Laura Bieger retweetledi
Laura Bieger
30 posts


Hear, hear!! Das Zeitalter der Hyperpolitisierung zeit.de/kultur/2020-11… via @zeitonline
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Why would [anyone] expect protests against state-sanctioned racist murder to be peaceful? newyorker.com/news/our-colum…
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Here is the first question that must be asked: What have we done with America? nybooks.com/articles/2020/…
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2 reasons for reading this: "Loneliness ... is the defining condition of totalitarianism and the common ground of all terror." "The idea that we must change the world to survive this crisis and thrive in its aftermath is itself practically self-evident."
newyorker.com/tag/loneliness
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@SIBGroningen Thank you for having me! And for the great discussion!
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Laura Bieger retweetledi

Yesterday, we were joined by @LauraBieger2 for a lecture on the art of the essay in the #1619Project. Thank you for this very informative event!
Next week, we will have a lecture on European Environmental Governance: sib-groningen.nl/event/a-health…

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Britannia, alas! At least this „bumbling farce“ has inspired great poetry. Do check it out! youtu.be/TSMffdtyOwI

YouTube
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Great Op-Ed by Masha Gessen on Mark Zuckerberg's opportunistic view of free speech & the price we might pay for subscribing to it. newyorker.com/news/our-colum…
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Great piece by Masha Gessen on why one must defend Julian Assange!newyorker.com/news/our-colum…
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Feeling like the Internet publicbooks.org/feeling-like-t… via @publicbooks
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@namwalien Well put. And welcome food for thought for someone (me!) thinking about the need to rehabilitate the notion of engagement right now.
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The problem with this binary—let people enjoy things vs let people critique things—is precisely that they both assume the only response to art is another binary:👍🏽vs👎🏽. Enjoyment can entail critique; criticism can be enjoyable. It’s the lack of genuine engagement I find wearying.
Vox@voxdotcom
How the age of poptimism ushered in the era of “shhh let people enjoy things.” vox.com/culture/2019/5…
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