culturehacker

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culturehacker

culturehacker

@culturehacker

storyteller/artist | collector & curator 👉 | co-founder @dam_zine | 🔥 New WTS https://t.co/zklXDs7wtF

all over the internet Katılım Ocak 2007
7.8K Takip Edilen10.5K Takipçiler
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culturehacker
culturehacker@culturehacker·
WTS listed as best Digital Art of 2025 by @artnews. Special thanks to @SolanaFndn @Pedromiranda @jnwng @nkumar23 for their support in helping to bring WTS to the High Line. WTS runs for 15 weeks 24/7 & experiments w/ inscriptions & performative mints to document time based media on @solana
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Regina Harsanyi
Regina Harsanyi@ReginaHarsanyi·
Watch this talk for more insight before seeing the show: youtube.com/watch?v=Rbf76n… When these went to auction two years ago, I spoke about the perils of transcoding, scaling, authenticating, and selling an artist’s digital work posthumously, especially when the project relied on recovered .pict files, not confirmed native Amiga originals, and when the display format was shaped by collector preference rather than conservation ethics. I also, of course, discuss why putting bytes on a blockchain is not preservation in itself, and why these should be understood as a very specific kind of exhibition copy.
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Jehan Chu@collectionist

Overjoyed with our Keith Haring 1987 digital drawings exhibition @MartosGallery designed by renowned architect KULAPAT! If you’re in NYC, don’t miss seeing how surprising NFT’s can be when installed like this!! @nftnow @graceb_art

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objkt
objkt@objktcom·
Do you have any aesthetic preferences, or particular styles that resonate with you? @PompousLL - Aesthetically, I’m drawn to work with strong structure, color, rhythm, and a clear visual identity. While my physical (and digital) collection is largely generative art, I find that there is an overlap in aesthetic qualities that also makes me enjoy certain glitch art and AI art. Paint the Rain, by @culturehacker
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Soy Nando
Soy Nando@soynando__o·
" The angel dive "
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Lisanne Haack
Lisanne Haack@paranoidhill·
It took a while, but it's finally here!!! New design, new experience. Now with a physical shop. Print details below. More options coming soon. Tell me about your experience ❤️ lisannehaack.art
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Regina Harsanyi
Regina Harsanyi@ReginaHarsanyi·
Real ones know how to read the catalogue raisonné. You're welcome. @SHL0MS Claude Monet, Nymphéas [Water Lilies] 1914–17 (probably 1915) Oil on canvas 52 x 38"
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JT Liss
JT Liss@JTLissPhotoArt·
“A pioneer in the Graffiti Art Movement” Coming to @cycol_gallery Coming to @exchgART Coming to @solana The difference between us and what others did during peak 22 is that there are no promises, no guarantees, just a level of understanding being part of an art community that was once told their work was not real art, and a level of respect for what my team and I have done and how we move. This is not even Cycol’s true form yet.
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Kika Nicolela
Kika Nicolela@kikanicolela·
I have been literally waiting for years for a networked, dynamic NFT project by @jamesbloom_ on tezos. But it was worth the wait: ‘Contingent’ touches upon so many essential topics, such as the nature of digital images and the very act of seeing them, and all departing from the seminal work by the pioneer artist Gottfried Jager. Unmissable.
objkt.one@objktone

Announcing ✦ Contingent by @jamesbloom_ x Gottfried Jäger Each work exists as a live networked system rather than a fixed image. Using a decentralized peer-to-peer network, the visuals shift depending on where, when, and by whom the piece is being viewed. Built in collaboration with generative photography pioneer Gottfried Jäger, the series extends Jäger’s 1967 light-image experiments into the networked digital era. Edition of 200 Releasing May 21 on @objktone

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Yancey Strickler
Yancey Strickler@ystrickler·
Artist Corporations have now passed the Colorado House and Senate in overwhelming bipartisan majorities Next: the Governor's desk where the bill will be signed into law
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Heft
Heft@heft_gallery·
Launching this weekend: Heft TRANSMISSIONS presented by Projekt________ featuring the new VOLUMES listening system by @JoeDoucet A new performance series running through June 12th exploring relationships between music + fine art through immersive audiovisual works, curated pairings of songs and visual artworks, and live performances. TRANSMISSIONS is catalyzed by the debut of the ultra high fidelity listening system VOLUMES, by renowned designer @JoeDoucet created using artificial intelligence. Stay tuned to see the coming weeks of programming on our website (click TRANSMISSIONS) and book your tickets for this weekend’s variety of unique experiences... starting with: SATURDAY MAY 16 Two sets at 6PM, and 8PM Featuring Ivana Dama, Ben Shirken, and Testu Collective $20 early bird — only a few left SUNDAY 1PM - 6PM Last set: SECRET TRANSMISSION headliner 👁️ stay tuned with openers: Private Browsing Jake Oleson Programming and production by Projekt Blank! Tickets for this weekend, info, and details about VOLUMES all on the website. Check back Monday for next week’s programming and ticket access.
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Strano
Strano@5tr4n0·
artists/curators for RGBMTL 26 each will be selecting 5 to 10 artists memorable times coming up August 28-29 in Montreal book it or live forever in regret
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Sean Bonner🔥
Sean Bonner🔥@seanbonner·
I’ve seen a lot of talk about access to and costs of attending Art Fairs. An important detail new people might not know is many of the non-Art Basel fairs (NADA, Frieze, Scope, Red Dot, etc..) started in reaction to just that, artists and dealers feeling like the couldn’t break through the institutional barriers of the “real” art world so rather thank keep fighting it they decided to set up their own thing on the side instead. Can’t afford a venue? Rent out a floor in a hotel and show art in each of the rooms. These mini fairs did something new and exciting and “emerging” and drew attention from the bigger fairs which were supposed to be new and exciting but had gotten stale and crusty and expensive. The small fairs became big fairs. Attention has gone back and forth and all the fairs have had to wrestle with what they are doing and who they are showing. As an ex-gallery owner who closed the gallery in no small part to how the whole art fair industry was negatively impacting gallery business I have complicate feelings about it all, but the point is that you can just do things. You don’t need permission. And while I appreciate people working to break down the barriers and build new things, I always want to remind people they can do things on their own as well. You don’t have to “get in” or be approved by anyone else.
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