Joaquim A. Neto

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Joaquim A. Neto

Joaquim A. Neto

@JANeto26

Independent Researcher & Journalist | AFHEA & HE Mentor | Art Curator & Advisor | Founder of HIV Those Who Stayed Behind project & The Cult House

United Kingdon Katılım Ekim 2013
7.5K Takip Edilen11.2K Takipçiler
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Digital Ascension Assn
Digital Ascension Assn@digital_assn·
I'm thrilled to discover that an article very close to my heart, which I wrote has already been published in @artefactlcc Please help me share the fantastic work that OCA Communitu Kitchen and Draper Together are developing in South London ♥️✨🙌 artefactmagazine.com/2025/03/27/com…
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Andre Decolife 🦁
Andre Decolife 🦁@decolife1·
🎉 Happy Birthday to @JANeto72 a great friend, art adviser, the founder of @The_Culthouse that curated many Decolife exhibitions in London.
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Joaquim A. Neto
Joaquim A. Neto@JANeto26·
Happy Holiday Season to all and thank you for the fantastic moments since we started in 2014 Due to many reasons, from Brexit, Covid, and the current financial turmoil in England, we are stopping most of our activities For consultancy services or anything else, send us a message.
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CharlieART❣️
CharlieART❣️@charlieesposito·
Throwback. Living it up with the brilliant founder of @The_Culthouse here at one of their London exhibitions a couple of yrs back. In front of my painting "Path of Flight" here . Good times. 🥰🥰 #artist #NFT
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Academia Aesthetics
Academia Aesthetics@AcademiaAesthe1·
Giovanni Spertini (Pavia, 1821 - Milan, 1895) was an Italian sculptor.
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MoMA The Museum of Modern Art
MoMA The Museum of Modern Art@MuseumModernArt·
Now open! See nearly 200 works that offer a wide retrospective view of the artist’s lifelong innovation, remarkably open concept of art, and fierce originality and wit → mo.ma/oppenheim
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Guggenheim New York
Guggenheim New York@Guggenheim·
"It shows us talent, determination and individual sensibility being molded into great art and maintaining its momentum over time...with extraordinary clarity, almost transparency. It should give everyone, especially artists, hope." —@nytimes nytimes.com/2022/10/20/art…
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