ClopTrap

@insanenredacted the real awnser is that netflix pays glitch so that people sign up for it then forget their subscribed for years so netflix can scam them.

Genuine question what was the point of the netflix deal. Shows free on YouTube and netflix never got the episodes early. In fact they got them pretty late

@RixThereal99054 even demons know these bitches are evil.

Gay ass demon

@theepicmap holy retarded.

It’s wild how the world basically runs on nothing but this.

@fusionfix10 change the colors and its the same. really starting to worry if this is gonna be good.

GTA VI / GTA IV

@spoonlocks maybe if you're retarded.

if you took away the caption i promise you not a single soul would think this was a video game

@PainkillerH20 mid

Full Body reveal of the GTA6 girl cover art 🗾🌴🌊🦩🌇🌃✈️🐎 #GTA #GTA6 #GTAVI #HaveAViceDay

@hollywoodloverg bitch thats hillary

Sydney sweeney 14 years old btw 💀🌚

@dqveed worst actor

Literal murderers get more grace in life than women who used to do porn lol

@sorrowfields shittest chart ive ever seen.

@midjourney open source? private? is my body scan gonna be sold?

Announcing a new division of Midjourney called "Midjourney Medical"

@Cartoonhistory2 Stupid af

24 years ago today, ‘Lilo & Stitch’ premiered at El Capitan Theatre.

@wyahk This was already in a society where men existed you dumbass 🤦

this is probably what society would be like if men didnt exist lmao

@suzie_dreams @kuromelodygf The filthy modern whores and trannys under this post can’t compare.

1947

@kouvsevildead She is

A bunch of freaks and geeks tried telling this entire app that she’s ugly and obese when she’s perfectly fine

@ninaabobinha @anime__bby They like the fact that you’re wasting your seed for them.

garotas não querem foto de pau, nós queremos vídeos de vocês gozando

@KnightsofTitan @DiscussingFilm Definetly the most lackluster cover art out of the bunch.

@DiscussingFilm GTA is one of the best video game franchises of all time!

The cover art for GTA 6 has finally been revealed. Releasing on November 19.

@YIMBYLAND Tf is the stupid shit?

This is it, gents. You’re witnessing the beginning of a whole new world. Buckle up.

@lilbigbb Holy stupid fucking take

Seeing racists get fucked by the system they created makes me wet

@batsukaiju @adityamtweets @biblephygelus What only 200mill hit it? 😭

Assume the movie had flopped and the director lost his entire $750,000 investment. How many crew members would have voluntarily returned their fees to help offset his loss? This is the fundamental asymmetry in risk and reward. When someone puts up their own capital and shoulders the real financial risk especially in a high-failure industry like entertainment they alone bear the downside. Yet the moment the project succeeds, suddenly everyone who was paid upfront wants a bigger piece of the pie. The same people who would not have shared in the loss now feel entitled to share disproportionately in the upside. If you accept payment for your work regardless of outcome, you’ve already been compensated for your risk (or lack thereof). Why should the person who risked everything not be allowed to reap the rewards when their gamble pays off?

@adityamtweets @biblephygelus Bro they made fucking 300 MILLION dollars… they have more than enough to pay them. Landlord ass take.

It often comes across as heartless because headlines simplify complex realities and most people don’t understand how the entertainment business actually works. The model is high-risk and hit-driven: you routinely greenlight nine projects that lose money, and hope the tenth becomes a breakout success. That one hit doesn’t just cover its own costs it has to subsidize the losses of the previous nine. And very rarely does this money come from a single individual’s pocket. Financing usually involves layered loans, equity deals, and incentive-laden contracts where repayment, profit participation, and backend payouts are all tied to performance. The producer is responsible for managing an enormous web of obligations, relationships, and contingencies. So when a headline screams “$299 million profit,” that figure is almost never what the key people actually take home. You still have to subtract: • Losses from previous flops • Loan repayments and interest • Backend payouts and incentives • Reserves for future development and overhead What remains is far smaller than the public imagines. Even then, many producers choose to distribute meaningful bonuses from whatever is left but the pie was never as large as the headline suggests. This is the uncomfortable math of an industry where failure is the norm and one big win has to carry everything else.