of magic or magical realism a la Night at the Museum, Men in Black, Liar Liar, and Jumanji   #sceenwritingtwitter

@JordanSantacana @TomAandTom1 Jordan check messages 🫡

@TomAandTom1 @JosephProduces While I agree that the access point is high, no reader should or would be upset by bold sluglines or “cont’d”. Just write something dope!

Some of the single worst advice you will ever see in your life is on R/screenwriting

@TomAandTom1 @JordanSantacana Yeah but a real (good) creative exec is the reader - they can see if the story isn’t going to measure up quickly. Readers for notes I get it- but they usually address formatting after the meat

@JordanSantacana @JosephProduces When you hand it to a creative or exec, story is the key But if you're handing it to readers, format is a bigger deal

True, I still think it’s the undeniable story that gets you across the finish tho. I work with a bunch of writers who have perfected the art on paper.. our passes recently have only come from issues with stakes ect- substantive. Inversely, the writers with shittier drafts r the ones that have deals

@JosephProduces @JordanSantacana I think that depends who you’re handing it to

@JordanSantacana @TomAandTom1 The only thing that matters is a good story- I read so much about formatting, it truly is marginal compared to a solid narrative - that’s what people don’t get

@TomAandTom1 90% of the arguments are about formatting. It’s insane. Nobody gives a shit if you use “cont’d” or bold your sluglines.

@StephenSeanFord Agreed- I like TC but I think MBJ should nab that thing

sinners sweeping the oscars would fix me i think

@ParrJack What’s budget? Can you d/m me as I don’t have verification. Have one high concept budget north of 5mm with top tier producers already, other is around 2mm with director and notable company already attached. Working on remainder of financing.

If you have a distinctive, market-ready script that can be produced on a contained budget without sacrificing impact, we’d love to hear from you. Please DM your loglines and we’ll request full screenplays. This is a spec deal until budget is finalised.

WRITERS: We’re seeking a bold, original horror concept from writers ready to go to market. Our team, the filmmakers behind The Trial, are looking for a low-budget, fully written feature script that’s ready to be packaged and taken out to buyers.

@Castellani2014 Chris, how do you feel about Best Actor? I personally thought Marty was mediocre, I tried to really like it- I like TC but think MB or Ethan r more deserving

I wasn’t really that crazy about either Sinners or One Battle After Another, but if I had to pick one for best picture at the Oscars, I’d prefer Sinners. I think that would be a much more memorable choice given its genre. One Battle would just be PTA’s lifetime achievement.

@MyronGainesX You don’t read, so you probably wouldn’t know that having control over one of the largest countries in the Middle East is strategic for obvious reasons ..control of energy routes, regional influence, and limiting the biggest t sponsor in the world . Maybe read - geopolitics101

Nobody wants this war. We voted for "NO NEW WARS", not wars for zionists. This war has ZERO strategic benefit to the US...

@GeoffAgain @firstshowing Screenwriters- anyone have “We’re looking for romantacy type content” I can send a decent sized production house -

There is a screenplay flopping about in the middle of the intersection at Venice and Overland, so close to the Sony lot, getting continually driven over and buried into the fabric of the road, and in 22 years in LA I've never seen a more perfect metaphor for being a writer here.

@JurassicJames1 James, can you rate the JP films in order from your favorite to least favorite?

There are so many awesome shots in Jurassic Park 3. The animatronics really do ground these films. Not a knock against the CGI from Jurassic World to Dominion. But JP, TLW, JP3, & JWFK benefit from the amount of animatronic dinosaurs used.

@shannonandswift Shannon and Swift, The man who brought us ED + AOD and (hopefully) a little Bruce Campbell cameo? I’m sure this will be great -

@JosephProduces Thanks for checking it out. Hope you dig it!

I was gonna 'this you bro' him... but sadly, writers are used to this kinda slander. Honestly, I'm glad he loved it.

@shannonandswift @Jaloand13 Can’t wait to see this in theaters

@Jaloand13 I know we are biased... but we think so too. We can't frame ALL of them for the office, can we?? (We can and will)

New posters for SEND HELP! And yes horror fans... rated R. It's a fun dark twisted tale. See you Jan 30.

@harryjsisson Even if it was for ego and oil it’s still a net positive? Liberals have nothing to complain about, this doesn’t affect them at all, in the slightest. The Venezuelans are happy and free - sisson you’re a moron

None of Trump’s reasons for capturing Maduro make any sense. Rachel Maddow said it well today. Drugs? Then why did Trump pardon the former president of Honduras who was convicted of smuggling drugs into the U.S. and sentenced to 45 years in jail? Illegitimate President? Then why did he sanction Brazil for holding Bolsonaro accountable after attempting a coup? Gangs? Then why does he embrace Bukele from El Salvador who, according to U.S. intel, has close ties to MS-13? None of it makes any sense. The reason he did it is for ego and oil. That’s it.

@e_moore03 Pick Bijan Robinson in fantasy

@TheTrueVanguard I bought a GameShark and renewed my Nintendo power subscription

Prove to me you’re an old gamer in one sentence. I’ll drop a like if I’m convinced.

@chromesofhearts Question - how does It jump into the multiverse if the artifacts are intact supposedly caging it in?

Here’s the core theory that changes everything about IT and Welcome to Derry. (My Second Theory) The time-warping did not start in 2017. It started in the 1960s , during the events of Welcome to Derry Season One. Specifically, the moment the military melted the artifact and accidentally awakened IT early. That was never supposed to happen. Before this, IT followed a natural cycle: Feed → sleep/hibernate → awaken every 27 years → feed again. Derry wasn’t helping IT — Derry was containing IT. But once the artifact was melted, something changed. IT became aware. And awareness is the most dangerous thing you can give a cosmic entity. The moment IT awakened prematurely, it didn’t just wake up in the present , it saw the future. It saw 27 years ahead. It saw IT Chapter One & Two. It saw its own death. Chronologically, yes , the 2017 defeat still happens. But causally, the damage starts in the 1960s. Think Interstellar logic: IT exists in one place across multiple times simultaneously, but now from different timelines overlapping each other. That’s the fracture. Once IT becomes aware in the 60s, it realizes something terrifying: “I die.” So it starts acting out of sequence. That’s why IT approaches Marge. That’s why IT shows her the future — her child (Richie) killing it. This isn’t intimidation. It’s strategy. If IT kills the parent, the child never exists. If the child never exists, IT never dies. This is the moment IT stops being a cyclical predator and becomes a timeline manipulator. Originally, after the Black Spot incident, IT was supposed to return to sleep. That event was canon. It still happens. But IT gets interrupted twice: • once by its own offspring • once by the military Those interruptions matter. Because now IT remains awake and aware during a period it was never meant to be conscious. That alone breaks the timeline. So what happens next? The 1960s timeline we’re watching should not exist the way it does. IT wasn’t supposed to be active this long. It wasn’t supposed to know its fate. It wasn’t supposed to remember the future. But now it does. Which means IT is no longer contained in Derry. Not physically. Not temporally. Right now, IT isn’t sitting under Derry IT is moving through timelines. Season Two will explore a timeline that never existed , a version of reality created only because IT interfered after becoming aware too early. This isn’t time travel for fun. This is damage control. IT is searching for a version of reality where: • it never sleeps • it never loses • it never dies If that timeline holds, the 2017 events never happen. Season Three goes even further. That’s where IT stops targeting the kids… and starts targeting origins. Parents. Grandparents. The moment before Pennywise ever anchored itself to Earth. That’s where a whole new universe opens up. Not just an IT universe — a Stephen King universe fracture. Because IT isn’t trying to rule Earth. IT is trying to escape it. And the only way back to the Macroverse is if IT never dies on Earth in the first place. So the warping didn’t start when IT lost. It started when IT learned it would. #ITWelcomeToDerryep8 #WelcomeToDerry #ITWelcomeToDerry