Bill Desowitz

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Bill Desowitz

Bill Desowitz

@BillDesowitz

Craft & Animation Writer: covering the creativity behind the tech and awards analyst/tastemaker.

Los Angeles Katılım Haziran 2011
1.5K Takip Edilen1.7K Takipçiler
Bill Desowitz
Bill Desowitz@BillDesowitz·
The imperfect look of 16mm was one method for visually conveying Lidia's complex mindscape. But Imogen Poots' intense, unpredictable performance was DP Corey Waters' north star. kodak.com/en/motion/blog…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
Miyazaki's "Kiki's Delivery Service" is a thrill ride in 4K IMAX, thanks to its exciting flying sequences. The legendary director's breakout hit at Studio Ghibli (@GhibliStudios) screens in select @IMAX theaters March 12-19, distributed by @GKIDSfilms.
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Bill Desowitz
Bill Desowitz@BillDesowitz·
@RadianceCC I think he'd be a good choice. However, I don't believe he's been offered the role without a finished script to read. This could be preliminary or a ploy by his agent to create buzz for him.
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RadianceCC
RadianceCC@RadianceCC·
@BillDesowitz Reports indicate—though it could still be just a rumor—that Jacob Elordi has met director Denis Villeneuve and has been offered the role of James Bond in the next Bond film that Villeneuve will direct. What are your thoughts?
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Bill Desowitz
Bill Desowitz@BillDesowitz·
It's hard to believe that legendary production designer Jack Fisk has never won an Oscar. I explored his forensic methodology and '50s reconstruction of New York's Lower East Side in my "Hollywood Reporter" piece about "Marty Supreme": hollywoodreporter.com/movies/movie-n…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
In honor of Eastman Kodak receiving this year's Curtis Clark ASC Technical Achievement Award, I reported in the February issue of "American Cinematographer" on their tech innovation and playing a key role in the recent larger-format theatrical revival. theasc.com/articles/kodak…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
I debunked the myth that IMAX and VFX can't play well together with the Oscar-nominated VFX team of "Sinners" for Kodak Filmmaker Stories: kodak.com/en/motion/blog…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
For director Tyree Dillihay (Bob's Burgers), GOAT began as an animal basketball concept  in 2018 at Sony Pictures Animation. It grew into his passion project about roarball. animationscoop.com/goat-how-direc…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
I spoke with all 5 editing Oscar nominees for The Envelope about a pivotal scene of their choice -- and they all selected one about coming to terms with trauma: latimes.com/entertainment-…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
Forevergreen, about the bond between an orphaned bear and a paternal tree, is a passion project from Disney animator pals Nathan Engelhardt (Zootopia) and Jeremy Spears (Zootopia). animationscoop.com/forevergreen-h…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
The Irish "Retirement Plan", winner of the Grand Jury and Audience Awards at SXSW, is now on the Oscar short list. We spoke with Dublin-born director John Kelly. animationscoop.com/retirement-pla…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
In "American Cinematographer" online, DP Evgenia Alexandrova told me about her subversive visual approach to the Brazilian thriller, "The Secret Agent," using bright, saturated colors as a counterpoint to the dark slow burn. theasc.com/articles/the-s…
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Bill Desowitz
Bill Desowitz@BillDesowitz·
"Arco" director Ugo Bienvenu discussed his imaginative animated world-building and how it flips the usual conventions of sci-fi in my latest article for "The Envelope": latimes.com/entertainment-…
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