GLORK
8.3K posts


@GLORKGLUNK open.spotify.com/track/62YV5TTy…
It's on spotify and other streaming platforms, along with the rest of the game's OST.
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@RamonPang there are other artists who this applies for, maybe even more, but he has the most cases for selling me on something I didn't think I liked.
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@RamonPang I'm generally an album listener type of guy unless I'm searching for new tracks. But any mix current value does has so much value to me because it recontextualizes so many dnb tracks I otherwise wouldn't be that into.
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@badnarrator_ I mean it is what makes dimension expander work, but in theory you can make any effect work that way if you just take all the mono out, so you can find something more interesting
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@badnarrator_ Legit one of the best ways to add stereo if you’re already happy w the mono. You can just use any stereo effect in parallel and it won’t mess w anything at all
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GLORK retweetledi

this is the nerdy ass reason for this happening. (you would need the delayed and undelayed versions to be panned right and left to deal with how she's struggling lmfao)
roach friend 🔆@bonnibloop_
one time i put a song i was working on for like 7 hours straight in mono and the bass went up an octave and you know what i did. i pretended i didnt hear that
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@qonundrai I think "we are charlie kirk" is the closest, but nobody thought it was actually good as music
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@qonundrai I think we're already dangerously close to the point that just sonic quality from a quantitative standpoint isn't indicative of whether something was human made or not now. we are far from any AI generated hits with cultural relevance though.
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@acey_music @sdjdjsjkd This actually got used a bit, but it never caught on. A lot of early audeka, skope, koan, culprate ect stuff was labeled that way. Not by the artists but by people online. It just failed to catch on as a term
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