Tom Walsh.

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Tom Walsh.

Tom Walsh.

@bevan65

philosopher & friend & world traveler!

Philadelphia Joined Ekim 2009
1.9K Following587 Followers
Tom Walsh.
Tom Walsh.@bevan65·
@MrCrappy My mom said I was so small it was like farting a turd.
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Mr. Crappy
Mr. Crappy@MrCrappy·
Birth is basically just like pooping out life!!
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Gossip Greg
Gossip Greg@GossipGreg·
If you wear your club clothes to work on Friday, it’s sort of like you’re already at the club Friday Motivation 👠
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Gossip Greg
Gossip Greg@GossipGreg·
I don’t know if you guys noticed, but I didn’t post anything today
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Tom Walsh. retweeted
JSBachMusic
JSBachMusic@JSBachMusic·
Johann Sebastian Bach’s Vom Himmel kam der Engel Schaar, BWV 607 (c.1711-1713) from the Orgelbüchlein: the flowing semiquaver motion, in rising and falling scales, suggests the angels sweeping through the vastness of heaven. Even the pedal line joins in, though in slower values, as if grounding the celestial motion below. Bach follows the church year throughout the Orgelbüchlein, but he never lets the calendar become predictable. So this Christmas chorale appears in a minor key: joyful in subject, yet serious in tone, as if faith’s mystery needed a touch of awe, not just brightness. Luther’s hymn tells of the angels announcing Christ’s birth to the shepherds, and Bach paints that scene with quick figuration in the upper voices and broader, slower motion in the bass. His manuscript also reveals a surprise: those widening coloraturas seem to have been added later, just look at how tightly the notes are packed into the bar. youtu.be/ZJgJfwmMqAA?si… #Bach #BWV607 #ClassicalMusic #OrganMusic #Orgelbuchlein
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SumtinStink
SumtinStink@Sumtinstink·
My grandson's school is doing a little thing for fathers. And he just gave me a donut and told me Happy Father's Day.
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Tom Walsh. retweeted
JSBachMusic
JSBachMusic@JSBachMusic·
Johann Sebastian Bach’s Agnus Dei from the Mass in B minor BWV 232 (1749): an alto aria in G minor with violin obbligato, adapted from the lost 1725 wedding serenade aria Entfernet euch, ihr kalten Herzen (“Withdraw, you cold hearts”). Bach also reused the same source for Ach, bleibe doch in the Ascension Oratorio BWV 11. Scored for alto, unison violins, and continuo, its texture resembles a trio sonata: voice and violins engage in a continuous dialogue above the bass. The only movement in the entire Mass set in a flat key, G minor gives it a uniquely dark, intimate color. Chromatic appoggiaturas, descending lines, and expressive dissonances vividly portray peccata mundi, while the pleading miserere nobis unfolds in long, sorrowful phrases. With remarkably economical means, Bach achieves one of the emotional summits of the Mass: a deeply personal prayer for mercy before the triumphant Dona nobis pacem. youtu.be/a1uT-9gzzKc?si… #Bach #BWV232 #ClassicalMusic #JSBach
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Mr. Crappy
Mr. Crappy@MrCrappy·
Who’s wants Pizza?
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Lincoln
Lincoln@MobofJoggers·
It just clicked for me. Anyone with an FSD streak doesn't care at all about parking or they are willing to waste their time waiting for it to park and then move it manually which is dumb.
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