Luma | Dream Lab

"Sometimes the best way to learn a new tool is by playing with it. Stop overthinking, get weird, break things, and laugh a little. That's where the best ideas usually show up. Have fun first. The skills will follow." DreamLab's Art Director Jieyi Lee (@jieyijeee) using @LumaLabsAI's Multi Keyframe + Modify.

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Replacing the questions to make my coworkers sound insane... Feat. @DreamLabLA @LumaLabsAI

Artist Keith Paciello made a film about a life that never happened. It starts at the moment of conception. It ends after he's dead. Here's the part nobody's seen yet. "This piece is a continuation of the witness filmography. The filmography went from the moment of conception to about 75 years old. It showed and demonstrated work that never existed. I thought when @LumaLabsAI Modify Video came up it'd be fun to have a continuation where I had a mockumentary feel interview of myself at 75-80 talking about the life and the work that never existed. Since I had, from the moment of conception, gone post-death and had myself in some kind of film history museum as a hologram, that was the completion of the moment of conception to post-death." - Keith Paciello

How Encore was made. Jacob Russo combined live performances with AI to create a hybrid production workflow. • iPhone footage of actors drove the motion • @LumaLabsAI Ray3.2 transformed those performances • Uni-1 created every character and environment • Uni-1 + GPT Image 2 generated the keyframes • Music & sound design by ElevenLabs Cinematographer: Julia Harris Actors: Tamara Bruketta and Jo Beth Locklear

Trying a Oner by overlapping keyframes between chunks of video. Julia Harris cinematography. @TonyHouart and @jieyijeee as robots. Jacob Russo as scientist. Bryan Soegondo as the robot Frankenstein.

It started with one question: Can you play an anime fight scene like a piano? Artist Jacob Russo answered this question by writing Encore and bringing this vision to life. Every character and environment was designed with Uni-1. Keyframes came from Uni-1 and GPT Image 2. The motion was driven by iPhone footage, brought to life with Ray3.2. Music and sound design are by ElevenLabs. Voice by Tamara Bruketta.

@mrjonfinger & @TonyHouart

Tag your work bestie. @LumaLabsAI

Watch the full tutorial here: youtu.be/uZJBqYSPrpE

This looks like a $100K shoot. It started with one image. 🌊 Consistent faces from reference images. 🎥 Realistic water motion from camera movement. ✨ Luma Ray3.2 Modify + Multi-Keyframe does the heavy lifting. 🎛️ Motion + Structure sliders give you the final say. Full tutorial on YouTube. @LumaLabsAI

This shot wasn't made in one pass. That's why it works. Here's Jack Fishkin's workflow: 1. Capture real actor movements for your character by using Luma's modify tool. 2. Add a staccato look using Posterize Time in Adobe Premiere. 3. Run it back through Luma Modify to refine the lighting and environment. 4. Finish with post effects in Premiere. Made with @LumaLabsAI Ray3.2.

Just a goofy test playing with using keyframe overlaps to stitch multiple @lumalabsai ray 3.2 modify clips together for one long clip. 🎥 Julia Harris @dreamlabla

Hot take: skip the climb and direct your vision instead with @LumaLabsAI Ray3.2. Original: @AngelaNikolau_ and @IvanBeerkus climbed to the top of the @EmpireStateBldg with a flag that said, “When the power of love beats the love of power the world knows peace."

It started with a strange idea: a planet that was alive. Under constant threat, she forms a covenant with a mana-wielding civilization. They cloak the entire world from terrifying extraterrestrial forces—but magic has a price. Every century, the most powerful among them must give their own life to renew the spell that keeps everyone alive. Somewhere along the way, it stopped being science fantasy. It became a story about reciprocity. Nature gives us everything. Maybe our responsibility is to give something back. Every frame in this film was created with Ray3.2 Multi-Keyframe using the @LumaLabsAI from beginning to end. The only thing made outside of Luma was the audio, crafted by Hahn. Full video make by Blake Johnson.

Mirror Lake Tutorial -> save this breakdown - Create your assets, including characters, environments, script, etc. - Create start frames and end frames as needed, for each shot multi-keyframe can take many frame inputs, so depending on shot complexity, create key frames as needed - Run Ray3.2 Multi-Keyframe (MKF), analyze the output video, and add, remove, or edit keyframes. - Important note: Ray3.2 MKF will interpolate to keyframes where you set them in the timeline, so adjust accordingly if results are messy. Created by Blake Johnson Made with @LumaLabsAI

It’s one thing for generative AI to resemble you. It’s another thing for it to make you wonder whether you actually shot the footage yourself and forgot. That was my experience today with Luma’s Ray3.2 Modify. A single-prompt, multi-keyframe, photorealistic result with a moving camera on a moving boat. @LumaLabsAI

Change the weather. Relight the scene. All in under a minute. @LumaLabsAI

What if the reason your AI creative sucks has nothing to do with the model, and everything to do with what you put in before you hit send? @LumaLabsAI