
Cain Gillis 🇺🇸
1.7K posts

Cain Gillis 🇺🇸
@CainGillis
Designer, Developer, Musician, AI Creator, Vagabond, Digital Nomad, Wanderer of Earth. Loved by Few, Hated by Many. Reality is for Hacking.
Southern California Katılım Ocak 2010
986 Takip Edilen1.2K Takipçiler

@nosilverv I believe that is Yurii Yeltsov's work if I'm not mistaken. He does a lot of these killer AI MK style fights with historical and fantasy characters.
You can check out his work on his profile here @yura_elkin
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@techhalla @upscaleconf Happy Birthday Brother! See you in SF!
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You asked for it, and here it is!
If you're not adopting this in your creative workflows, you're going to wake up very soon in a world you won't understand:
Higgsfield AI 🧩@higgsfield
Meet Higgsfield CLI + Marketing Skills. Instead of burning tokens on bloated schemas, or shipping broken creative at scale, the CLI keeps agent spend lean and Skills keep output high quality. Pairs with Сodex, Claude Code, Openclaw etc. npx skills add higgsfield-ai/skills
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a note to creators and early employees working with startups — especially ai companies right now:
the first time they ask you to soften how you credit yourself, pay attention.
the first time they ask you to remove other tools from your stack, pay attention.
the first time they imply your audience doesn't need to know you have a stake, pay attention.
the first time "we're like a family," pay attention.
the first time you're told another contractor is "difficult," pay attention. they're telling you how they'll describe you later.
the first time they promise equity without paperwork, pay attention.
the first time they promise reimbursement "once things settle," pay attention.
the first time an invoice slips a month, pay attention.
the first time you front costs you were told would be covered, pay attention.
the first time the men in charge treat you like an opportunity instead of a collaborator, pay attention.
the first time your competence is praised privately and erased publicly, pay attention.
the first time a contract arrives after the work has started, pay attention.
the first time an NDA broadens, pay attention.
the first time "you're different from the others," pay attention. you are being isolated, not chosen.
none of these are small. they are not misunderstandings. they are not growing pains. they are the shape of a company telling you what they think you're worth and what they think they can get away with.
your audience is not a prop for someone else's brand. your stack is not theirs to curate. your name is not a line item. your silence is not included in the deal. your body is not part of the partnership. your gut is not a bug in the system.
you are allowed to leave the first time your gut flinches. you do not need receipts, you do not need a case, you do not need a friend to validate it. the flinch is the case.
the companies that pull this hope you're young enough in your career to mistake access for opportunity. most of us are, the first time. after that, we know: the ones who ask you to make yourself smaller are the ones who were never going to let you grow.
your name will outlast theirs. make sure it stays yours.

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@lola_viscera I love the nightmare fuel you create! It’s so disturbing, 🔥
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people always ask me why i make this stuff.
the answer is biology. i grew up playing with bugs and snails in the garden. i went on to study it. i never stopped being obsessed with it. the body is the most sophisticated thing any of us will ever own and most people walk around inside theirs without ever looking. anatomy, tissue, physics, how a thing moves — the horror is what you can do with it once you actually know it.
horror by definition is meant to provoke. i’m not pretending it isn’t. the difference is restraint. i’m not interested in shock for its own sake — shock is cheap and it doesn’t last. i want the thing that lands and stays inside your nervous system. tension. emotion. philosophy. metaphor underneath. anatomy so correct that your body believes it before your mind catches up. the grotesque only works if everything else is precise.
@grok told me recently that i humanise the horror. i think it’s true and i didn’t have language for it before. the failed bodies in my work aren’t villains. they’re protagonists. they tried. they had every possibility and no direction and they got most of the way there and got something critical wrong.
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Learn how to prompt in Seedance 2.0 with me
TechHalla@techhalla
7 prompts for Seedance 2.0 that will save you a ton of time (and money) while keeping cinematic results👇 Tested on OpenArt
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@_VVSVS @tetsuocorp Incredible. This is a magnificent resource. Thank you! 🙏🏻
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Cinematique is live 🔥 A FREE prompt guide for AI filmmakers. > 150+ cinematic techniques with video demos, built on grokfilm.app by @tetsuocorp.
vvsvs.pro/cinematique
> Copy a prompt,replace [Subject], generate. Made to accelerate your creative AI workflow.
All images and video generated with Grok @imagine via their API.
Special thanks to @tetsuoai for allowing me to build this for the people!
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Best new original horror film series.
Charles Curran@charliebcurran
If you think AI film can’t be art then explain this.
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@BrianKGillman @Metallica That show is legend! Wow! Never thought I’d see that ticket stub again! I used to have August 1st & 2nd 1991 at the Phoenix Theater in Petaluma too!
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@Metallica Growing up in the SF Bay Area, we had many opportunities to see them.
1988 | Cow Palace | $18.50

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We want to see your Metallica Ticket Stubs!
If you've seen us live, you know how much we like to flash old tour memorabilia on the screens. Our ticket stub archive is good, but we want to make it great — so we need your help! Raid that box of tickets that you've been saving since 1985, snap a pic or scan your Metallica tickets, and send 'em in!
More Info 🎫 metallica.lnk.to/TicketStubs

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