The D 20

She is still missing, let’s repost until she is found

🥾

Babies need to hear this shit more often tbh

Translation: "Me and the boys up here are getting so much pape, im actually having trouble sleeping with how badly we're robbing you niggas".

@rinnegoddess I gotta catch up with the beserk manga

Strugglers, WERE BACK!

Beethoven was fucking deaf but yeah sure you need a robot to be creative for you

@rinnegoddess Don’t blame you. She’s kind of a hater….a lil bit.

I dont like her

It's refreshing to see a Democrat not glaze Ronald Reagan.

Shortly after the election I grieved for and later made peace with the extremely uncomfortable fact that most of us are going to die significantly earlier than we would like, and the cause may very well trace a direct line to the actions of this administration.

Data Centers aren’t just about surveillance or AI. That’s the COVER. It’s about WATER CONTROL, folks. They’re gonna start RATIONING water to us peasants. Y’all keep thinking it’s ‘going back to normal’. It’s bout to get A LOT worse before it gets better. But get out & VOTE!😂🤦🏽‍♂️

Damn

Magical Boys. Literally one of my biggest wishes in media. Not only that, but Black boys having cool powers and feelings while being the stars of the show??? So excited to see FLY take off when the time comes. Go support this project!🙏🏾🪽

Irl Kazuya 😂

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO