Aharon Rabinowitz

40K posts

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Aharon Rabinowitz

Aharon Rabinowitz

@ABAOProductions

VFX'er, mographer, filmmaker, software'er. My tweets are my own. Unless they are re-tweets, in which case they are yours. I don’t respond to anonymous accounts.

New York, NY Katılım Mart 2009
944 Takip Edilen21.9K Takipçiler
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
A year ago I had never touched Unreal Engine. Then I took @SchoolOfMotion’s Unreal Engine for 3D Artists class with @JonathanWinbush. That started my Unreal Engine learning journey. 365 days later I’m making stuff like this.
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Joseph Kahn
Joseph Kahn@JosephKahn·
I am a huge Spielberg nerd, and also a Tobe Hooper fan (especially Texas Chainsaw Massacre 2). So, knowing both styles in and out, I say this with full conviction and authority: Spielberg directed Poltergeist.
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Kling AI
Kling AI@Kling_ai·
Check out how Aharon made his film almost exclusively using Kling! More Kling tips and best practices in the workshop!
Curious Refuge@CuriousRefuge

Join us live tomorrow, Tuesday, May 26th at 11am PT / 2pm ET for “How I Build an AI Superhero Series” with Aharon Rabinowitz, VP of Marketing at @SchoolOfMotion Aharon breaks down how he built an AI superhero pilot from scratch, focusing on character performance, relationships, and worldbuilding over flashy VFX. He’ll share the creative decisions, tools, and workflows behind crafting a world audiences want to return to. RSVP here: luma.com/gqdyl7tk

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Draven
Draven@notdrvx·
@Kling_ai i wonder if the workshop covers the pain points too, or just the wins
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Aharon Rabinowitz retweetledi
Curious Refuge
Curious Refuge@CuriousRefuge·
Join us live tomorrow, Tuesday, May 26th at 11am PT / 2pm ET for “How I Build an AI Superhero Series” with Aharon Rabinowitz, VP of Marketing at @SchoolOfMotion Aharon breaks down how he built an AI superhero pilot from scratch, focusing on character performance, relationships, and worldbuilding over flashy VFX. He’ll share the creative decisions, tools, and workflows behind crafting a world audiences want to return to. RSVP here: luma.com/gqdyl7tk
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Comic Book Addicts
Comic Book Addicts@comicbookaddt·
Classic Comic - Night Nurse #4 (1973) - Last Issue. Hardest issue to find. Cover by John Romita.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
@daitouink @Carrot_breath Yeah that's not how doing anything with AI really works. You've obviously not used it. Which means you don't know enough to have meaningful opinion about it. Thanks for your thoughts.
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daitouink
daitouink@daitouink·
@ABAOProductions @Carrot_breath you typing a prompt to have an ai create everything for you is not you being creative doing digital animation and 3d modeling is something entirely different these are not the same
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
Some highlights from my AI short Fire & Ice: The Solara Chronicles. 👇 Full film in thread
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
AI output is held to a much higher standard than any other medium. We allow for technological limitations in film, animation and VFX, that we do not in AI. In fairness, AI companies market the hell out of it being the best thing to ever exist (and VFX ARE DEAD!!!) when that is just not true. And so they've kind of manufactured a war.
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Chris
Chris@Chris495335·
@ABAOProductions Exactly, human intention and artistic vision are irreplaceable. What frustrates me is watching talented artists with killer eyes deny AI entirely. It’s a wasted superpower.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
In the last few years, we’ve seen such a big push from Hollywood to obfuscate the use of CGI claiming things were all done practically. And you can see how much this upsets the VFX community because it vilifies the work we do. These companies have no legal responsibility to tell the public how they make anything. It’s all about marketing and spin and saying anything that will get people into theaters. At the same time, it’s funny to see how many artists deny the use of AI in professional production, citing the fact that studios aren’t talking about it as the ultimate proof it’s not being used. Then there are guys I admire like @Filmbot who acknowledge its use, while also working to be a part of the solution in finding ethical ways of integrating it into the VFX pipeline and process. Pretending it doesn’t exist is not the solution.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
And now we're getting an AI version of Val Kilmer in an upcoming movie. I admit it will probably feel at least a little uncanny valley. But so does traditional CGI and we still use it - and all evidence points to AI doing a better job of this kind of thing. So once again, not just for secondary elements.
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Marco Capelli
Marco Capelli@adamdived1·
@ABAOProductions @CuriousRefuge "I have seen studios add fire and other VFX with models like Kling". Oh ok. So background filling assets with masks to save some time. Understandable. But this just focusing on secondary elements. Ok.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
On Tuesday I'll be doing a FREE workshop with @CuriousRefuge, breaking down how I created my AI short, Fire & Ice: The Solara Chronicles. I'll be covering stuff like character references, getting better acting/human interactions, post production, cinematics and storytelling. luma.com/gqdyl7tk
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
@adamdived1 @CuriousRefuge Sure, but AI Luke from S1 of Boba Fett still looked better than CGI Luke in S1 of Mando. All you're saying is that AI did a less worse job than traditional VFX. Congratulations.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
Incorrect. major studios are using generative AI for direct visuals beyond backend solvers: Metaphysic for de-aging (Tom Hanks, Harrison Ford). Others are using it for cinematic pre-vis but also for scenes, compositing/extensions, AI matte paintings & environments. Its hybrid - outputs get polished in 3D pipelines - but generative tools are still actively creating on-screen assets, not just orchestrating data. High-end VFX is evolving faster than ‘backend only’ claims your making. I’ve personally seen some of the work that will be out later this year that is using generative AI in its most basic sense - maybe not as prompt to picture alone, but as prompt +comfy UI or weavy to picture/video. I have seen studios add fire and other VFX with models like Kling. You only know what you know. And you’re not inclined to do the research because it won’t support your narrative.
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Marco Capelli
Marco Capelli@adamdived1·
@ABAOProductions @CuriousRefuge I am acknowledging that AI is being used as a "backend" support for existing pipelines. I know you're smart to understand what this means. They are not using it like "type a prompt - video out" model. It's all about data management, not just straight visuals.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
@Chris495335 The problem is that it has become a polarized “this or that” kind of situation, when there’s so much more complexity and nuance to it. AI cannot replace traditional visual effects. The more you work with it the more you see its value and its limitations.
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Chris
Chris@Chris495335·
@ABAOProductions Same energy as “all practical” stuntmen while the wires and rigs get airbrushed out. VFX denial of AI isn’t protecting jobs, it’s speeding up the cull for anyone still pretending it’s 2015. Adapt or get rendered obsolete.
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Aharon Rabinowitz
Aharon Rabinowitz@ABAOProductions·
I agree with you man. So what you’re acknowledging is that AI is being used in production and is not just for pre-visualization. I think the future of VFX involves complex node based systems that integrate AI into the pipeline. This is what I have been shouting for a long time. I don’t understand what your problem is.
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