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@3999FM
3 TRIPLE-9 FM launches 2026 on both iOS and Android. A new radio venture from @therecorddoctor + @ademradio.
Katılım Ocak 2026
29 Takip Edilen2 Takipçiler
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Excellent article in The Sun about #Madonna even calling out the “Call Down Grandma” smash hits article
HER MADGESTY How Madonna became the queen of cool aged 67 with club-inspired album, a hot toyboy and a new Gen Z fanbase
thesun.co.uk/tvandshowbiz/3…
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Madonna, Charli xcx and the “death” of dance music: now live on my Substack open.substack.com/pub/ademradio/…


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Jujubee best supporting actress campaign starts now
Pop Crave@PopCrave
Pop Crave exclusive online debut of new ‘STOP! THAT! TRAIN!’ clip which debuted on tonight’s episode of ‘RuPaul’s Drag Race.’ In theaters June 12.
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This real reference for this Madonna moment is Tina Turner in the musical film Tommy

Homo Against Queer Theory@Homonotqueer
There is nothing new under the sun
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Crazy to realize that she was Taylor Swift level famous during this time and was doing all this. Appearing on morning news to debate LGBT rights, AIDS crisis, Wars and womens right. We don’t see celebs doing that anymore.
Cameron is CONFESSING 🪩@madonnasoldmore
she did not give one fuck that night
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🚨 EXPOSED: In the last Chapter her memoir, Liza Minnelli shares how she felt sabotaged at the Oscars and spills MAJOR tea on Lady Gaga.
“…𝘴𝘰 𝘱𝘭𝘦𝘢𝘴𝘦 𝘭𝘦𝘵 𝘮𝘦 𝘴𝘪𝘵 𝘰𝘯 𝘵𝘩𝘦 𝘋𝘪𝘳𝘦𝘤𝘵𝘰𝘳’𝘴 𝘤𝘩𝘢𝘪𝘳. 𝘛𝘩𝘦 𝘢𝘯𝘴𝘸𝘦𝘳 𝘸𝘢𝘴 ‘𝘕𝘰.’ 𝘔𝘺 𝘤𝘰-𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘦𝘳 𝘸𝘩𝘰 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘬𝘯𝘰𝘸𝘴 𝘢𝘴 𝘓𝘢𝘥𝘺 𝘎𝘢𝘨𝘢 𝘪𝘯𝘴𝘪𝘴𝘵𝘦𝘥 𝘴𝘩𝘦 𝘸𝘰𝘶𝘭𝘥 𝘯𝘰𝘵 𝘨𝘰 𝘰𝘯 𝘴𝘵𝘢𝘨𝘦 𝘸𝘪𝘵𝘩 𝘮𝘦 𝘶𝘯𝘭𝘦𝘴𝘴 𝘐 𝘸𝘢𝘴 𝘪𝘯 𝘢 𝘸𝘩𝘦𝘦𝘭𝘤𝘩𝘢𝘪𝘳. 𝘛𝘩𝘦𝘯 𝘪𝘯𝘤𝘳𝘦𝘥𝘪𝘣𝘭𝘺 𝘴𝘩𝘦 𝘢𝘴𝘬𝘦𝘥 𝘪𝘧 𝘐 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦 𝘣𝘦𝘵𝘵𝘦𝘳 𝘰𝘧𝘧 𝘨𝘰𝘪𝘯𝘨 𝘩𝘰𝘮𝘦. ‘𝘞𝘏𝘠?’ 𝘸𝘢𝘴 𝘮𝘺 𝘪𝘯𝘤𝘳𝘦𝘥𝘶𝘭𝘰𝘶𝘴 𝘢𝘯𝘴𝘸𝘦𝘳. 𝘈𝘵 𝘰𝘯𝘦 𝘱𝘰𝘪𝘯𝘵 𝘴𝘩𝘦 𝘲𝘶𝘪𝘻 𝘮𝘦 𝘵𝘰 𝘴𝘦𝘦 𝘪𝘧 𝘮𝘺 𝘮𝘦𝘮𝘰𝘳𝘺 𝘸𝘢𝘴 𝘪𝘯𝘵𝘢𝘤𝘵…”
** more direct quotes from the book “Kids, Wait Till You Hear This!” in the thread. 🪡
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“So when I stumbled a few words, Gaga was at my side didn’t miss a beat to play the kind-hearted hero for all the world to see. ‘I got you,’ she said. Holding my hand leaning down over me. That night and the days that followed, she was widely praised for this seemingly gentle gesture which came to my expense. I believe she bares some responsibility for the habit that so unnerved me.”
Mark 56:15
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she just wants to break her fast. leave her alone omg
Pop Base@PopBase
Chappell Roan films the paparazzi after repeatedly asking them to leave her alone.
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🔊 JADE’s boyfriend (Rizzle Kicks’s Jordan Stephens) defends Harry Styles’s BRITs performance, pushing back at claims that Harry lacks authenticity with the genres he’s exploring:
“This is proximity bias, I promise you. [People are] unable to detach themselves from the memory of a young Harry Styles. If Harry had mystery… he doesn't have that in the UK. I live through the same issue with people. He has lived a life that you don't know about.
He didn't even do anything [in the public eye] for an entire year. He wasn't even around. You don't know what he did; you’ve got no idea where he was.
If no one knew who Harry Styles was and that was the first performance [they saw], why are you questioning whether or not he went to a fucking club? Just listen to the song.
Do you know why I loved Harry's performance? I loved Harry’s performance because – and I mean this – when I was away in Canada, I saw JADE perform twice… and I genuinely, in my heart of hearts, don't think there's a better all-round [pop] performer than JADE in the UK. And I'm not even trying to say this as some lovey-dovey bullshit, I swear to fuck I'm not. I mean this as objectively as possible.
Not everyone's going to love pop. But Jade does full choreo, full live vocal, she does full stage design… The amount she puts into a live show, you have to – l have to – respect it. I have to go, ‘Whoa, that is incredible.’
When I look at men who are pop-adjacent, it is fucking barren. Just seeing a solo male artist on stage doing any kind of dance routine – while singing, with a dope set, with a choir, and he's doing these little moves… I want that. I need pop-adjacent artists to get it.
For me, my journey with music or movement has developed throughout my life. And actually, oddly, my relationship to techno or club or that kind of rhythm – that energy has come out in me since becoming sober. Since I stopped drinking, I actually want to engage with that club culture more, because the music brings me a sense of escape.
And I see that in Harry. My point is, I can understand why a person can be taken into a place of connection to that style of music without trying to *be* anything.
Dancing isn't owned by anybody. If anyone wants to dance, they can dance.”
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