Reve

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Reve

Reve

@reve

Reimagine reality.

Palo Alto, CA Katılım Şubat 2025
24 Takip Edilen20.3K Takipçiler
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Reve
Reve@reve·
Show, not tell.
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Reve
Reve@reve·
Dither and movement
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Thomas Chen
Thomas Chen@fromthomas·
More time with @reve, so much to explore.
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Reve
Reve@reve·
A pop of color for a special birthday 🎉
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Lloyd Creates
Lloyd Creates@lloydcreates·
unthink
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Javier Rivero
Javier Rivero@_javierivero·
Playing with @reve effects today It's so hard to get fractal glass to look right, but I got it in one shot!
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Reve
Reve@reve·
Retirement turned Rodeo
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Jerrod Lew
Jerrod Lew@jerrod_lew·
@reve Annotations give you more control over your AI images. Select a section of your image and add a comment to help prompt the modification. It works for new objects as well as altering existing ones, and even people. Once done, you can animate with AI video!
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Max ✦
Max ✦@MaxVOAO·
Feelings
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Reve
Reve@reve·
Javier showed us something in Reve this week that's hard to describe: supernatural imagery built from scratch, alongside presentations crafted with the same precision. Grateful for the visit, @_javierivero!
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Melisa
Melisa@MelisaSeah·
art for the new @reve office
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Lloyd Creates
Lloyd Creates@lloydcreates·
One prompt. One style reference. One edit. That's how I took this from from concept to campaign potential using @reve Here's the exact workflow ↓ 🧵
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Lloyd Creates@lloydcreates

Nano Banana Pro Dusk Acension 🟠 Prompt { "image_generation_prompt": { "subject_settings": { "placeholder": "[SUBJECT GOES HERE]", "positioning": "absolute dead-center composition, full subject visibility, no clipping, no cutoff edges", "presentation": "floating mid-air, isolated, no pedestals, no stands, no display boxes, no mannequins" }, "aesthetic_style": { "visual_theme": "dreamy ethereal surrealism, vintage luxury editorial, 1990s high-fashion film photography", "texture": "heavy analog film grain, noisy texture, slight motion blur, soft focus dream-haze, chromatic aberration", "lighting": "starburst lens flare on metallic highlights, soft glowing aura, backlit silhouette depth, no studio lights, no softboxes" }, "color_palette": { "primary_gradient": { "top_color": "#1A3A5F", "middle_color": "#7B9BB9", "bottom_color": "#D4823B" }, "description": "A seamless dusk-to-dawn transition from deep midnight blue to a warm, hazy amber sunset glow" }, "negative_constraints": [ "text", "watermarks", "studio equipment", "lighting stands", "reflectors", "frames", "borders", "cut off subject", "out of frame", "multiple subjects", "cluttered background", "plastic textures", "hyper-realistic digital sharpness", "clean 4k render" ], "technical_parameters": { "aspect_ratio": "4:5", "style_strength": "high", "diffusion_iteration": "film_emulsion_simulation" } } }

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Reve
Reve@reve·
It's getting hot in here
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Thomas Chen
Thomas Chen@fromthomas·
Been playing with @reve recently - pretty fun so far.
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Eliott Mogenet
Eliott Mogenet@eliott__mogenet·
Testing the new annotation feature from @reve It makes spatial consistency across images much easier. My workflow: 1. Generate the wide shot 2. Change the angle 3. Update the tiny elements lost during the change
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Jerrod Lew
Jerrod Lew@jerrod_lew·
Creating motion graphics with @reve. Reve creates two images for start and end frame. The end frame contains the graphics. Bring it into an AI video tool, like Kling 3.0, to animate it!
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Melisa
Melisa@MelisaSeah·
it’s golden hour somewhere
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