CEM®

@elonmusk Did you watch the film ?

Chris Nolan desecrated the Odyssey so that he would be eligible for an Academy Award …

@AhnunM @wholemars I have a Feb 2025 model, what is that? Can you please explain ? Thanks

@wholemars How is your PCS doing?

I’ve had my Cybertruck for 2 and a half years now, and the battery is still looking great. 120 kWh out of 125 kWh originally. These 4680 packs have great longevity!

@Relojes_GC 💯

Una versión del Seamaster hubiera pegado más que el Fifty Fathoms 👀

The most dangerous pandemic of this century may not be a virus. It is the “One Child Pandemic.” One child carrying the pressure of two parents, four grandparents, and an entire bloodline’s expectations. One child growing up in silent homes instead of noisy childhoods. No sibling fights. No shared secrets. No built-in best friend for life. Just screens, perfection pressure, loneliness, and emotional isolation dressed up as “modern comfort.” Earlier generations grew up with less money but more people. Today’s generation grows up with more gadgets but fewer human bonds. A single child becomes the family’s hope, retirement plan, emotional support system, and legacy all at once. And when that child breaks mentally, the whole house collapses quietly. Human beings were never designed to grow up emotionally alone. A society survives not only on economy and technology. It survives on cousins, siblings, chaos at dinner tables, shared responsibilities, and people who stay after the parents are gone. The real tragedy is not declining birth rates. It is declining human connection. We are slowly creating generations who know how to use every device… but do not know how to share grief, tolerate differences, protect relationships, or carry family together. A crowded house was never poverty. Sometimes, it was civilization itself.

@ClownWorld Santa Monica suuuucckkksss like stupid as place

Here’s Santa Monica in 2026. This guy installed razor sharp anti-climb spikes on the wall after the house got robbed. He’s out here recording and pointing at his own work like this is normal now. Nice neighborhoods turning into fortresses because crime is so bad people have to do this just to feel safe. Instead of fixing the actual problem, regular homeowners are forced to turn their places into mini prisons. Real question though: is this even legal? If some tweaker tries to climb it, cuts himself up bad and sues… who wins? The criminal or the guy just trying to protect the property?

@alainastruc Nolan is my favorite director of all times, for ne he’s our David Lean … but this take is super interesting

I think I finally understand what is wrong with Nolan: his universe is adverse to myth. It is made entirely of causality, and causality alone. He may be the most gifted filmmaker working in big-budget Hollywood today. But he is going to crash on myth the way sailors crashed on the rocks below the Sirens. When I criticized the teaser, I was told: wait for the trailer. When I criticized the trailer, I was told: wait for the film. Then I read the two-hour interview Nolan gave to Time Magazine, and something clicked. The tell is in a detail Nolan offers with obvious pride. He found a solution to what he saw as a narrative problem: why would the Trojans believe the horse was empty and drag it inside their city? His answer is to make the horse half-submerged, sinking into the sea, so the Trojans would rescue it rather than accept it as a gift. It is a solution to a problem that never was one because it is a myth. The Trojans bring the horse inside because it is a gift and it has wheels. The poet tells you something plainly impossible with the same tone he uses to describe the sunrise, and in doing so he is signaling that the level of reality goes beyond mere causality and exists on other levels. He is the kind of guy who would explain that Santa can fit through the chimney because he designed it wide enough from the start, using proper construction methods and reliable materials. And then explain how the reindeer are fed to sustain that much effort in a single night, and how Santa elaborated a clever logistics route to deliver all the gifts on time. Watch him justify the armor despite its fantastical look, or explain the absence of orchestra because there was no orchestra in Ancient Greece. There were no IMAX cameras either, Christopher. A simple authorial act would have sufficed: because I like it better that way. That honesty might have opened a door out of causality. This narrative prison is precisely why people eventually seek out avant-garde and experimental cinema, why they feel something release when causality finally breaks. Because causality is already the weight of our ordinary lives. As long as Nolan stayed away from myth, his causal world of mirrors and clever tricks and puzzles worked beautifully, sometimes brilliantly. But this is something else. This is the gut of myth. This is the Dionysian spirit of mud and blood and the salt of the sea. This is the beautiful lie that makes you erupt with sacred joy.

@GlobalWatchClub I don’t care about either but I’d choose the AP because it’s different philosophically than just making their tired watch in plastic like the speedy

Which collab do you like more? - Omega Moonswatch - AP Pocketswatch

TIME’s new cover: ‘The Odyssey’ is arguably the biggest film of Christopher Nolan’s career. It may also be the summer blockbuster the entertainment industry needs right now time.com/article/2026/0…

🤣🤣🤣

Too true!

@IAmLilRico That’s the ceramic AP not a swatch collab 🤦🏻

Man goes viral after getting a ApXSwatch early before the release date…😳🔥

ranch house cafe on route 66 📍 tucumcari, new mexico 🎞️ kodak gold

@dieworkwear 🤣🤣🤣

the discourse around the swatch x ap collaboration is painful. caring about whether your status symbol makes people feel less envious bc they can now purchase a more affordable version of that thing is spiritually rotten.

@Cultination1 Tell me you’re stupid without telling me you’re stupid 🤣

🇦🇹💸❌« Naître n’est pas un mérite, hériter n’est pas un travail » : À 30 ans, elle hérite d’une fortune de 27 millions € qu’elle JUGE UNJUSTE… et décide de TOUT REDISTRIBUER. À 30 ans, Marlene Engelhorn, une Autrichienne issue d’une riche famille liée au géant chimique BASF, a HÉRITÉ D’ENVIRON 27 MILLIONS D’EUROS à la mort de sa grand-mère en 2022. Au lieu de conserver cette fortune, elle s’est SENTIE PROFONDÉMENT MAL À L’AISE, estimant qu’elle ne méritait pas cet argent qu’elle n’avait pas gagné par son propre travail. Convaincue que l’héritage est une « injustice », elle a décidé de REDISTRIBUER la quasi-totalité de sa fortune. Elle a même demandé à l’État autrichien de lui PRÉLEVER 90% D’IMPÔTS sur cette somme, avant de créer un « Good Council » composé de 50 citoyens tirés au sort pour décider ensemble de l’utilisation de cet argent. (Le Monde)

“Attack life, it’s going to kill you anyways.” - Steve McQueen

@StreetFashion01 Do they pay you to promote the brands while driving ? 🙄🤷🏻

Carhartt and Ford just dropped a whole truck together😭

When I dream! I dream of this!

@GlobalWatchClub Yes but it’s still ugly AF

Would you consider Hublot a 'luxury' watch brand? Let me know 👇

Christopher Nolan at The Late Show on THE ODYSSEY: “The story is written in a non linear way.”

@NolanAnalyst My thoughts are 😭😭😭😭 lucky to be living in the times of Nolan!

What are your thoughts on the new trailer for THE ODYSSEY?