TheRubyTears
750 posts

TheRubyTears
@TheRubyTears1
From the late 60s, 70s rock, New Wave and 80s Post Punk. All that is good from that period will surface in our music.

It will be very difficult right now for #BillyNomates to be feeling the positives of her incredible #Glastonbury performance, after being unjustly met with negativity in certain shitty pockets of the internet. No artist, or any human being, should be made to feel shit after working their arse off and delivering something special. Sometimes the most maverick performers, that really change the landscape, can be the ones that get the most emotional reviews. I can’t remember what band it was that said they only want to get 1/10 reviews or 10/10 reviews and anything in the middle is pointless. I think Tor is a brilliant artist who’s doing something really unique, and that’s perhaps sadly always going to be met with resistance from rubbernecks at their keyboards who have no investment in the thing. I can’t imagine what she’s thinking right now, but there’s a LOT of fans out there who are on her side and always waiting for the next amazing song or performance. Tor is asking the BBC to take down the performance which I think would be a massive shame. I would rather her set becomes the most viewed content from this year’s @glastonbury as a demonstration of her power. 👊👊👊 #glastonbury2023 #Glasto



TONIGHT on @merseyradio from 8pm Chris Currie presents with Featured Artist: Joe McKechnie @TheBuffaloJoe & Featured Album: Dirty Laundry by The Family Wash @davidnixonsna @LiverpoolBands @lpoolacoustic @MELLOWTONEclub @NothingvilleM @81renshaw @WallyTBM

On this month’s rootin’ tootin’ ep of 💥THE SWEET SPOT💥 - @SUPER_8_music @thevoltzband @The_Transonics @ThriftStoreHalo @TheRubyTears1 @Kurtmiltonbaker @GlenMatlock @gyasitheband @thelindalindas @thegladmachine @killcrocodiles @TheTearawaysUSA @The3Oclock @_DreamSyndicate & more


When you get reviews like this, it makes the hard work worthwhile. Nice that someone finally mentions the bass! Thanks Illustrate Magazine @indie_its @IndieWire @Indiegogo @TheGuideLpool @SoundsLiverpool @LiverpoolBands @NewSoundGen @ITHERETWEETER1 @shiner_sam @SamanthaGaetani

Eat This Rock : 4 New Songs You Should Listen Today 13/5/2023 (Pun... eatthismetal.blogspot.com/2023/05/4-new-… #NowPlaying Dirty Dev @TheRubyTears1 @sundryver_band @ELKINTANOYLAVEN #Spotify #Playlist #music #PunkRock #SkaterRock #PowerPop #SoftRock #follow #retweet #newmusic #newrock






Thanks for the play Chris.

The Ruby Tears apresenta a vitalidade irresistível de suas músicas: “Never Gonna Be Like It Is On Tv” e “Piccadilly Sunrise” (6Db Studio Version) @TheRubyTears1 Duas energizantes composições que engrandecem o momento e animam os sentidos... Saiba mais: musicforall.com.br/the-ruby-tears…

I don’t know what the answer is or if anyone agrees or has any counter opinions but to me there seems to be a disconnect between phenomenal online support for indie/upcoming bands and actually supporting with live gigs. I’ve been to two gigs recently, both with incredible artists and the turnout has been very, very low. I know money is tight and there’s travel and parking to consider but these were FREE gigs. -Is it purely money? -Are people turned off by others conduct at gigs (I know I am) -Is the promo for these gigs off kilter? -Or are we just all getting a little lazy and too used to supporting our favourite bands behind our headphones? I’ve even seen some bands have to cancel gigs because of low pre sales. And then I see a lot of people moaning that their favourite indie band aren’t getting slots at the bigger festivals but when they do perform somewhere smaller, hardly anyone turns up? The gig I went to yesterday was two incredible artists, great songs, great charisma but a very low turnout and again it was FREE! I know there’s loads of you out there who go well above and beyond support so this is most definitely not aimed at you but where is everyone else? Not judging, asking Genuinely interested because these bands we want to see succeed need the turnout. They should have been turning people away yesterday for the opportunity to see these two bands. And then next time, this venue says sorry you’re too big for us and they move up the ladder. If the physical support isn’t there I can’t see how the press or powers that be at festivals etc get wind of it🤷♂️ Interested to know what people think

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