I knew this brick would arrive one day. It was inevitable. Today is that day. Let’s see how long it takes me to gather enough courage to pick it up so I can put an end to my most embarrassing reading gap.
@simonsarris Ficciones - Borges
Pale Fire - Nabokov
The Rider - Krabbé
The Last Samurai - DeWitt
The Mezzanine - Baker
The Third Policeman - O’Brien
If On A Winter’s Night - Calvino
Middlemarch - Eliot
The Mystery Guest - Bouillier
Death Comes for the Archbishop - Cather
If you were to make a bookshelf of the 100 most important works, that you would want your children to eventually discover, what would be on it?
I'm hoping for about ~80% fiction
Finished.
IMO: One of the best novels from any place or language and a phenomenal year-long diaristic reading experience. Big thanks to its translator Damion Searls who chatted with me as I progressed. Happy to do the same for others. The book begins on Aug 21—tomorrow. Read it!
@CatholiCinephil I give Pretty Women the nudge over Johanna because of how it elevates, and is elevated by, the context of the scene, and illuminates the evil of the characters amid the extraordinary tension of Todd running a razor across JT’s face…
Genius!
But I won’t argue with Feed Me.
@Komaniecki_R I can’t believe I’m dipping a toe into the recent “discourse” because I feel almost everyone has come across awfully but doesn’t this prove @ethanhein’s point?
Think you could test out of remedial music theory at a big music school? Here's the (sample) graduate entrance exam for all incoming grad students at the Indiana University Jacobs School of Music. (1/4)
@MusicOfLee Obviously this is a perennial debate, but it seemed to bubble up into a more public discussion with numerous articles weighing in back in 2000.
@MusicOfLee There was a lively public debate around this back in 2000 and Maury Yeston weighed in via this article.
The main argument was that what historically distinguishes them is less about formal differences and more about how much control the composer has.
nytimes.com/2000/06/25/art…
Here's an open-ended question for the #newMusic crowd (and just the twitter music community at large):
What's the difference between a musical and an opera?