The Classical Review

Massachusetts chorus disc offers ideal introduction to Arvo Pärt theclassicalreview.com/2020/07/massac…

New music for new times theclassicalreview.com/2020/06/new-mu…

Live music returns to Washington, offering a preview of the new concert normal theclassicalreview.com/2020/06/live-m…

Eighty-eight reasons to seek music online during the shutdown theclassicalreview.com/2020/05/eighty…

What will the fall music season look like? Smaller, less epic and more soloistic—if it happens theclassicalreview.com/2020/05/what-w…

Ten Recordings to get you through the shutdown (Part II) theclassicalreview.com/2020/04/ten-re…

Judy Drucker: A Miami Tribute theclassicalreview.com/2020/04/judy-d…

Krzysztof Penderecki 1933-2020 theclassicalreview.com/2020/04/krzysz…

Ten Recordings to get you through the shutdown (Part I) theclassicalreview.com/2020/03/ten-re…

Streaming links to get your music fix during the COVID-19 quarantine theclassicalreview.com/2020/03/stream…

A note on the coronavirus theclassicalreview.com/2020/03/a-note…

Strong libretto, uneven music make “Marian’s Song” a mixed tribute to an opera pioneer theclassicalreview.com/2020/03/strong…

Composer Zwilich adds to her musical legacy with Cello Concerto premiere theclassicalreview.com/2020/03/compos…

Beethoven among friends with Ma, Ax, and Kavakos theclassicalreview.com/2020/03/beetho…

Trifonov’s rare artistry illuminates Bach’s rarely heard “Art of Fugue” theclassicalreview.com/2020/03/trifon…

Yuja rocks a full house in Chicago with keyboard fireworks and artistry theclassicalreview.com/2020/02/yuja-r…

Bell’s Paganini stands out with Academy concert in Miami theclassicalreview.com/2020/02/bells-…

George Crumb Festival closes with a varied feast theclassicalreview.com/2020/02/george…

The lines hum in Telegraph Quartet’s crackling Chamber Music Houston set theclassicalreview.com/2020/01/the-li…

Kentridge’s “Wozzeck” paints a militarized nightmare in Met premiere theclassicalreview.com/2019/12/kentri…