J5ive.eth

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J5ive.eth

J5ive.eth

@J5ive

💼 SaaS PM who likes movies 🍿 https://t.co/QEjRZqDQoj 🎤 Opinions mine

Denver, CO Katılım Mart 2009
220 Takip Edilen413 Takipçiler
J5ive.eth retweetledi
Mann Made Cinema
Mann Made Cinema@Hotshot_Movie·
When I was working on Sideways (which was adapted from a book), I asked the director, Alexander if the book were any good. "No it sucks. You don't adapt great books. You adapt shitty books that have an interesting premise, or a kernel of something that you can exploit and improve. Good books don't make good movies. You have to build a screenplay from the ground up. And nobody is gonna be mad at me for changing the details of a Rex Pickett novel. But God help you if you try to change 2 words in the Lord of the Rings." Brilliant dude.
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J5ive.eth
J5ive.eth@J5ive·
Might be the best way to contextualize One Battle before moving on with our lives: mid-tier Leo at best Django Wolf Hollywood Departed Inception Flower Moon Revenant Titanic One Battle Gangs of New York Aviator Don’t Look Up
Matt Neglia@NextBestPicture

Best Picture winners/nominees starring Leonardo DiCaprio. Rank them: Titanic Gangs of New York The Aviator The Departed Inception Django Unchained The Wolf of Wall Street The Revenant Once Upon a Time in Hollywood Don’t Look Up Killers of the Flower Moon One Battle After Another

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BuccoCapital Bloke
BuccoCapital Bloke@buccocapital·
If we ultimately have a capital-R Revolution in America, historians will look back to this as the moment that woke the people up; where the coordinated, rhythmic chant of "Enough" began to ring out in town squares across this hallowed nation
BuccoCapital Bloke tweet media
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Zoe
Zoe@zoeezebraa·
Cuando salí de Una batalla tras otra salí con la sensación de haberla disfrutado profundamente, pero también con la intuición clara de que algo en su trasfondo no me gustaba. No era un problema de forma, ritmo o interpretación. Era otra cosa. (Hilo⬇️)
Zoe tweet mediaZoe tweet media
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J5ive.eth
J5ive.eth@J5ive·
Imagine Trojan horsing split-second Easter eggs into a blatantly overt satire. Do ya get it?! Do ya?!!! If you pause at the right moment you can also read some of the most embarrassing dialogue ever written and delivered during the bank robbery scene, not to mention its result.
niall@niallpta

how have i only just now noticed this frame

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david phelps
david phelps@divine_economy·
who (if any) are the major leftist philosophers of tech? land, yarvin, and thiel all reign supreme, and many of their aspirations have become prophecy. mark fisher and aaron swartz, meanwhile, are dead.
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Yaroslav Bulatov
Yaroslav Bulatov@yaroslavvb·
Coasen Singularity - firms exist to minimize transaction costs. If AI agents reduce these transaction costs to near-zero, economic need for large firms disappears, potentially leading to a "singular" economy of individuals or "one-person unicorns."
Yaroslav Bulatov tweet media
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J5ive.eth
J5ive.eth@J5ive·
It’s hard to believe we already live under UBI because it’s not quite U and tends to be more than B. You gotta jump thru certain hoops and join certain MS Teams calls, but big picture we’re a long way from pure competition and innovative dynamism at the individual level.
Boring_Business@BoringBiz_

Realizing that the only thing keeping the job market afloat are sectors that run entirely on government subsidies The private sector is barely adding any new jobs We already live under universal basic income We just don’t want to say it out loud yet

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J5ive.eth
J5ive.eth@J5ive·
The standard you set for yourself with a $200M+ budget is basically impossible to meet unless you’re a legendary director. Similar to making your movie 3+ hours or going wildly experimental on a number of areas. Follow your base rates.
Matthew Belloni@MattBelloni

The gross budget of Project Hail Mary is $248M, just under $200M after tax credits. It's the biggest original (based on book) all-audience sci fi bet since Tenet, and a referendum on Amazon's theatrical ambitions. No pressure! Via @ScottMendelson ⬇️⬇️ puck.news/project-hail-m…

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signüll
signüll@signulll·
the internet created global liquidity in everything. this includes talent markets, jobs, dating, attention, & status among many other things. this is the single most under realized structural change of the last 20 years. almost no one understands this well. what this means practically is that whatever you're pursuing, you're now competing in a pool that's orders of magnitude larger than any previous generation faced. the distribution of outcomes gets fatter on both tails & the middle hollows out. you either benefit from the expanded opportunity set or you get crushed by it. the people who thrive in liquid markets are the ones who figure out which game is still inefficiently priced & get there first. but these windows close faster than ever before.
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J5ive.eth
J5ive.eth@J5ive·
Would love to see a no bullshit P/L statement on Spidy for Sony
Movies Scenes 🎫@SceneinCinema

🚨 Leaked contract details say Sony Pictures must release a Spider-Man or related movie roughly every 5.5 years. If they fail the rights revert to Marvel Studios / The Walt Disney. This is why Sony keeps making weird Spider-Man spin-offs like Kraven: The Hunter, Morbius and Madame Web, even though they flop. Under its agreement with Sony Pictures and Marvel Studios (now under The Walt Disney Company), Sony has strict production “clocks” tied to the Spider-Man film rights. Sony must generally release a new Spider-Man-related film within about 5 years and 9 months of the previous one. They typically must begin production within roughly 3 years and 9 months of the last release. If Sony releases three films within eight consecutive years, they can extend the timeline — up to five years to start production and seven years to release the next film. What counts: Live-action films, animated projects, and even spin-offs featuring characters from the Spider-Man “basket of rights” can reset the clock. If Sony fails to meet these milestones, the film rights revert entirely back to Marvel and Disney.

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Alex Morris (TSOH Investment Research)
Alex Morris (TSOH Investment Research)@TSOH_Investing·
FY23 financial projections from the Warner Media / DISCA deal. Fast forward to FY25: WBD generated total revenues of $37.3 billion, with $10.9 billion from DTC, EBITDA of $8.7 billion, and FCF of $3.1 billion. Missed every one of their financial projections by a mile.
Alex Morris (TSOH Investment Research) tweet media
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J5ive.eth
J5ive.eth@J5ive·
Warner had a terrific 2025 movie slate and could not overcome its financial engineering. Paramount put out maybe three good movies total in the last five years, and has even an even steeper debt mountain. In 10 years it’ll be all Netflix and YouTube.
Rich Greenfield, LightShed 🔦@RichLightShed

Can Paramount Grow $12 Billion of Combined EBITDA, Where Warner Bros. Discovery Failed? Key to making the transaction math work is the expectation of at least $6 billion in synergies by the end of 2029, to reduce leverage from 6.5x at closing to 3x within three years of closing. $PSKY $WBD lightshedtmt.com/2026/03/02/can…

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