Emma Depledge

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Emma Depledge

Emma Depledge

@EmmaDepledge1

Professor of Early Modern English Literature [email protected] Works on Shakespeare, book history, mock heroics & pirate publications She / Her

Neuchâtel, Switzerland Katılım Ekim 2012
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Emma Depledge
Emma Depledge@EmmaDepledge1·
Out now @OUPAcademic #MakingMilton A collection of fantastic essays focusing on how #Milton’s authorial persona was shaped by: modes of writing in which he expressed himself, material forms in which his works circulated & ways his texts were reappropriated by later writers (1/3)
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Emma Depledge
Emma Depledge@EmmaDepledge1·
Hop Suisse! Hopp Schwiiz! Forza Svizzera! SO PROUD of Switzerland… and not just because you’re currently winning 🌈 #Eurovision2024
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Emma Depledge
Emma Depledge@EmmaDepledge1·
Congratulations ⁦@Besbrode⁩ & team! So proud of you, my friend!! #BAFTA Winner - LIBBY, ARE YOU HOME YET? Anna Hall, Josephine Besbrode, Luke Rothery, Danielle Jones, Celia Jennison - Candour Productions/Sky Crime ⁦@RoundhaySchool
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Dr Emily Cooper
Dr Emily Cooper@criminographer·
It's the 1st December. I want to channel how I'm feeling into something positive & so would like to share a little more about what we know happened to Alexander in the hope it'll raise awareness of #sudc. I'm so grateful for the support that has given me strength to speak (1/?)
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Emma Depledge
Emma Depledge@EmmaDepledge1·
We look forward to receiving your abstracts for ‘The uses and abuses of civility’ @UniNeuchatel 26-27 May 2023. Another chance to visit beautiful @neuchatelville in the sunshine!
Civility, Cultural Exchange & Conduct Literature@CivilityL

The @civilityL team is delighted to share the CFP for our conference on 'The Uses and Abuses of Civility, 1500-1700' at Université de Neuchâtel, 26th-27th May 2023. You can find further details on the project and our conference on our new website: earlymoderncivility.com

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Emma Depledge
Emma Depledge@EmmaDepledge1·
As @RachelJWillie and I argue in the Introduction, the #Restoration of the monarchy in 1660 both did and *did not* bring about the ‘restoration’ of the theatres. This collection, like the @SAAupdates seminar on which it was based, seeks to undermine arbitrary period boundaries
Rachel Willie@RachelJWillie

Next teaser…here’s contents page. After an introduction where @EmmaDepledge1 & I…er…introduce issue, Chris Highley’s foreword examines political, cultural & religious circumstances of theatre closure through texts such as Actors Remonstrance & Muses Looking-Glasse (both 1643).

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Emma Depledge
Emma Depledge@EmmaDepledge1·
Additional thanks to @newton_key for mailing feast tickets to us!! @RachelJWillie I look forward to being able feast with you again soon! #NerdMail #SnailMail
Rachel Willie@RachelJWillie

Today’s teaser: in “The Paper Feast in Late Stuart London: Feast Tickets, Advertisements, Songs, Sermons, & Entertainments”, @newton_key deftly takes us through printed ephemera assoc. ŵ city feasts for voluntary soc., & how it performed distinct roles for audiences beyond feast.

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Rachel Willie
Rachel Willie@RachelJWillie·
Huge thanks to our contributors at the SAA seminar in Atlanta & for their fascinating articles, to the editors at HLQ for their thorough copy editing, peer reviewers for their helpful & positive comments, to @katieltaylor28 who helped us prepare the ms for final submission.
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Rachel Willie
Rachel Willie@RachelJWillie·
Annnnnd finally! @SportingKyd eruditely examines Kirkman’s play catalogues, droll collection, practices as a bibliographer & role as theatrical antiquarian to show how print in early Restoration played an essential part in canon formation, extending beyond the triumvirate of wit
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Rachel Willie
Rachel Willie@RachelJWillie·
Penultimate teaser! @heidicraig focusses on playbook publishing during three distinct periods: pre 1642, 1642-60, & post 1660 to illustrate how cast & actor lists & allusions to actors in prologues & epilogues in plays function as marketing devices & documents of theatre history
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Rachel Willie
Rachel Willie@RachelJWillie·
Next Teaser! In “Aphra Behn’s Adaptations: Paper & Stage Sources for The Rover (1677) & Sir Patient Fancy (1678)”, the distinguished duo @thefairjilt & Elaine Hobby trace the different modes & strategies of literary borrowings in two of Behn’s plays. Langbaine oversimplified…
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Rachel Willie
Rachel Willie@RachelJWillie·
Today’s Teaser! Stephen Watkins examines the Dryden Davenant Tempest, carefully grown from the Shakespeare text & germinating new branches of its own. Watkins expertly traces its reception & alteration histories across stage & page, bookstalls, concert halls, & personal libraries
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Rachel Willie
Rachel Willie@RachelJWillie·
In today’s teaser, I lower the tone by writing about a flatulent devil whose farts smell like tobacco & how ballad song connects representations of roundheads in cheap print in the Restoration to rogues and vagabonds in Tudor folklore via Jonson’s masque, “Gypsies Metamorphosed”.
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Rachel Willie
Rachel Willie@RachelJWillie·
Annnnnd another teaser. In an extraordinary article, @SageSnayl considers Holland House in the 1650s as a site of performance, nostalgia for the pre-war King’s Men & resistance. Holland House’s principal proprietor, Isabel Rich, was a key patron of drama. Contains ace images too!
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