Clown • animation takes here

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Clown • animation takes here

Clown • animation takes here

@afaceyface

Clown Town 🤡 가입일 Mart 2021
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quita🩷🍀
quita🩷🍀@yuquitaz·
what the Miyazaki have done to books like Kiki's Delivery Service, Howl's Moving Castle and Earthsea must be studied, Hayao has completely imposed his adaptations over the original work of female authors and his son dared to make Earthsea boring and whitewashed
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@Donna_Rachel_ You laughing to flex your knowledge about these stuff is also a political move, instead of reaching out to the people and telling them these points, maybe even offer to help to make a better report? are the victims your priority here?
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Donna Rachel - The Dissident Councillor 🕊️
Ok, I've now taken a closer look at the Rape Gang Inquiry report. And exactly as I feared, it's riddled with problems. That's a problem FOR SURVIVORS because it politicises their lives, making it all too easy for the government and institutions to write off their very real experiences as a 'far right dog whistle'. It also does absolutely nothing to hold the police and social services to account, because the blame for the gangs is laid squarely at the feet of Islam. If the outcome of this report is that the Muslims are driven out of Britain, giving other group free rein to rape our girls, that's not going to be a win for anyone. Here's 10 issues with the report: 1. The verdict is assumed from the start. Where were the terms of reference? There are none, so we have no idea what question the inquiry was investigating. Instead it appears to have worked backwards from a premise: "The root cause was immigration, beginning with the British Nationality Act 1948" and "Oil and water do not mix" (both p.3). 2. It proves nothing about prevalence — it found what it went looking for. It set out to examine "predominantly Muslim Pakistani gangs" (p.7), then reports that "the same ethnic and religious profile… [was] documented throughout almost all of the witnesses who contacted the Inquiry" (p.12). Self-selected witnesses confirming the inquiry's own premise is not a finding. 3. The theology chapter refutes itself. It argues Islamic doctrine drives the crimes, then concedes Indian-heritage Muslims "are notably rare compared with those of Pakistani heritage" (p.118). Same scripture, opposite outcome — which points to sociology, not theology. 4. The 250,000 figure is a peer's rhetorical question, recycled. The report quotes Lord Pearson asking whether "there appear to have been upwards of 250,000 young white girls raped in this century" (p.12) — a question in a Lords debate, not a finding — then treats it as established. 5. It then claims that guess has gained support — and contradicts its own source two pages later. "this extrapolation now has greater support" (p.12), yet on the next page it concedes the scale is "impossible to quantify precisely" (p.13, summarising the Casey audit). You can't put a hard floor of 250,000 on a number you call unquantifiable. 6. It claims the criminal standard of proof for claims it can't support. "establishes beyond any doubt" (p.3) and "demonstrates beyond reasonable doubt" (p.159) — that phrase is trial standard, used for figures sourced to a guess and a self-published book. 7. It conflates grooming gangs with all child exploitation to inflate scale. "almost 19,000 children were identified as sexual exploitation victims in England in one year" (p.13) — that's all CSE in England, not grooming gangs, but it's used to prop up the grooming-gang numbers. 8. Single cases are stretched into decades-long patterns. "the first recorded case of specifically Pakistani rape gangs dates back to 1955" (p.11) — one 1955 case, used to anchor a claim that the phenomenon was systematic from the 1950s. 9. It has no hierarchy of evidence. A self-published book ("Easy Meat," p.106) and an advocacy group ("Christian Concern," p.7) are cited with the same weight as the Jay Report, IICSA and the Casey audit. 10. The framing hands every denier a free win. A Nietzsche epigraph — "Man is the cruellest animal" (p.4); Tommy Robinson listed among "whistleblowers" (p.157); a death-penalty call — "up to and including death" (p.3) and a "death penalty… referendum" (p.159); and collective punishment — perpetrators' "entire immediate family unit must also face deportation proceedings" (p.160), all of which politicise the issue, allowing the government and Lowe's opponents to flatly dismiss the all too real testimonies of survivors. Overall, the report does exactly what I feared it would - it actively HARMS survivors because the whole issue can now be dismissed as a far-right dog whistle. This report was created for one reason and one reason only: to create a political vehicle for Lowe, Downes, and their colleagues. Shame on the both of them for using survivors in this despicable way.
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Lydia Kauppi
Lydia Kauppi@lydiakauppi·
@MrNickFortune You’re so upset I made fun of cannabis sandwiches you screenshotted me onto your phone?
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Emily Segal
Emily Segal@khole_emily·
big tasteslop piece in the times uk
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Patrick Hurt ⚡️
Patrick Hurt ⚡️@PatrickHurtVO·
I really do think that people forget that indie animation is a whole lot bigger than Glitch and SpindleHorse. There are hundreds to thousands of independent shows, studios, and projects that are out there making great things. Unfortunately a lot of them don't get the same- 1/4
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ToonHive
ToonHive@ToonHive·
KFC has redesigned its logo.
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ToonHive
ToonHive@ToonHive·
A new Tootsie Roll commercial has been released.
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addi ☁️
addi ☁️@beefdogcoffee·
person who likes a [thing]: i like [thing] person who hates [thing]: do you guys know i hate [thing] why do people even like [thing] i could never like [thing] people ACTUALLY like [thing]? am i the only one who doesn't like [thing]?
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miffy 🐻‍❄️
miffy 🐻‍❄️@miffypost1ng·
norman rockwell - girl running with wet canvas (1930). my personal favorite of his 😁
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Onii Chan
Onii Chan@oniichanph·
We just lost another legend today 😔 Anime studio Eiken announced that legendary animation director, and artist Hiromitsu Morita has passed away. Throughout a career spanning decades, Morita contributed as an animator, storyboard artist, episode director, animation director, and chief director on numerous beloved productions. His known works include: • Astro Boy • Sazae-san • Ashita no Joe • Monster • Kobo-chan • Cardcaptor Sakura • Claymore • Space Battleship Yamato • Metropolis • Heart Cocktail • The Story of Saiunkoku And many more! From early classics to long-running family anime, Morita’s career quietly connected multiple generations of Japanese animation. Rest in peace, legend 🕊️
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acervo soy luna
acervo soy luna@acervosoyluna·
ninguém te prepara pra luna valente temporada 1
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💢👑MUD
💢👑MUD@ultimateslimegu·
Grown ass twitter users when you tell them it’s weird to follow accounts that draw children being raped
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Rolo Tony
Rolo Tony@PoorOldRoloTony·
Listen, bad people are going to use this tech to exploit others. Who I’m referring to is me. I’m going to do it. So you’re either going to have to start using it and lose your jobs, or lose your jobs. Jobs I could’ve given you, but I’ve decided this will make me more money.
Variety@Variety

Dwayne Johnson on AI: “I’ve always been an advocate for embracing big change—after taking a hard look at it. We can either stick our heads in the sand and be afraid, or we can say, ‘Okay, we’re here. Let’s see. Let’s explore.’" variety.com/2026/film/news…

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Warren Gunnels
Warren Gunnels@GunnelsWarren·
Can’t stop thinking about how Wall Street is celebrating Elon Musk becoming the world’s first trillionaire, while he single handedly eliminated humanitarian aid that will lead to the needless deaths of 4.5 million of the poorest children in the world in the next 4 years.
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DiscussingFilm
DiscussingFilm@DiscussingFilm·
Elon Musk has become the first trillionaire in history.
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