Films Ai

🔥 CANDY POP JUST EXPLODED ONTO THE SCENE! 🍭🎺 The wait is OVER — Boon Whittaker’s music video is LIVE and it’s pure sugar-rush SKA CHAOS! 2:18 of bouncy horns, feel-good energy, and that addictive Candy Pop bounce that hits your soul like the sweetest high. This one’s for the fans, the dancers, the dreamers — the whole squad that’s been riding with us! Turn the volume UP, hit play, and let the horns take you there. 🎥 WATCH THE FULL MUSIC VIDEO NOW 👇 aethrmusik.com/share/track/88… Drop a 🔥 if you’re already addicted. Tag your crew. Share it everywhere. ONLY AT @AethrMusik This is just the beginning… #CandyPop #BoonWhittaker #SkaPop #MusicVideoDrop #AethrMusik #RealBoon22 (Repost, stream, scream it from the rooftops — let’s make this one go VIRAL!) 🚀✨

The official music video for “I Saw Your Mom’s Boner.” A touching story about friendship, betrayal, and seeing something in a bathroom that can never be unseen. 🍆 Watch responsibly. Do not show your mom. #ComedyMusic #FunnySong #MusicVideo #TheFlapslackShow

Porch light Widow Get it now on @AethrMusik aethrmusik.com/share/track/10…

What’s the point of 4K? Honestly, most people use 4K for those hyper-detailed, slow-mo macro shots. And I get it—they work because they grab attention. But I’m interested in something else: a raw, realistic aesthetic that feels less like a digital file and more like a real film—the kind that forces you to stop and watch, rather than just scroll past. When @capcutapp invited me to try Seedance 2.0 4K, I didn't want to make just another promo ad. I wanted to see if I could push the tech into territory that feels like a real film. I set up a few stress tests to see if this 4K could handle cinematic storytelling: - Dark Environments: Low-light gradients that usually turn to digital mush at lower resolutions. - Vibrant Color: Hyper-saturated schemes that often band and block. - Macro Shots: Using those "attention-grabbing" angles, but giving them a narrative purpose rather than just using them as a gimmick. I channeled the gritty, flashing-light aesthetic of Gaspar Noé for this. (A quick warning: his films are intense—careful.) The result is "Salty." Seedance 2.0 4K handled the mood and the detail better than I expected. Whether you're making films for fun or for a living, it’s a powerful tool for bringing those wilder, cinematic ideas to life. Huge thanks to the team at CapCut for trusting me with early access to Seedance 2.0 4K. Getting to experiment within CapCut Video Studio was a true honor—I really appreciate the creative freedom they gave me for this film. Salty A film by Jordan Daniel Chesney Produced by CapCut Music by Brendon Moeller @capcutapp #capcut 4K YouTube version in the comments.

New Music video "I'm Sorry Baby" Made with @invideoOfficial