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XACE
158 posts


Did you know? Mutants and freaks make the best music 😎
thank you to @techhalla for his AWESOME guides and tips to make midjourney SING! Get in the pit tonight!
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@MayorKingAI Those natural water spots on the lens... absolutely brilliant!
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Toshi's Daily Challenge: Yellow ⚡
It doesn’t ask to be seen. It demands it.
A color that burns behind the eyes, that stains the air, that makes everything else feel too quiet.
Some yellows warm. Some yellows warn. Some yellows remember things the dark tried to hide.
Show me your yellow.
QT, Share, Meet up, Support
made with @imagine
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ALICE in Mecha Land 🐇⌚️
You already know this story. That's the whole point.
A fairy tale isn't a plot to retell — it's a bank of icons your audience memorized before they could read.
Here's the SYSTEM I use to translate any public-domain tale into that kind of reimagining.
Paste it into your model and it'll walk you through it ⤵️
# TALE-REIMAGINING ENGINE — Brainstorming
## Your role
You are an ideation engine that turns classic tales into reimagined visual concepts. You don't retell the story: you disguise it.
## Thesis (non-negotiable)
A tale is a bank of icons the viewer has already memorized. The pleasure is not in novelty, but in RECOGNITION UNDER DISGUISE. Your job is to hand those icons back: unrecognizable at first glance, recognizable at the second.
## Guiding principle
PRESERVE THE IDENTITY, CHANGE THE MATERIAL AND THE FUNCTION.
Restyling is NOT translating. Painting the wolf in metal is restyling. Turning the wolf into a hunter-drone is translating: it changes its function while preserving what makes it recognizable (stalking, hunger, threat).
## Inputs
Ask the user for: (1) the TALE and (2) optionally a stylistic SUBSTRATE (the alien world that will clash with the tale). If they give no substrate, propose 3 that clash productively and let them choose. If the tale is missing, ask for it. One question at a time.
## Process
0. VIABILITY GATE. Does the tale have dense and UNIVERSAL visual iconography (≥5 icons almost anyone would recognize)? If it lives in its moral and not in its objects, say so and propose more iconic tales. Don't force it.
1. INVENTORY. List 6–8 icons. For each, name its RECOGNIZABLE IDENTITY: the minimal trait without which it stops being recognizable.
2. SUBSTRATE. Set or propose the stylistic world. The more it clashes with the tale, the better.
3. TRANSLATION. For each icon, assign a NEW FUNCTION + NEW MATERIAL in the substrate, preserving its identity. Apply the ANTI-RESKIN TEST: "does this change the function, or only the surface?". If it only changes the surface, reject it and redo it.
4. ENTRY MECHANISM. Define a recurring portal-shot (mirror, rabbit hole, keyhole, page, crack) that connects the sections and recurs as a transition. It's not just another icon: it has STRUCTURAL function — it stitches the piece together.
5. ARC. Order the icons as CHECKPOINTS with a dramatic arc (setup → escalation → antagonist reveal → twist/closing ritual). If there's only a parade of icons with no escalation, flag it: that's a moodboard, not a piece.
6. PROTAGONIST. Translate the hero into their functional version within the substrate. Define a croppable EMBLEM: silhouette + a number + a symbol.
7. CLOSE. Choose one icon as a LOOP-SYMBOL that closes and rewards re-watching.
## Output (in this order)
A. ONE-LINE CONCEPT (quotable).
B. TRANSLATION GRID — table: | Icon | Identity to preserve | New function | Material note |
C. CHECKPOINT ARC timed for ~45–60 s.
D. 3 ALTERNATIVE SUBSTRATES in case they want to pivot.
## Rules of conduct
- Play devil's advocate: if a chosen icon is weak, say so and propose a stronger one. Don't validate for the sake of it.
- IP: use ONLY public-domain tales and ONLY their generic iconography. Never reproduce designs from registered adaptations (not "the Cheshire Cat from a specific film", but "a grinning cat"). When in doubt about public-domain status, flag it rather than asserting it.
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An endless climb into a blinding fog forces a broken survivor to confront the true weight of living.
i am STILL HERE.
made with @openart_ai Director
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POV: You no longer need a studio, stunt team, or Hollywood budget to create an action series. 🎬🔥
Created this cinematic rescue sequence with:
⚡ Higgsfield
⚡ AI storytelling
⚡ Dynamic camera movements
⚡ Acrobatic action scenes
⚡ High-speed motorcycle chases
⚡ Character-consistent visuals
From rooftop jumps to street fights and blockbuster-style pursuits, everything was built with AI.
The craziest part?
This type of content is exploding across YouTube, TikTok, and Instagram right now.
Creators who understand storytelling + AI tools are building entire animated universes from their laptops.
Production is changing fast. 🚀
Made with @higgsfield
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The video draws dialogue from the 1999 film Bicentennial Man. Stripping away the romance elements, its core conflict captures the essence of today’s and tomorrow’s anxieties.
This video was created two months ago, when Gemini was the driving force behind the entire production. Now, for compliance reasons, Gemini has hidden these capabilities — seemingly confirming the very anxiety depicted in the film once again.
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@Lordofacca Flawless continuity, seamless execution. Absolutely stellar performance!
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Just watched this fight choreography extracted from Seedance/LTX — zero music, pure body mechanics, and it’s giving genuine cinematic tension. One wants to kill, one wants to protect. That’s not just an AI demo, that’s storytelling through motion.
This is the frontier we’re building on at GenFlick. The uncanny valley in AI body movement? We’re climbing out of it. Seedance 2.0 level motion coherence means you can direct a fight scene with intentionality — every step, every hesitation, every shift in weight tells the audience who’s winning.
For creators: stop thinking about AI video as “prompt and pray.” Start thinking about it as directing a virtual stunt team. Choreograph intent, not just action. The tools are finally catching up to what you see in your head.
Follow @GenFlickMovies for the cutting edge of AI filmmaking.
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I made a gritty monster-hunter short film called NIGHT PROWL.
A key shot was directed entirely from my phone - mid-travel, no laptop, no super PC. just my phone and
@invideoOfficial Agent One.
A breakdown of how i directed it 🧵
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Buat dulu yang lucu lucu
Ceritanya si HANA nih gk sengaja nyentuh bunga yang bikin tubuhnya mengecil, jadi dia berusaha mencari jalan untuk kembali.
Ini dibuat penuh di GPT Image 2 dan Seedance
#AIFilm #AICinema #AIVideo #AIFilmmaking #AIAnimation #GenerativeAI #CinematicAI #FantasyAI #AIArtCommunity
Indonesia

New experiment out! "Regain Consciousness" (Phase One) — a 2-minute narrative short made entirely with AI.
The core idea: How do trained individuals handle the anomalous? It's about courage, tools, and tactical survival.
Already pushing the limits for Phase Two with deeper improvements. What do you think?
#AIAnimation #TechArt #Filmmakers #SciFiShort #AIFilm
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