Barry Keegan ☘️

Messing about for a draw challenge over on the Liefeld Facebook group. Badrock and Grifter. 🔥

@WesleyLHuff @joerogan This podcast opened my eyes to a great many things I was ignorant to. Thank you. 🙏🏻

One year ago today w/ @joerogan

Today, I’m joined by returning guest Lee Strobel. It’s a tradition here at the Shawn Ryan Show to release a special episode on Christmas, and this year’s conversation centers on The Case for Christmas, where Lee breaks down the historical and biblical evidence surrounding the birth of Jesus and why it matters. The full episode premieres tonight at 11 PM CST on Christmas Eve. Merry Christmas, everyone. @LeeStrobel

GODLIKE II!

I’d like to buy old me a pint

Troy Parrott, take your place on the pantheon of Irish greats 🇮🇪

The internet is wild. 😂😭

Out today! Savage Sword Of Conan #11

Spiderman cover flats from a few years ago.

Probably my favorite Isom art piece.

The 90s

Here are the original boards for my connecting TMNT covers! Each cover took about 30 hours. I split them into 2 days, 15 hours for pencils and 15 hours for inks, wash and digital touch ups! A dream project is such an understatement. I tried to pour everything I have into these!

@BillyTucci I lost my copy of this. Love it, just superb!

No spoilers but here's a few of the great Travis Charest's scanned pages from 1996's Grifter/Shi: Final Rites crossover. There's been a lot of discussion of Travis' amazing design, storytelling and artwork. Travis illustrated the book (along with Jim Lee, Ryan Benjamin and me) in 1995. I like to think the first time the world gazed at this generational talent's industry-changing style and execution was seen here first. Such good times with great creators and friends!

The perfect shootout doesn't exi-

That's some of Travis Charest early work, which is great compared to what DC was publishing on half their monthly titles at the time. I doubt you understand this, but Travis Charest is a comic book god! Every artist starts somewhere.

One of the greatest opening scenes of all time — instantly iconic and impossible to look away from.

Well done all, it looks great!!

When my phone randomly connects to the UFOs bluetooth during the abduction.

Jim Lee says DC Comics will not support AI generated storytelling or artwork. Not now, not ever as long as he is in charge. "Because what we do and why we do it is rooted in our humanity. It's that fragile, beautiful connection between imagination and emotion that fuels our media, the stuff that makes our universe come alive. It's the imperfect mind, the creative risk, the hand-drawn gesture that no algorithm can replicate. And when I draw, I make mistakes, a lot of them. But that's the point. The smudge, the rough line, the hesitation. That's me in the work. That's my journey. That's what makes it come alive. It's the product of true effort, of inspiration, and perspiration. Fans know this. They sense this. They can feel when something was made with care, when it cost the artist time, energy, heart, and effort. People have an instinctive reaction to what feels authentic. We recoil from what feels fake. That's why human creativity matters. AI doesn't dream. It doesn't feel. It doesn't make art. It aggregates it. Our job as creators, as storytellers, and as publishers is to make people feel something real. That's why we create, and that's why we're still here." Via:(#google_vignette" target="_blank" rel="nofollow noopener">bleedingcool.com/comics/dc-comi…)

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