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Art and politics are identical exercises of the Pharaonic Will which began in Egypt and was perfected in classical Greece.
Aesthetics is violence; the Sculptor and the Tyrant are the same creature.
The scepter and chisel are magic wands of the necromantic “will-against-nature,” wielded by that curious adept known to us as civilized man. Their function is cold butchery, a cutting away of the tangential, an arrangement of bones and a waltzing with corpses. Together, they are attempts at the perfection of nature via time-sorcery: the carving and shaping of an all-devouring chthonian flux into lasting forms of beauty.


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