Scott Mendelson

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Scott Mendelson

Scott Mendelson

@ScottMendelson

Box office columnist at Puck News and otherwise doing the news analysis/film criticism/box office punditry thing at The Outside Scoop via Substack.

California Katılım Aralık 2008
3.9K Takip Edilen44.1K Takipçiler
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Scott Mendelson
Scott Mendelson@ScottMendelson·
If you feel like finding me at the new (for now) "good place"... And if you want to subscribe to my S*bst*ck and/or listen to my weekly podcast, please do that, too. (The extra screenshots are mainly for the clean four photos cropped 16x9 appearance.)
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Scott Mendelson
Scott Mendelson@ScottMendelson·
If a $100M ‘Devil Wears Prada 2’ can top $600M, a $165M ‘Star Wars’ spin-off likely passing $400M is fine for Disney. When ‘Michael’ can pass $800M as ‘Project Hail Mary’ tops $675M, ‘The Mandalorian and Grogu’ performing essentially on par with ‘Solo’ is okay for theaters. 1/2
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Scott Mendelson
Scott Mendelson@ScottMendelson·
It’ll be funny watching Hollywood (potentially) act aghast at Obession, Backrooms, and Amazing Digital Circus, and then (presumably) react by greenlighting Star Trek Into Redundancy, The Bourne Irrelevancy, Urban Legends: Legends and Pirates of the Caribbean: In Empty Theaters.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
@pandersera I liked Boosters! My son appreciated the surreality, but I think he wanted a more grounded “young women shoplifting from upper-class clothing stores to sell at a discount” economic revenge” comedy. Still, at least he’s that much readier to seize those means of production.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
Your move, BACKROOMS...!
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Scott Mendelson
Scott Mendelson@ScottMendelson·
@therealeverton Honestly, I'm inclined to argue that the film's sheer (laugh... or else) quality implies that it was just a "no corners cut" movie that just cost that much. I could be wrong, but I don't think Jackman was demanding $20 million upfront.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
So, #Obsession had an even better second-weekend jump (+30%) than Disney’s 1986 rerelease of ‘Song of the South’!! And... also ‘Titanic’. (It took the 3rd-biggest second-weekend jump ever for any movie opening on more than 2,000 screens but not debuting on or around Christmas)
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Scott Mendelson
Scott Mendelson@ScottMendelson·
@EDouglasWW I didn't mean "it should move," I meant "okay, now it's your turn." :-)
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Edward Douglas
Edward Douglas@EDouglasWW·
@ScottMendelson Backrooms has already sold so many tickets for this weekend, it has no reason to move. Obsession will probably take third place.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
Even (or especially?) if it gets crushed by ‘Backrooms,’ ‘Amazing Digital Circus,’ and (unless it skews nostalgic) ‘Scary Movie 6,’ the lesson is clear. If you make cool-looking movies for kids, films that feel of-the-moment, topical & (maybe) a little dangerous, kids show up.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
Among films that A) opened on at least 600 screens and B) didn’t open prior to Thanksgiving weekend or days before/on Christmas Day, #Obsession just had the second-best second-weekend hold (behind 1987’s ‘Adventures in Babysitting’). It jumped 39% for a $23.9M Fri-Sun gross.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
@therealeverton Yes and no. But I consider films like this akin to Robocop, Terminator 2, Basic Instinct, Sinners, Weapons, Scream, Matrix, Die Hard, Exorcist, etc. “Adult movies” that can be formative cinematic experiences, specifically because a moviegoer saw them when they were young(er).
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Everton Carter🇬🇧/🇯🇲💙 #NHSblueheart 💙
@ScottMendelson Me again causing trouble. Define "kids". I know Americans tend to call University as school, Uni students kids can't drink till their 21 so perhaps that's what you mean but... Kids? Even with the (weird from an outsiders view) non-barrier R rating this is an "adult" movie, right?
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Scott Mendelson
Scott Mendelson@ScottMendelson·
The weekend box office report for The Mandalorian and Grogu will arrive sometime today (at Sea World for my youngest’s 11th birthday). TLDR - $165 million global debut is good enough for a $165 million, kid-friendly flick that should have better legs than the $275 million Solo.
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Scott Mendelson
Scott Mendelson@ScottMendelson·
@sperling @FocusFeatures I imagine such conversations are happening at the moment, but it’s not like it’ll get yanked out of theaters once it debuts on PVOD
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Scott Mendelson
Scott Mendelson@ScottMendelson·
Focus Features and Blumhouse’s breakout sleeper smash 'Obsession’ earned $22.2M in weekend two for a $55M 10-day total, grossing 30% more in its second weekend than it did in its first ($17.2M). That’s one of the best jumps for any wide release not opening around Christmas. 1/2
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Yoshi
Yoshi@ja_y007·
@ScottMendelson Also the guy who directed This is Where You Leave Me, and the guy who directed the Ryan Reynolds/Jennifer Garner scene from The Adam Project. I just feel like Levy is a good director, especially with comedy/drama, but he's terrible when he has to make a "commercial" blockbuster.
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