Equinsu Ocha - White Devil, White Devil ᯅ

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Equinsu Ocha - White Devil, White Devil ᯅ

Equinsu Ocha - White Devil, White Devil ᯅ

@iHeartPowder

Gen-x. Red pill, but should have taken the blue. Getting too old for this shit. I communicate most effectively using movies quotes.

Joined Aralık 2013
750 Following194 Followers
Leon
Leon@TrpstrLeonOG·
BOOMER UNCLE: "Nobody wants to work anymore." ME: "The warehouse near me starts at $16 an hour." BOOMER UNCLE: "Sounds fair." ME: "Average rent here is $1,900." BOOMER UNCLE: "People need roommates." Funny how every solution involves workers sacrificing more. Never employers paying more.
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Champagne Joshi
Champagne Joshi@JoshWalkos·
A diving bell ship allows workers to walk on river floors w/o getting wet. It works by lowering an open-bottom diving bell to the seabed and pumping compressed air inside. The increased air pressure forces water out of the chamber, creating a dry workspace beneath the surface.
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Kat
Kat@KatAUversion·
I should send him the version of this that’s not timeline friendly
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Aaron
Aaron@aaronp613·
Apple unveiled the Vision Pro 3 years ago today. What would it take for you to buy one?
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Equinsu Ocha - White Devil, White Devil ᯅ
@FTFonFS1 @GregJennings From 2012-2015, Russ had 12 come-from-behind wins and 17 game winning drives. This is during the height of the LOB...a dominant D that in these instances blew 4Q leads and it took Russ to win the game. He is that guy and that's how he should be remembered. Easy HOF pick.
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First Things First
First Things First@FTFonFS1·
“When I think about Russ, I just don’t feel like he had enough post-Seattle.” @GregJennings weighs in on Russell Wilson’s HoF chances::
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Equinsu Ocha - White Devil, White Devil ᯅ
@chrisboettcher9 Get over yourself. You have no idea what that dad went through to afford that vacation. If relaxing with a beer watching his kids play recharges him with enough energy to keep moving, good for him. Sanctimonious prick.
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Chris Boettcher
Chris Boettcher@chrisboettcher9·
I have zero tolerance for dads who show up on vacation, immediately crack and cold one, and then spend hours observing the fun their kids are having from a chair instead of being a part of it. You can choose numbness or you can choose to make memories. You don't get the time back.
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Adam Hlaváč
Adam Hlaváč@adamhlavac·
@iHeartPowder I think IMAX has a couple of their documentaries available in 1.43 via AVP
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Adam Hlaváč
Adam Hlaváč@adamhlavac·
Keep seeing people post that IMAX 70mm is just 4:3 TV or that the extra top and bottom of the frame doesn't add anything. You just have a misunderstanding of IMAX photography. To accomodate other formats, Chris Nolan and Hoyte Van Hoytema use ground glass (Pic 1) etched with guides to appropriately frame every shot. This ensures Nolan can mostly center punch for every deliverable. That's also why IMAX tends to be center-framed (Pic 2). The filmmakers want you looking dead center at what's happening while the rest of the image melts away into your peripheral vision. The idea is that when you're watching IMAX 70mm on a massive 60-100' screen, all you see is the movie. No masking, no screen frame, nothing. It's meant to fully immerse the viewer. The size of the film negative and use of wide open lenses supports this in intimate moments because of the shallow depth of field. The image is tack sharp exactly where your eyes should be. For wider shots and action sequences, there will usually be an important object(s) close to center frame that helps guide your eyes to surrounding parts you need to focus on (Pic 3). This is also why Nolan's movies translate well to widescreen formats like 70mm, 35mm, and other 2.39:1 screens. He's not thinking about the height or width of the image independently, but as one giant canvas. There's negative space above peoples heads because if you pushed their heads to the top of the frame and the next shot had an important action in the lower third, you'd spend the majority of the movie pivoting your head up and down and across the massive screen (Pic 4). Exhausting. This is also why Nolan and other filmmakers crop from 1.43 to 1.78 for Blu-ray. The idea with the IMAX sequences is that they expand and use every inch of screen real estate. Pillarboxing 1.43 footage when intercut with 2.39 scenes makes the IMAX images appear smaller since they don't take up the full width of your screen. Footage should expand vertically, just like in theaters. I get that tons of people watch stuff on their phones and laptops these days, but you have to understand the original intention - the theatrical experience - and not you sitting at home watching the movie on your 15" Macbook, 6" phone screen, or TV that's probably 5 ft too far from your couch. Apologies for the long rant. 🤘🎞️
Adam Hlaváč tweet mediaAdam Hlaváč tweet mediaAdam Hlaváč tweet mediaAdam Hlaváč tweet media
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GuyCromwell
GuyCromwell@GuyCromwell88·
@iHeartPowder @jari428 @xaviersonline_ it is widely considered the aspect ratio for imax home releases aka imax cut home release, it fills up the 16:9 screen everybody has and comes close enough to original imax ratio to get the benefit of the intended composition
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Equinsu Ocha - White Devil, White Devil ᯅ
@micyoung75 Bro…you’ve got to give it a rest. The mere existence of a meeting WAS the olive branch. It was his chance to be contrite, to demonstrate an awareness that he behaved immaturely and was sorry. Instead he demanded answers nobody in a leadership position would ever give. Spare me
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Mike Young
Mike Young@micyoung75·
Pelley: firing raised in first 15 seconds. No resolution offered. Weiss openly hostile throughout. Then the disclosure - told repeatedly to include unverified assertions in stories. Refused every time. Then fired. Weiss called it the path he chose. He did choose. He chose not to lie.
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The Daily Beast@thedailybeast

Bari Weiss wants you to know that the decimation of the most trusted news source in America isn’t her fault. thedailybeast.com/bari-weiss-bla…

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Kole Musgrove
Kole Musgrove@KoleMusgrove23·
Saw this on my way into work today. Hell yeah!
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Michael Tracey
Michael Tracey@mtracey·
To be safe, all US military personnel should be required to consult the ADL's "hate symbol" database before getting any tats. Even if 99% of the population wouldn't have the foggiest idea that a certain symbol is Nazi-related. You never know what might make you an accidental Nazi
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Michael Tracey@mtracey

Wait, this is the supposed "Nazi tattoo"? I don't buy for a second that 99% of people seeing this would have the slighest idea it has anything to do with Nazis or Hitler. They'd just assume it's a generic "skull and crossbones" that a certain type of guy would think looks cool

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Equinsu Ocha - White Devil, White Devil ᯅ
@Skylinex13 Disagree. The most important and relevant elements are framed for every viewer. Expanded formats to add immersion on the rare case it’s available. Immense care goes into filming this way.
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Jeremy Barr
Jeremy Barr@jeremymbarr·
A 60 Minutes veteran tells me: “They stayed so as not to abandon their producers and staff, many of whom simply can’t afford to quit. It’s an act of self-sacrifice, really, and of generosity. And they’re voting for the survival of 60 Minutes.” But, they added, “I can guarantee you that they’ll hold Bilton to his promise not to allow corporate interference.”
David Folkenflik@davidfolkenflik

NEWS: In joint memo, Lesley Stahl, Bill Whitaker and Jon Wertheim say they will stay on at 60 Minutes. While they say they are heartbroken over fired colleagues, they cite one reason for staying: "We don't want to see 60 Minutes die" Full memo in next tweet:

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Karen Attiah
Karen Attiah@KarenAttiah·
I was wrongfully fired by the @washingtonpost in the aftermath of the Charlie Kirk killing. And I challenged them. Finally we went to arbitration. ✊🏾
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