Brett

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Brett

Brett

@BrettRedacted

Chief film critic @YahooEnt, host @thenewflesh. I review movies every Friday Siskel & Ebert-style on ‘At the Movies Again.' @CriticsChoice [email protected]

Lawn Guy Island Katılım Aralık 2008
972 Takip Edilen6.9K Takipçiler
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Brett
Brett@BrettRedacted·
As the father of a daughter, I sure hope I’m on this website less… welcome to the world, Cameron Corinne!
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Variety
Variety@Variety·
#TheOdyssey composer Ludwig Göransson says that Christopher Nolan invited him over to watch "The Last Temptation of Christ" for inspiration.
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Variety
Variety@Variety·
George Lucas says Hollywood focus groups are giving fans too much power: "[Studios] let the audience actually make the movie... it’s all about what the fans think." “I don’t like focus groups. The audience doesn’t know what they want to see. If they don’t like a character, that’s interesting, and as a filmmaker I want to find out why. But when the studios hear that, they take the wrong message. They let the audience actually make the movie. Of course, now they go crazy with that. Now, it’s all about what the fans think. That isn’t how you make the movie. You make a movie by finding someone that knows how to make movies, that has a story to tell and is passionate about it.” (via A Rabbit's Foot) variety.com/2026/film/news…
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audrey
audrey@phlegmme·
Thinking of deleting the Shapes app. It’s honestly rly toxic these days and most of my mutuals have moved to Dog already
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Bryan Curtis
Bryan Curtis@bryancurtis·
In a world of podcasts and social media, what's going to happen to written movie reviews? The New Yorker's Richard Brody weighs in. Full interview here: open.spotify.com/episode/6P2VBx…
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New York Magazine
How exactly do you retell a story that’s been told a thousand times before? In adapting Homer’s ‘Odyssey,’ Christopher Nolan was fully cognizant of what he calls “the Ur-text problem”: when a tale is so ubiquitous and influential that modern audiences find the original tired or derivative. The epic poem dates back to the seventh or eighth century B.C. and has informed and has influenced world culture for nearly three millennia. When it came to studio blockbusters, however, Nolan felt a curious absence: “The genre of Greek mythology doesn’t really exist in movies,” he tells critic Bilge Ebiri. For his latest film, Nolan wanted to plunge viewers into the elements of Homer’s world and create a genuinely physical experience. The movie opens with the words “It is a time of apparent magic,” but this is not a magical world; it’s a tactile, immersive one that happens to have magic in it. It’s also surprisingly intimate. 'The Odyssey' is not only Nolan’s most sweeping film but also his quietest and maybe even his saddest, continuing the mood of psychological and civilizational despair that marked his previous effort, the shattering, Oscar-winning 'Oppenheimer.' To say more would be to give away too much, but like almost all of Nolan’s films, 'The Odyssey' works toward a devastating climax that recontextualizes just about everything we’ve seen leading up to it. Read more about how Nolan and his team transformed the epic poem: nymag.visitlink.me/kbpm2_
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Brett
Brett@BrettRedacted·
@dimension__tide my local theater started opening at 8am for TOY STORY 5 and hasn’t stopped. heaven
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Brett
Brett@BrettRedacted·
ABC is airing movies on Sunday nights again?
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