NormanCharles

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NormanCharles

NormanCharles

@Cyntefin

Asiant hamperi Nadolig i'r sêr. Barn bersonol, wrth reswm

Ar y bws mas o Leifior Katılım Ekim 2014
1.4K Takip Edilen886 Takipçiler
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Kip Conlon
Kip Conlon@kipconlon·
My dream of being a poet vanished like a thing in a whatever.
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Anon Opin.
Anon Opin.@anon_opin·
The BBC should make all of the Peel Sessions available to stream on the Sounds app. They're recordings of incredible cultural significance and shouldn't be left to languish in a vault.
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Sara
Sara@SeeRedWoman1·
Elephant was named after a film commissioned by mum’s partner Ian when he worked for BBC NI. It’s was written by Bernard MacLaverty, directed by Alan Clarke and produced by Danny Boyle and banned the day after its release. It’s less than 40 minutes long eighteen murders, no narrative, no context, no justification. Clarke’s cold documentary eye strips sectarian killing of every heroic myth all sides have built around it and in doing so exposes the banality of evil: violence made mundane, ordinary, bureaucratic in its matter-of-factness. You can clearly see the influence of that filming style in Gus Van Sant’s work. facebook.com/share/v/1CNbQS…
Sara tweet media
DepressedBergman@DannyDrinksWine

Gus Van Sant on how he approached making "Elephant" (2003) & the scathing critical response it received: "My film observes from multiple points of view several students who cross paths in the hallways of a suburban American school on a seemingly normal weekday that culminates in a massacre. The film may be provocative but it refuses to preach or to explain. It’s an approach that frustrates and even angers some of the audience. The film’s refraining from giving answers drew reprobation from American film critics in Cannes, especially those from L.A. The scathing Variety review called the film ‘gross and exploitative,’ and ‘pointless at best and irresponsible at worst.’ The L.A. Times’ Kenneth Turan wrote after the film won the Palme d’or at Cannes that the jury confused ‘artful vacuousness with genuine art.’ 'Elephant' is more like a poem about Columbine than a detective story. I am not surprised by the critical response. I was jettisoning theatrical conventions most moviegoers (and critics) assume a film is supposed to have. I think that critics have their viewpoints and their viewpoints are valid. Really, the film is meant to be looked at and commented on. It’s not meant to be commented on favorably." ("Elephant: Director Van Sant on his Controversial Movie", Emmanuel Levy, 2006)

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cinesthetic.
cinesthetic.@TheCinesthetic·
The Thing (1982) recreated with Pingu. A crossover that never stops being funny.
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FootballRetroPlus
FootballRetroPlus@robertmdaws·
WALES 🏴󠁧󠁢󠁷󠁬󠁳󠁿⚽️ 1976 #admiral
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Rob Harries
Rob Harries@robharries83·
This archive pic shows racehorse Norton’s Coin being paraded through Nantgaredig in Carmarthenshire after it won the Cheltenham Gold Cup in March 1990. At odds of 100/1, the victory still represents the biggest upset in the history of the #Cheltenham Festival.
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Scarred for Life
Scarred for Life@ScarredForLife2·
Most Keep Britain Tidy PIFs warned, 'Don't be a lazy, scruffy git'. But BOTTLE (1987) went the extra mile: 'Don't be a lazy, scruffy git, oh by the way your litter could maim a child'. How about that insane Steadicam shot, though?
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simon evans
simon evans@TheSimonEvans·
It is an ancient Mariner, And he stoppeth one of three. 'By thy long grey beard and glittering eye, Now wherefore stopp'st thou me? The Bridegroom's doors are opened wide, And I am next of kin; The guests are met, the feast is set: May'st hear the merry din.' He holds him with his skinny hand, 'There was a ship,' quoth he. 'Hold off! unhand me, grey-beard loon!' Eftsoons his hand dropt he. He holds him with his glittering eye— The Wedding-Guest stood still, And listens like a three years' child: The Mariner hath his will.
Bret van den Brink@BretVDB

I defy you to find a poem with a stronger opening.

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