Everyman Agency

Grateful to live in a world that includes the outrageous talent & humanity of @bridgeteverett.

Thank goodness for @swholdren & her platform at @vulture. "THE WIND AND THE RAIN offers us the gift of responsibility. Whether we can sing in harmony with the future depends on what we do today, what we love, and what we save." vulture.com/article/theate…

🙌🙌🙌 @AxisCoNYC 🙌🙌🙌

Friends, PLEASE click on this review of 4 plays & read it all the way to the end. The paper of record is getting ruthless (metrics!) in their decision making b/c folks are not reading reviews. Let's support & enjoy @EVincentelli as she highlights new work. nytimes.com/2024/09/26/the…

The Lucille Lortel Award for Outstanding Director goes to... nicHi douglas for (pray)!

The Lucille Lortel Award for Outstanding Musical goes to... (pray)!

Congratulations to Ars Nova, Honoree for Outstanding Body of Work!

The Lucille Lortel Award for Outstanding Ensemble goes to... Pray!

The @talkingband's historic three-productions-in-five-months 50th Anniversary Season concludes with "Shimmer and Herringbone" at @MabouMines Theatre @122CC, May 1 - 19. For ticket info: talkingband.vbotickets.com/event/Shimmer_…

🎉🎉🎉Happy Closing 🎉🎉🎉 Dael Orlandersmith & @RattlestickNY

Two superficially similar solo shows by Mona Pirnot and Joey Merlo — and only one really connects. trib.al/sLZY0tg

David Greenspan stars in Joey Merlo’s eerie one-person show, an every-now-and-then party in Bushwick, and other recommendations of what to do this week. nyer.cm/O29iBba

Two superficially similar solo shows by Mona Pirnot and Joey Merlo — and only one really connects. trib.al/LIdQ9yp

This story is about 600 Highwaymen and Talking Band, but at its heart is a quandary: How to keep making theater in NYC as the city changes and the theater does, too?nytimes.com/2024/02/01/the…

"quietly galvanizing play... Jack Serio’s direction puts us in thrilling proximity to the actors. Thrilling, but also cortisol-spiking." THE ANIMAL KINGDOM continues through FEB 10 at @ConnellyTheater. nytimes.com/2024/02/01/the…

TY @madelesque 👉 “Criticism is not about the value proposition of art; at its best, it’s a kind of communion among artist, writer, reader.” link.nymag.com/view/5cd33ea82…

Sara Holdren was the chronicler and the saint of #apapsmear and all of the great shows we missed this January. When people say the media is dying, remember that many great journalists, like Sara, are doing all they can to educate, enlighten, and entertain readers.

“A new work by the sublimely gifted composer, performer & high priestess of modern-day ritual @hcarbornauts is always a cause for celebration. But in the midst of this winter of our discontent, the ravishing TERCE feels almost like a benediction.” - VOGUE vogue.com/article/heathe…

“I think musical theatre is capable of doing so much more than what I see it do.” - Composer & performer @hcarbornauts chats w/ @playbill’s @diepthought about her newest show, TERCE: A PRACTICAL BREVIARY. playbill.com/article/heathe…

Peaking early in 2024, I had the privilege of interviewing the extraordinary @hcarbornauts about her Terce: A Practical Breviary @herearts @PROTOTYPEfest open.spotify.com/episode/7q9wrK… If you're a fan of Heather Christian, music, or life in general, check this one out!