Zimbo Jones, Keeper of the Plumes

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Zimbo Jones, Keeper of the Plumes

Zimbo Jones, Keeper of the Plumes

@LookAroundCafe

“Little kid, big bowl, big spoon.”

Hell Katılım Ocak 2021
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Zimbo Jones, Keeper of the Plumes
Zimbo Jones, Keeper of the Plumes@LookAroundCafe·
“This is your little brother. And he’s only a baby. And we don’t know who he is yet, or who he’s going to be. And that is a wonderful thing.”
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Zimbo Jones, Keeper of the Plumes
@arvofart I was In literally the same theater when I saw Oppenheimer, and I think they need to get some new equipment. The bass at least helped me stay awake, but never so much as the person who kicked the back of my seat over and over again.
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arvo färt
arvo färt@arvofart·
@LookAroundCafe “Too loud” is Nolan’s ethos, but I thought this and Oppenheimer both did a much better job of justifying that overwhelming volume than his past work did. When the sea stops roaring and you’re finally met with silence, it’s a powerful moment
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arvo färt
arvo färt@arvofart·
Here’s my long and admittedly rambling review of The Odyssey. It’s looser and more rambling than Oppenheimer, which is why I both currently don’t like it as much and wonder if it might become my favorite Nolan movie in time. boxd.it/fkEfXR
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John Halo
John Halo@EpicMasterChief·
@LookAroundCafe Those early RED cameras have terrible image quality and low dynamic range. Still today they’re known for being less reliable and more glitch prone than the Alexa or Sony equivalent. They push resolution at the cost of all else.
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Zimbo Jones, Keeper of the Plumes
I do think it would be instructive for folks to watch the documentary about the Red One camera and its use on CHE that’s on the Criterion edition of CHE. It’s both similar and a corrective to Nolan’s ridiculous insistence on shooting an entire movie with IMAX cameras.
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White Knight
White Knight@Pedr0Mart1nez·
@LookAroundCafe All he needs for a great picture is to film in 65mm anamorphic, make 35mm prints, and then do a good digital conversion for us plebs with access to digital-only multiplexes.
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Zimbo Jones, Keeper of the Plumes
There’s a really hacky bit in the last act of THE ODYSSEY that serves as nothing more than an excuse to keep cutting back to Robert Pattinson. It’s pretty funny, though.
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Two Skateboards
Two Skateboards@TwoSk8boards·
Nobody in rural Montana talks about Marvel movies anymore.
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Zimbo Jones, Keeper of the Plumes
@BadGuyRants I mostly just use it as a log. I think the only “review” I’ve done was like two weeks ago and it was a joke about Raymond Burr not being in THE RETURN OF GODZILLA.
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Zimbo Jones, Keeper of the Plumes
Don’t shoot me but I didn’t love it as a whole piece. I’ll probably appreciate it more on subsequent viewings and would see it again in the theater. I had a long weekend and ended up fighting sleep through most of it. I might try to coalesce my thoughts in a review. I might not.
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Oh, and both people sitting beside me at THE ODYSSEY were there by themselves. The one guy had to have purchased the ticket within thirty minutes of showtime, because that seat was mine before I had it refunded, and I was technically in his seat but he didn’t care.
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Zimbo Jones, Keeper of the Plumes
Placing my bet on Nolan adapting a 19th century novel as his next project. You heard it here from me first.
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