IOperaAus

John Adams’s ⁦@HellTweet⁩ The Death of Klinghoffer was premiered in Brussels ⁦@LaMonnaieDeMunt⁩⁩ #OTD in 1991.

Honouring the wonderment of art, its tradition and adaptation, I couldn’t resist being back in its embrace @cityofmelbourne’s grand Royal Exhibition Building a second time to experience Wagner’s Die Meistersinger von Nürnberg. Thank you @MelbourneOpera!

Our latest catalogue has been released – available on the website buff.ly/3X9kERJ #newbooks

Magnificent, and critically acclaimed. Tomorrow and again on Saturday, do not miss this. @MelbourneOpera @warwickfyfe @lampard_bari @tregear limelight-arts.com.au/reviews/die-me…

Looking forward to everything @OperaAustralia, @VictorianOpera, @MelbourneOpera, @BK_Opera, @A_C_O, @LyricOperaMelb and @IOperaAus. Sometimes it seems like there’s never enough but the city sure has a broad variety of options.

Melbourne's UNESCO-listed Exhibition Building will host @MelbourneOpera's ambitious, all-Australian staging of Wagner's "miracle of complex engineering". limelight-arts.com.au/news/massive-m…

Out now! Peter @Tregear and Anne-Marie Forbes's study of the life and works of composer, conductor and teacher Fritz Hart, whose career took him from London to Melbourne and Hawaii. More: buff.ly/3ONXiMN #australianbooks #australianarts @royalmusical @MSAVicChapter

Melbourne's @TheOrchProject and IOpera are set to premiere a World War II-era work that came close to being lost with its composer in the battle for Leningrad. limelight-arts.com.au/features/roths…

A preview in @LimelightArtsAu by @tregear of our forthcoming concert performance (& Australian premiere!) of Fleischmann/Shostakovich's 'Rothschild's Violin' (after Chekhov). Sunday 29 September at UniMelb's Melba Hall. limelight-arts.com.au/features/roths…

No better way to recover from the Grand Final in Melbourne than to attend this Australian premiere the following day, Sunday 29 Sept. Beautiful music, marvellous story, ravishing score. Tickets: trybooking.com/CVETA. @ABCClassic @LimelightArtsAu @OperaChaser @TimeOutMel

Brilliant.

🎼Beethoven initially composed the work for the enthronement of his friend as archbishop writes @tregear from @UniMelb. Two centuries on, it has endured the test of time. #MissaSolemnis #Echobox=1712302990" target="_blank" rel="nofollow noopener">theconversation.com/the-missa-sole…

Mahler 3 in rehearsal at Verbrugghen Hall; performance this Easter Sunday at 3 pm. A few tix still available here: events.humanitix.com/the-orchestra-…

@eiX60202646 @OperaChaser When BK directed Mahagonny in Berlin recently, the opposite was the case--first night audience booed, critics raved. I confess I was with the audience in that instance. I suspect for similar reasons as you are alluding to here.

@OperaChaser Did the audience go crazy at the end?

Select a date and look at ticket prices - anything between $189 and $259. Now that’s avarice at work for what is a long and rather laborious trek through Weill and Brecht’s The Threepenny Opera which not even Barrie Kosky can save. premier.ticketek.com.au/shows/Show.asp…

@OperaChaser Oh I’d love to chat to you about this..