FKA Dust 🌄

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FKA Dust 🌄

FKA Dust 🌄

@FkaDust

[email protected] | creator / producer of TRAИƧA

Brooklyn, NY (via TX) Katılım Temmuz 2008
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FKA Dust 🌄
FKA Dust 🌄@FkaDust·
“To Love — ultimately is to have the willingness to interpret someone’s, on the surface, not very appealing behavior, in order to find more benevolent reasons [as to] why it may be unfolding” -Alain De Botton
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Josh Howerton
Josh Howerton@howertonjosh·
No such thing as “othopraxy” then? For instance, NT Wright disagrees with this take when writing about how beliefs about LGBT issues cannot be “debatable matters” and disagreement places you outside the bounds: “This isn’t a matter of ‘private response to Scripture’ but of the uniform teaching of the whole Bible, of Jesus himself, and of the entire Christian tradition.”
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Holy Post Media
Holy Post Media@HolyPost_Media·
The label “heretic” gets thrown around way too easily these days. If you profess the Nicene Creed & the Apostles’ Creed, you count as a legitimate Christian. Period. Christians will always disagree about important political & social issues and matters of doctrine. But at the end of the day, if someone affirms the essential truths outlined in the creeds, they are not heretics or apostates. 🎙️Holy Post 670 with @philvischer@skyejethani & @kaitlynschiess
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David James 🍩
David James 🍩@funkentechno·
What are your favorite releases by women in 2026 so far? I've got a big, growing list of great albums this year but I just scanned through and realized how male-heavy it is. Would love some recommendations.
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Perfume Genius
Perfume Genius@perfumegenius·
Do you ever think about the movie Powder
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David James 🍩
David James 🍩@funkentechno·
the cool thing is, you can rewire your brain to reward you for exploring new music. I get that dopamine hit hearing totally new sounds all the time and it rules. I listen to so much more and better music than I did as a teenager largely because it feels great to discover it
Aakash Gupta@aakashgupta

Your brain peaked musically somewhere around age 16. Everything since then has been a dopamine echo. Between the ages of 12 and 22, the mesolimbic dopamine pathway, the same circuit that processes cocaine and sex, fires at levels in response to sound that it will never reach again for the rest of your life. A 2011 McGill study used PET scans and fMRI simultaneously and found that music triggers dopamine release in the striatum at peak emotional arousal. The caudate nucleus lights up during anticipation of the good part. The nucleus accumbens lights up when it hits. Your brain is treating a guitar riff with the same reward architecture it uses for food-seeking and pair bonding. During adolescence, that response is dramatically amplified. Pubertal hormones are flooding the system. The prefrontal cortex is still wiring itself. Memories formed during this window get encoded with a density of emotional tagging that nothing in your 30s or 40s can replicate. Researchers at the University of Leeds identified this as the “reminiscence bump”: the period when your sense of self is forming, and the music playing during that formation becomes structurally integrated into your identity. A 2025 longitudinal study from the University of Gothenburg analyzed 40,000 users’ streaming data across 15 years. Younger listeners explored broadly across genres. Older listeners collapsed into increasingly narrow loops, almost entirely anchored to music from their teens and early twenties. Your brain stopped losing interest in new music years ago. It’s running a cost-benefit analysis. Familiar songs deliver guaranteed dopamine with zero processing cost. New songs require pattern recognition, expectation-building, and repeated exposure before the reward circuit kicks in. Past 25, most people stop paying that tax. The one variable that predicts whether someone keeps exploring: the personality trait “openness to experience.” Score high, you keep seeking. Score average, you default to the familiar forever. The fix, if you want one: deliberate exposure. Three listens minimum before your auditory cortex builds enough predictive models to generate a reward response. One passive listen on a playlist will never get there. Your brain needs repetition to find the pattern, and it needs the pattern to release dopamine.

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Jack Califano
Jack Califano@jackcalifano·
Impossible to choose, but, of all the scenes in Mad Men, this one blows me away every single time
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FKA Dust 🌄 retweetledi
Pitchfork
Pitchfork@pitchfork·
French composer Éliane Radigue, a lynchpin of musique concrète and minimalism, has died at 94 pitchfork.com/news/eliane-ra…
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Hitodama_Drone
Hitodama_Drone@_Hitodama_·
RIP & Merci to Eliane Radigue, one of the very best to ever do it. A true beyonder. 1932–2026 Memory Eternal. 本当にありがとう
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DREW DANIEL
DREW DANIEL@DDDrewDaniel·
Farewell to a courageous and singular genius. The hours of my life spent listening to "Adnos" and "Trilogie de la Mort" have been foundational to how I think about sound and music. If you let it, her art will change how you understand time and form as such. What a giant.
INA grm@Ina_GRM

Éliane Radigue (1932-2026) It is with immense sadness that we learn of the passing of Éliane Radigue at the age of 94. A major figure in musical creation has left us. Our thoughts are with her family, friends, and collaborators.

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FKA Dust 🌄
FKA Dust 🌄@FkaDust·
never believe an artist who says this is their "last" whatever
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FKA Dust 🌄
FKA Dust 🌄@FkaDust·
@howertonjosh clearly the person's phone it's recorded from has an algorithm that feeds racist content based on its history and interests
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Josh Howerton
Josh Howerton@howertonjosh·
Update for onlookers: As suspected, it was a mistake by a staffer, has been deleted. Wait, learn, and reflect. Don't just emotionally react.
Josh Howerton tweet media
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Sade
Sade@sadearchive·
Sade is nominated for Best Music Video for ‘Young Lion’ at the 2026 GRAMMYs. ‘Young Lion’ is part of the TRAИƧA compilation album by @RedHotOrg, which celebrates trans and non-binary artists and is dedicated to her trans son, Izaak. 💛
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Josh Howerton
Josh Howerton@howertonjosh·
I do not know if it will metastacize to the rest of the country, but on Instagram it’s 2020 again. It’s your test now. Did you learn?
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Saul Staniforth
Saul Staniforth@SaulStaniforth·
Brian Eno: anyone who'd leave the UK because they have to pay a bit more tax arent the least community minded Lord Bethell: "but they are the wealth creators" "They're not the wealth creators. The wealth creators are the people who make things.. who keep society running"👏👏
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Jeremy D. Larson
Jeremy D. Larson@jeremydlarson·
I think the music criticism we publish is exceptional and worth paying for. I think music as an art form is inherently personal & lends itself to communal engagement and individual authority, which can live side by side. And though Pitchfork means a lot to me, it's only a website
Pitchfork@pitchfork

For the first time in 30 years, we’re launching a digital subscription. Read every Pitchfork review, rate and review albums yourself, and take part in artist and editor Q&As, all for $5 a month More info: pitchfork.visitlink.me/Yu9p5m

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Jane Schoenbrun
Jane Schoenbrun@sapphicspielbrg·
Not to nitpick but Ralph Fiennes plays KID A on 12’’ vinyl in 28 DAYS LATER: THE BONE TEMPLE but I’m pretty sure it was only available on double 10’’ until well after the zombie apocalypse
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