@GeassReaper Ottley really said “you know what this scene needs? An asscheek”
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anim.af
158 posts
This is in the running for most hilarious ad for a Nolan movie
LeBron James@KingJames
It was never a myth. It’s a LEGACY! 🤴🏾🤴🏾 A film by Christopher Nolan, The Odyssey is in theaters 7-17-26 @odysseymovie
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@adamhlavac @MatthewBass_ Yeah, I’m still a bit surprised by how some of this telephone’d into some of the tweets I saw but I get it. Thanks for sharing Matthew!
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@MatthewBass_ @af_anim Some people just aren't that tech savvy. It's all good.
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Per Bloomberg regarding INFINITY VISION.
"To qualify for the new Infinity Vision label, auditoriums will need a screen width of at least 50-feet, laser projection, and the 7.1 surround-sound system from Dolby Laboratories Inc."
No specifics on 4K, HDR, aspect ratios, etc. My guess is this will likely end up targeting chain-specific screens like RPX, XD, Prime and XL.
bloomberg.com/news/articles/…
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@PanelSyndicate @DenizCamp Have recently started catching up on Absolute Batman and saw your and Muntsa’s art for the first time. From those issues alone I think the two of you are some of the greatest artists working in the medium currently. Cant wait to read this
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First unlettered page of my story with Dan Slott for SPIDER-MAN/SUPERMAN #1 with colors by Muntsa Vicente. Out from Marvel next Wednesday, April 22nd.
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@ASatireOfMines @DiscussingFilm You’re thinking of Minus One, this is the sequel!
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@DiscussingFilm I’m a little lost wasn’t this released already or is it like a rerelease or something lol I’m so sorry
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The first trailer for ‘GODZILLA MINUS ZERO’ has been released.
In theaters on November 6.
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@cxanfilm @DiscussingFilm Misspoke by saying “that’s not what that means”, as in, that’s not what this tweet is talking about.
They wouldn’t have had to layoff hundreds of people if they didn’t have an in house conceptual team lol
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@af_anim @DiscussingFilm VFX studios do the vis dev… They literally have vis dev departments. Trust me u don’t need to tell me what vis dev is. Just common misconception that companies like Marvel do anything really apart from spending money.
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Disney has laid off nearly the entire visual development team at Marvel Studios.
Only a skeleton crew remains in place to coordinate hiring on a per-project basis.
(Source: forbes.com/sites/robsalko…)
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@cxanfilm @DiscussingFilm That’s not what visual development means. It’s conceptual art not vfx
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@DiscussingFilm That’s nothing special all the visual dev is done by vfx studios anyway not by Marvel.
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@RyanOttley Is it just me or does Cory Walker kinda look like he was drawn by Cory Walker
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@Brickman0819 @FilmItLee @GreenTree5163 @Ironable Personally I doubt they will, my current bet is Paul and Debbie stay together and Paul joins her on Talescria. I really don’t see why not. They’ve made Debbie a much better character in the show and I’m not sure narratively what it would achieve having her get back with Nolan.
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@FilmItLee @GreenTree5163 @Ironable Honestly, I'm not even sure I want Debbie to go back to Nolan. She is so better developed in the show and the comic, and I wasn't even a big fan of her getting back with him in the first place.
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@TheBoysOOCC Kripke never does himself any favors in these interviews lmfao he really wasn’t going to kill the character that’s had a death flag for two seasons? After the slog of s4 the show needed stakes and this ending really sold me on the hype for the final season.
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Eric Kripke reveled he was nervous and hesitant to write A-Trains death. #TheBoys
“My writers convinced me by saying “is the final season dangerous or not?” I mean he’s a hero and he should go out as a hero. So someone in the room said “The first time we met him he carelessly ran through a woman. So the last time we meet him, he should carefully avoid one.””.
(Via:@Polygon)
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Just want to reiterate I had a great time on Invincible and was treated very well by my supervisors/directors. I came out as a trans women during my time there and the show allowed me to fund a very expensive life change.
This is a studio exec issue, team management was great.
Samantha Cartwright ✨@sambbury
Hi, I was one of the four people. Of course we all wanted the show to look as polished as possible. There just wasn't enough time or manpower. Best I could do is add some lighting/shadow work to 1-2 sequences per episode since they're 40-55 minutes. We did our best 🫰
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@DragonBallBLK Really dislike this insistence that his voice needs to be deeper for him to be intimidating. Lee Pace does a great job
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Sam Witwer screaming was built into the sound of Maul’s ignited lightsaber blade in MAUL - SHADOW LORD
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Sam Witwer with Maul’s facial markings to help the animators of MAUL - SHADOW LORD accurately animate the nuances of his facial expressions.
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