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FoulWritten
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FoulWritten
@FoulWritten
Artist, Parent, Doctor, Philosopher, Small Business Owner, Child, Politician, Priest, Pornographer, Architect, Teacher, Janitor, Sergeant, Elitist, Unemployed
Katılım Nisan 2025
589 Takip Edilen44 Takipçiler
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Stop Killing Games delivers 'absolutely incredible' hearing in European Parliament: 'There was no [parliament member] that wasn't responding positively' pcgamer.com/gaming-industr…
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Kellyanne: Trump got elected on—
Jessica: And what do people think of him now? He has a 35% approval rating in most polls.
Gutfeld: He’s not a politician.
Jessica: Yes, he is. Stop saying he’s just the host of The Apprentice who came to save us. He’s been in office twice.
Gutfeld: You can't understand Trump because his political decisions align with his personal and patriotic ones.
Jessica: Personal? Like his own bank account?
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In 1977, All In The Family was the first American sitcom to depict an attempted sexual assault in such raw, realistic detail. ‘Edith’s 50th Birthday’ episode showed the attempted sexual assault of Edith Bunker by a stranger who poses as a police officer on her surprise 50th birthday. When it aired, it drew around 40 million viewers and sparked massive national discussion.
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Aphex Twin’s Logo Wasn’t Drawn — It Was Engineered: The Paul Nicholson Story.
Paul Nicholson is a British graphic designer whose career spans music branding, typography, and visual identity work, most famously for his long-standing collaboration with Aphex Twin. Beginning in the early 1990s, Nicholson developed a reputation for clean, conceptual mark-making that merges technical drafting discipline with experimental visual language. His Aphex Twin logo became a defining example of this approach: a carefully constructed geometric form composed of controlled curves, and calculated negative space. Rather than sketching a loose symbol, Nicholson engineered the mark using measured proportions so that every stroke thickness and angle relates harmoniously to the whole. Beyond this iconic design, he has produced record sleeves, typography systems, and visual identities for electronic music labels and artists, consistently emphasizing structural clarity and symbolic strength. His work demonstrates how minimal shapes, when precisely constructed, can carry strong cultural meaning and remain visually durable across decades of reproduction and reinterpretation.
#logodecks

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@LePapillonBlu2 That decorum shit is an illusion and doesn’t matter when they’re committing atrocities and mass corruption. Not to get into false equivalences, but they’ve all been trash for decades.
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Holy cow: can’t believe how good this looks
sealyx 💿@trulysealy
📼 Upstate Liberty - October, 2001
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