Anu Anuja

@lansenai 我很喜欢看古装仙侠剧，很多时候剧中的奇幻世界特效或实景都非常粗糙。看到这个的时候，我真的在想，他们哪怕能把这当作视觉参考也好啊。

@Anujatk14 我并不觉得目前可以，而且一般仙侠剧不会以场景为主，更多还是以角色剧情为主，我更觉得游戏里面更有机会实现

中式意境

@Just_sharon7 @fotor_com Yes, fotor was one of the OG editor apps.

@Anujatk14 @fotor_com Yes. Have you used it before?

Created this video using Gemini Omni Flash on @fotor_com Try here: fotor.me/4b7PvFm prompt: Cinematic summer beverage commercial for FIZZI Sparkling Tonic — Grapefruit, high-end style in a warm golden-hour color grade with teal-turquoise pool contrast and coral-pink accents, mixing lifestyle wide shots with hyper-detailed macro product close-ups, slow-motion moments, fun youthful carefree energy, upbeat tropical pop and sound design of can hiss, carbonation fizz, pool splashes and laughter. The product is a tall slim coral-pink aluminum can with condensation droplets — bold retro-rounded lowercase magenta "fizzi" at the top, "sparkling tonic" below, a 4x4 pop-art grid of illustrated grapefruit circles in pink, coral, hot pink and pale yellow, with "0% Alcohol" and "GRAPEFRUIT" at the bottom. At golden hour on a stylish rooftop pool, a young woman in a coral-pink swimsuit sits at the pool edge with her feet in turquoise water, lifting an ice-cold FIZZI can to her lips and closing her eyes in pleasure, friends mingling and string lights twinkling in a dreamy soft-focus blur behind her, condensation catching the golden light. A slightly wider shot shows her floating on a clear inflatable beside a friend in a pale yellow swimsuit, both laughing as they clink their coral-pink cans with a small splash, shot at water level with sparkling reflections dancing across the frame. An extreme macro slowly pans across the coral-pink can surface in hyper-detail — beads of condensation catching prismatic light, the glistening magenta "fizzi" logo filling the frame, then down to the crisp pop-art grapefruit grid with shimmering turquoise bokeh behind. Another dreamy slow-motion macro shows tiny carbonation bubbles racing up through pale-pink sparkling liquid in a glass with a glowing grapefruit slice floating, the can softly out of focus behind, with ASMR fizzing crackle. Finally the camera pulls back to a wide golden-hour shot of the full party — both women floating with cans, friends dancing and lounging on coral towels, grabbing FIZZI from an ice bucket of grapefruit halves — then slowly pushes in as they raise their cans toward camera and clean white text fades in: "Grab an ice cold fizzi," with "© 2026 FIZZI Beverages Co." below, holding then fading out.

@magnific We got "Day in a life of Dino vlog" before GTA 6🤣 This is really creative. 👏

A nature documentary about a velociraptor with a 9-to-5 One day in his life. Made entirely on Magnific, using Seedance 2.0 He rises at seven. He always rises at seven

The demand for this short form AI drama series is exploding in India as well. This is going to explode as the models are also getting better, this shows that the people are interested in stories and dramatic narrations despite the visuals. Also the same way people listening to podcasts and kindle.

Testing Grid tile shot generation with @reve Really loved this output. Next, am going to try multiple shots in complex grids, will share the result soon.

Honestly the biggest unlock isn't better generation, it's better control. Cuz most gen media AI feels like a slot machine bc everything's baked into one prompt. But real filmmaking is a production pipeline - you pick locations, block scenes, place props, choose angles/composition before you shoot. Models should mirror that, not skip it. what I want: - longer duration w/ actual continuity, not just extended clips - cursor click-to-edit objects/props directly in virtual space (no re-prompting the whole scene) - a 3D "production set" you can block out pre-shoot like camera, lighting, geometry, all editable. - lean prompts. visuals + direct manipulation should do the heavy lifting, not paragraphs of text - strong reconstruction by feeding it a rough/low-res reference and it should rebuild it faithfully in 3D, not just vibe-match it tldr: less "guess what I meant," more "give me a cinematic world I can actually direct." That's the gap between gen media and something filmmakers will actually trust.

What would you like to see in the next generation of video/world models? Must have and nice to have capabilities?

@twelve_labs Interesting. Just tested out Twelvelabs playground by uploading a video to Pegasus - search feature is useful even though I added a cursor movement detection video. Going to be highly useful for Sports, Movies and Podcasting industry.

Better Pegasus 1.5 results start with better prompts. Our latest whitepaper covers practical techniques for video analysis and segmentation, including prompt design, iterative refinement, schemas, and cost optimization. Download it here ➡️ twelvelabs.io/whitepapers/pr… #TwelveLabs #VideoAI

@zeely_ai ZEELY

For the next 72 hours comment ZEELY and bookmark this post to start with 1000 credits promo code.

@MaxBuildsBuiz Congrats.👏

Just hit 100 followers! 🥳 I appreciate every single one of you and I hope we can all build together!

@cipgerx 15 sec, 1 person, less than 5mins for Generation. We are living in the best times for fantasy movies.

A FILM PRODUCER JUST BLOCKED ME FOR SHOWING HIM THIS SEEDANCE 2.0 CLIP I posted it privately in a group chat. He DM'd me one question: "How much did this cost?" I told him the truth. It cost nothing. One person. Fifteen seconds. A stone dragon the size of a skyscraper breaking through clouds. Two figures standing on a cliff watching it rise. Volumetric fog wrapping around carved scales. Light cutting through the clouds behind its head. This is the opening shot of a fantasy film that doesn't exist. No studio greenlit it. No concept artist spent six months on creature design. No VFX house rendered it on a server farm for eight weeks. He told me a single shot like this would take a team of forty and a minimum of $2 million in VFX budget. For fifteen seconds. I showed him the prompt window. He said "that's not possible." Then he watched it three more times without saying a word. The last thing he said before he blocked me: "If this gets out, half my vendor list is dead" It's out. Half your vendor list was already dead. You just hadn't checked.

The script was written by Claude Opus. I still notice lot of difference between Claude and Chatgpt. Which model are you using to direct shots?

Woww.. Loving this interactive Trojan Horse animation while searching about The Odyssey @Google @googlechrome

@VaibhavSpark Interesting video concept. 👏

POV : you are using AI for everything . . .

@CoachThisath Absolutely 💯

@Anujatk14 Agreed Good work still needs good taste

Every media company should use AI. Hating AI as a creative doesn’t make much sense when your entire workflow already depends on software. That’s like saying, “I love C++, but I hate python and newer programming languages because they’re more efficient.” They’re all tools built to help humans create. Artists shouldn’t be judged by the size of their brush. The tool has never been the art. The vision, taste, storytelling, and execution are. AI doesn’t replace creativity - "it lowers barriers". Not everyone had access to expensive hardware, high-end software, or large production teams. AI gives more people the ability to bring their ideas to life. Don’t label yourself by the software you use. Label yourself by what you create.

@lansenai Really Beautiful 👌🏻

中式意境美学

@KenethTranVi Cute and Creative 👌🏻😅

Animation time! 🎬 I think they ended up becoming good friends. 😂 Created using Seedance 2.0 in LitMedia.