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@_mrchaturvedi It's just getting started! Peak 2-2.5 month window ahead, with another peak 2-2.5 months in fall season 😍

#GlobalBox office #projecthailmary - BO $660Mn Budget $190Mn #TheDevilWearsPrada2 - BO $540Mn Budget - $100Mn #Michael - BO $700Mn Budget - $190Mn Good last few weeks for cinemas.

@Vamsi_N2000 @_mrchaturvedi Disclosure Day & Supergirl may barely breakeven. And you forgot the 2 behemoths Toy Story 5 & Minions, blockbuster even before release.

@_mrchaturvedi From June to july 31st we have 3 blockbusters hitting the screens Disclosure Day Supergirl The Odyssey Spiderman:Brand New Day Other notable mentions Moana

No matter how beautifully producers justify it, the moment a film lands on OTT within days of release, you’re not just ending a theatrical run… you’re slowly suffocating the entire theatre ecosystem. And this excuse works the least for mid-budget films. “The movie already recovered costs.” “The theatrical run is over.” “OTT deal was profitable.” So what exactly is the point of releasing it in theatres then? If the primary intention is simply to recover investment through streaming rights, send the script directly to an OTT platform, take the approval, and release it there. Why pretend it’s a theatrical film at all? Cinema halls were never built to function as marketing campaigns for OTT premieres. But if you genuinely believe cinema is more than content… if you truly trust storytelling, collective emotion, silence inside packed auditoriums, whistles, tears, laughter, and the power of films to stay with people long after credits roll… then protect that experience. Let films breathe in theatres. Give them time. Give audiences a reason to come out. Give cinema its dignity back. A proper 60 to 75 day exclusive theatrical window isn’t outdated. It’s respect… for the art form itself. Let cinemas breathe..

@Coswell245150 @Luiz_Fernando_J Insane ROI!

@Arsad678 @Luiz_Fernando_J Between $750k and $1M

Received with SPECTACULAR WOM, #Focus’ R-rated horror romcom #Obsession almost doubled industry’s projections at US #BoxOffice! The original horror directed by YouTuber #CurryBarker grossed SPECTACULAR 16.1M on 3-day Opening weekend (vs #Companion’s 9.3M, #TalkToMe’s 10.4M, #28YearsLaterTheBoneTemple 12.5M, #TheMonkey’s 14M, #KnockAtTheCabin 14.1M, #Trap 15.4M, #Old 16.9M , #IronLung 17.8M, #SendHelp’s 19.1M) #Focus paid only 15M to acquire the global distribution rights (sans France, Russia, Australia & NZ) and is poised to see the investment paying off greatly.

@ParthCHMedia @_mrchaturvedi Yes, exactly! What will they do about 'film going culture' they are so proud of? I have huge respect for the producers & distributors on our side, they have contributed towards theatrical recovery much more than their South counterparts, quality of movies notwithstanding!

@Arsad678 @_mrchaturvedi People will stop going to cinemas.

coming way too soon! #Jetlee on JioHotstar from May 25

@_mrchaturvedi Why hasn't it picked up like Laalo & Mahavatar? Probably the makers might be clueless themselves about the reception, it will probably fold up between 30-35 crores at best.

Stunning 🤩 exquisite, divine, and so amazing… processing right now what did I see on big screen… will craft my review in Hindi.. please use translation for English.. will drop soon, hopefully today. This is most beautiful watch this year for me so far. #KrishnavataramPart1

#Michael is the highest ever (5½) I’ve seen any movie in cinemas. 🎤 Formats I’ve watched it in: • Dolby Cinema (Allu) • EPIQ (ART) • EPIQ Luxon* (AAA) • HDR by Barco** (AMB) • HDR by Barco (Prasads) • PCX (Prasads) • IMAX (Vishal) * 2nd half only ** 1st 10 minutes only

@_mrchaturvedi A24 is a big no for me, danger sign. My tastes do not align with their pretentious, boring horror movies. Have suffered many times to not give them the benefit of doubt!

@Arsad678 try backrooms.

Certified Fresh at Rotten Tomatoes and coming on the same day as #Backrooms and #Passenger movies.. which one you’d watch first or all 3?

@_mrchaturvedi @iTIGERSHROFF 🤣🤣🤣

Dear @iTIGERSHROFF please find Nina Gold for auditions.

#Karuppu To all cinema lovers & my #AnbaanaFans Thank You 🙏🏾

#Karuppu The love, name & fame we are getting from across the globe, goes to the entire cast & crew of #Karuppu who believed & worked hard. Backed by @DreamWarriorpic, S R Prakash Babu & @prabhu_sr. Thank you dear @kalaivananoffl for focusing solely on our film till we locked the edit. You balanced our work alongside your newborn, much appreciate. Sai! No words to thank you @SaiAbhyankkar. Happy for the love you are getting. You are the backbone for our film to have this level of vibe & celebration in theaters. @dop_gkvishnu Bawa! Respect for the immense love you had for me while filming. You & your team worked day and night to give your best. Your love is the ‘magic dust’ on #Karuppu. @RJ_Balaji You promised me a blockbuster & you've also earned everybody's love while delivering it. Respect to your Manifestation powers. Shine brighter.

@ParthCHMedia @_mrchaturvedi Na na, that's a term used for comedies. Have been using it myself for a decade now. Especially for the big comedy franchises like Dhamaal, Golmaal, Welcome, Housefull etc.

@Arsad678 @_mrchaturvedi Hehe.. he’s actually trying to say if they don’t do well on box office that means they are still hit because they were mid-cap and made on less budget than usual.

Ajay Devgn and Akshay Kumar movies are mid cap entertainers? Since when? Aren’t both of them super -stars and star cast of both films is huge? #Dhamaal4 #WelcomeToTheJungle

@_mrchaturvedi @TomCruise @iamshreytyagi Acha, kal yhi dono niptayi hain 😀

@Arsad678 @TomCruise @iamshreytyagi Just left.

Now watching 👀 #TopGun feat. @TomCruise in an IMAX Laser 4K Great quality of DCP :) Good to have @iamshreytyagi with me today. This is the first time I am watching this film anywhere.

@_mrchaturvedi Somehow not interested, especially a horror film from A24! Hokum disappointed big time, plus there is already the much intriguing Passenger & Obsession on that date.

Yes. #Backrooms is slated to release in India on May 29th itself currently. 🔥

@aravind Leave all that aside, what do you foresee in the coming months for India's economy & after-effects of the war?

Only a few days ago, I had posted that the DS is planning to instigate Indians against the GoI and PM by posting fake news using their media. And today PM himself had to debunk a CNBC fake news report inciting Indians by claiming GoI plans restricting foreign travel. This was done exactly at a time when PM Modi himself is in a foreign tour, just to increase the level of instigation. As I have said in the post below, MIB & MeiTY need to step up now to fight the war for India. Until next summer, the GLISCO-DS that has: - infiltrated every media company using its agents (Pakis, communists, radical brown sepoys, racist anti-India westerners), - influence over every social media platform (Meta platforms seems infiltrated and owned by this network), - many fake account farms influencing social media in the name of Indians, is going to attack India using information, misinformation, and disinformation. The aim is to incite and instigate the population during a time of global economic issues and geopolitical tensions, amplifying the little pain people may feel many fold in their heads, combined with sabotages using the 0.5 front, to cause anarchy in India. They have long been preparing. I had warned earlier this year itself they were earnestly trying to bring down the support for PM Modi, using fake news and social media psyops, as that's the most important thing to do before inciting Indians against GoI. @PMOIndia must instruct MIB and MeiTY to: - Take the issue of fake news reports in foreign media and the fake accounts in social media very seriously. - They must instruct every Indian media company to vet the news carefully before they post, especially from international newswires. They should stop relying on X. - Create a media and social media monitoring and rapid response cell. With tools provided to the public to report harmful content. - Mandate social media companies to provide this "straight to GoI" reporting tool under every piece of content like Europe. - Rapid response to emerging trends by coordinating with multiple GoI fact-check units and media to debunk fake news and control its spread