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あおいち
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酒知識皆無だったワイ、国分町のBARで10分ワンオペ任され日本酒注文されジョッキにたぷんたぷんに日本酒入れて提供し客を歓喜の渦に
カブト@kabuto_lr
酒知識が皆無なワイ、丁寧語のつもりで「日本酒のお冷をください」と注文し会場を混乱の渦に
日本語
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BREAKING🚨: Astronaut Captures Rare Luminous Phenomenon from Earth Orbit.
From hundreds of kilometers above Earth, an astronaut has photographed one of the planet’s most elusive atmospheric displays—an ethereal burst of light that flickers above thunderstorms. 😮
These phenomena, known as sprites or blue jets, briefly illuminate the upper reaches of the atmosphere, puzzling scientists and thrilling skywatchers. Recorded in stunning detail from orbit, the image reveals the extraordinary interplay between weather, electricity, and space

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NASAは、アルテミス2のオリオン宇宙船の旅をリアルタイムで追跡できるサイト&モバイルアプリ「AROW(Artemis Real-time Orbit Website)」を公開しています。オリオン宇宙船から地球および月までの距離、ミッション開始からの経過時間、宇宙船の飛行経路などの情報をリアルタイムで確認できます。
記事:
astropics.bookbright.co.jp/artemis-2-arow

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This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center

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