LH66623
699 posts


🇦🇺 Australia’s state of Victoria will spend $3.6M to expand Arabic and Punjabi language teaching in kindergartens. The program will fund teaching 197 centres with 7,000 children already enrolled. Premier Jacinta Allan’s government says it builds “cultural connection.” Follow: @europa

















#BREAKING A recently arrived Iranian born man had found it difficult to "adjust" to Australian women's "revealing garments" before sexually assaulting a woman on Sydney's Anzac Bridge. Amir Mohebbifar, 27, approached a 19 year old woman near the Anzac Bridge in Pyrmont, greeting her before pushing her into nearby bushes and violently sexually attacking her. During sentencing, his defence claimed he had struggled to adjust to Australian culture, specifically mentioning women's "revealing garments” He was sentenced in the NSW District Court to a six year jail term with a non parole period of three years and nine months. Diversity is our strength.


🐜🦟 A prominent UFO researcher claims Steven Spielberg has subtly soft-disclosed real alien contact protocols through Emily Blunt’s upcoming summer blockbuster, Disclosure Day (releasing June 12 @disclosureday). In the trailer, Blunt’s meteorologist character suddenly cuts off her live broadcast and begins speaking in a chilling series of clicks, her pupils dramatically dilated as if possessed by something non-human. Dr. Richard Boylan posted on Twitter/X that the clicking language is definitive proof her character had recent contact with an Estican - a Praying Mantis-type humanoid alien species that communicates exclusively through clicks. Boylan, who has documented Praying Mantis beings in his research for decades, describes the Esticans as one of several extraterrestrial races that regularly visit Earth, attend secret high-level government meetings, and maintain ongoing contact with select humans. He insists the clicking method is their authentic, native language. So the question is: Is Spielberg deliberately encoding genuine alien communication techniques into a big-budget popcorn thriller - or is it simply clever sound design for cinematic horror? Does the director who has shaped how entire generations picture alien contact actually know something the rest of us don’t?














