أبو موسى القبطي

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أبو موسى القبطي

أبو موسى القبطي

@AbuMusaTheCopt

Gym rat and others|أعنَّا ولا تعن علينا

Katılım Ekim 2024
234 Takip Edilen102 Takipçiler
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Mohammed𓂆
Mohammed𓂆@mo7ammedabdalah·
أجواء مشحونة بالحماس والترقب تسود مشجعي المنتخب المصري في غزة "جباليا"
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الأمير سعد الدين غراب القبطي
وقد أبلغ القائد الإداري (الاستراتيجوس بلاتون سكان با ثيريس (Pathyris) بذلك في رسالة مؤرخة في 1 نوفمبر 88 ق.م.، وحثهم على الصمود. وبعد ذلك بوقت قصير سحقت ثورة طيبة بأقصى درجات القسوة، وذلك بعد ثلاث سنوات فقط من اندلاعها .Paus 1.9.3)، مما يعني أن تاريخها يمتد تقريبا بين 90 و 88 ق.
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Himothy
Himothy@HimothyPhro·
Uncle from my mom’s side
Ancestral Whispers@Sulkalmakh

Facial Reconstruction of a 37,000-Year-Old Man from Egypt In 1980, excavations of a hill near the village of Nazlet Khater in Upper Egypt uncovered two burials. The first skeleton was poorly preserved, but the second, located on the summit of the hill, survived almost intact - only the feet were missing. The grave was shallow and had been eroded by Nile flooding, causing the skull to become exposed on the surface. The skeleton of an adult male was found lying on his back, accompanied by a large flint axe. The Nazlet Khater 2 skeleton is one of the few complete human skeleton from the Early Upper Paleolithic of North Africa. The remains belonged to a man aged approximately 20-29 years who stood around 160 cm tall. Not far from the hill was a flint quarry where prehistoric people extracted raw material. Evidence of intensive mining activity includes trenches, shafts, and narrow tunnels no more than 50 cm high, apparently dug around the same period as the burials. The stone axe found in the Nazlet Khater 2 grave was probably used for quarrying, as identical tools have been discovered in the ancient mines. The skeletal pathologies are particularly revealing in this regard. Multiple injuries and degenerative changes in the spine and limbs indicate extremely heavy physical labor, typical of mining activities and the regular lifting of heavy loads. Severe arthritis of the cervical vertebrae suggests that this man habitually carried heavy burdens on his head or with the aid of a forehead strap, as some traditional peoples do today. Damage to the arms indicates extensive use of percussion tools, especially with the right hand. He also had healed fractures of the hands. Evidently, he began performing strenuous labor in adolescence, while his bones were still developing. Physically, Nazlet Khater 2 differs from other African and European Upper Paleolithic humans, although they share a number of archaic features. His primary morphological characteristics are clearly equatorial, resembling those of the Epipaleolithic inhabitants of Nubia as well as the South African remains from Springbok Flats and Kalomo, which were once considered very ancient (Pinhasi & Semal, 2000) but are now known to be much more recent. The large cranial vault of Nazlet Khater 2 is typical of Upper Paleolithic humans. The expansion of the braincase in its lower portion is particularly archaic, as are the highly placed temporal lines, resulting in a very narrow minimum frontal breadth relative to the maximum frontal breadth (although the minimum breadth is average in absolute terms and the maximum breadth is large). This configuration likely reflects the powerful development of the chewing musculature, which is also evident in the structure of the mandible. The pronounced brow ridges and rather sloping forehead are likewise typical of Upper Paleolithic people. The shape of the upper margin of the temporal squama - strongly convex in the front but flattened behind and lacking a parietal notch - may be regarded as primitive, though it could also be described as “Bushmanoid,” since it occurs among San populations and on the skull from Fish Hoek. The overall facial form of Nazlet Khater 2 is relatively low and especially broad across the cheekbones, with a well-developed canine fossa and maxillary notch, while the broad upper jaw exhibits noticeable alveolar prognathism. Compared with many Upper Paleolithic and all ancient African skulls, Nazlet Khater 2 is distinguished by a moderately high face (despite its great breadth) and by very large, rounded, and relatively high eye orbits. Unusual for Africa is his mesorrhine nose - a nose of intermediate width - resulting from a not particularly wide nasal aperture combined with a very great nasal height. The nasal bones are equatorial: straight, nearly vertical, and rounded in cross-section. The alveolar process of the upper jaw is flattened in the front and bends markedly at the level of the canines, a distinctly archaic trait. In terms of mandibular features, Nazlet Khater 2 is fully anatomically modern, although the jaw is exceptionally large and robust, as is typical of the earliest Homo sapiens. (Antropogenez, S.V. Drobyshevsky, 2010)

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Ziad Abdulgalil
Ziad Abdulgalil@Abdulgalil62039·
@HimothyPhro Has to be mom's side with your haplogroup T nigga go back to kashmir or smth
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Engy
Engy@engy2311·
اللي مش عجبه يكون اصله مصري يسيبلنا احنا الاصل ده واحنا ما هنصدق، طالما مش عجبك متستاهلوش وترجعوا تزعلوا لو حد قال المسيحيين هما اللي اصلهم مصري ما عشان انتوا اللي بتتبروا منه
مصري عربي@daftrkhana

إذا سألتم العائلات المصرية بالواقع حول ما إذا كانوا يفضلون أن تكون أصولهم عربية أو فرعونية سيفضلون أن تكون أصولهم عربية.

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أبو موسى القبطي
أبو موسى القبطي@AbuMusaTheCopt·
@AbosulimanCop تمثيل الأفكار الدينية في العمارة شايفه مستقى حقيقة من التصوف والدروشة الي في النصرانية والإسلام لو هتحاول تربط الأشكال معنويا واعتقاديا يعني
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أبو سليمان القبطي
@AbuMusaTheCopt إنت بتتكلم زيه على فكرة الأشكال سواء مشريبات أو غيره أنا بتكلم عن الأشكال دي استخدمت ازاي في العمارة لما استخدمت في مصر القديمة كانت بتعبر عن أفكار المصريين وديانتهم وقتها نفس الكلام في لما مصر دخلتها النصرانية وانتهاء بالإسلام العمارة بتعبر عن أفكار الناس ومعتقداتهم.
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أبو سليمان القبطي
مش معنى إن نفس الأدوات المعمارية موجودة يبقى نفس المعمار لإن المعمار مش معتمد فقط على الأدوات بل في الغالب بيمثل الأفكار الموجودة في المجتمع. هل أفكار المصريين قبل الإسلام هي نفس الأفكار بعد الإسلام هي نفس الأفكار في مصر القديمة مظنش عاقل ممكن يقول كده.
.@Pashmori

العمارة الإسلامية دي لو رحت أي دير أثري قديم من قبل دخول العرب هاتلاقي نفس المعمار بالظبط، هي عمارة "مصرية" اتبنت في العصور الإسلامية

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أبو موسى القبطي
أبو موسى القبطي@AbuMusaTheCopt·
@AbosulimanCop يبقا كدا معقولة شوية نقدر نقول تطور مثلا وعشان التشابه الكبير الي حصل بعدين في حاجات تانية منها الزخرفة وبعدين فيه كنايس كثير لو دخلتها هتحس نفسك دخلت مسجد أو جامع لحد ما تاخد بالك من صليب
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أبو موسى القبطي
أبو موسى القبطي@AbuMusaTheCopt·
@AbosulimanCop المعمار الإسلامي كله مستقى من المعمار الروماني/الشامي والقبطي ومتأثر بيهم تأثر كبير أشهر فن الي هوا فن الفسيفساء دا متاخد تقريبا نسخ لصق من المصريين والشوام ومن بلاد فارس وتقدر تشوف دا بوضوح في قصور بني أمية فمش بفهم صراحة الي بيسميه معمار إسلامي معياره ايه ممكن تطور لأشكال تانية
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el-tinisi🇪🇬
el-tinisi🇪🇬@Khedvalglaze443·
@mar_10234 @AbuMusaTheCopt @7t2py @Tasrmunt >Christianity was forced upon the Egyptians and the native Egyptians hated it >Christians raided ancient Egyptian religion temples and forced people to convert >Christianity was forced by a foreign power >They ruined ancient Egyptian artifacts >No hate to the other guy tho
el-tinisi🇪🇬 tweet mediael-tinisi🇪🇬 tweet mediael-tinisi🇪🇬 tweet mediael-tinisi🇪🇬 tweet media
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mar
mar@mar_10234·
@AbuMusaTheCopt @7t2py @Tasrmunt oh shit can you provide a example? don't forget I am coptic orthodox so your gonna have to dig pretty deep.
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